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War Noir

War Noir
Author: Sarah Trott
Publisher: Univ. Press of Mississippi
Total Pages: 272
Release: 2016-11-03
Genre: Literary Criticism
ISBN: 1496808657

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The conflation of the hard-boiled style and war experience has influenced many contemporary crime writers, particularly in the traumatic aftermath of the Vietnam War. Yet, earlier writers in the genre, such as Raymond Chandler, remain overlooked when it comes to examining how their war experience affected their writing. Sarah Trott corrects this oversight by examining Chandler alongside the World War I writers of the Lost Generation as well as highlighting a melding of very different styles in Chandler's work. Based on Chandler's experience in combat, Trott explains that the writer created detective Philip Marlowe not as the idealization of heroic individualism, as is commonly perceived, but instead as an authentic individual subjected to very real psychological frailties from trauma during the First World War. Inspecting Chandler's work and correspondence indicates that the characterization of the fictional Marlowe goes beyond the traditional chivalric readings and can instead be interpreted as a genuine representation of a traumatized veteran in American society. Substituting the horror of the trenches for the corruption of the city, Chandler formed a disillusioned protagonist in an uncaring America. Chandler did so with the sophistication necessary to straddle genre fiction and canonical literature. The sum of this work offers a new understanding of how Chandler uses his war trauma, how that experience established the traditional archetype of detective fiction, and how this reading of his fiction enables Chandler to transcend generic limitations and be recognized as a key twentieth-century literary figure.


The Roman Noir in Post-war French Culture

The Roman Noir in Post-war French Culture
Author: Claire Gorrara
Publisher: Oxford Studies in Modern European Culture
Total Pages: 160
Release: 2003
Genre: Fiction
ISBN: 9780199246090

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All the novelists studied were published initially in popular collections, such as the Serie noire, but they have been chosen for the innovation of their work and the exciting ways in which they resist tired conventions and offer new ways of representing social reality." "One of the first English-language studies of this popular genre, The Roman Noir in Post-War French Culture offers much more than close readings of these fascinating texts; it demonstrates the important contribution of the roman noir to the cultural histories of post-war France."--Jacket.


Film Noir

Film Noir
Author: Pettey Homer B. Pettey
Publisher: Edinburgh University Press
Total Pages: 322
Release: 2014-11-11
Genre: Performing Arts
ISBN: 074869109X

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Explores the development of film noir as a cultural and artistic phenomenon. This book traces the development of what we know as film noir from the proto-noir elements of Feuillade's silent French crime series and German Expressionism to the genre's mid-twentieth century popularization and influence on contemporary global media. By employing experimental lighting effects, oblique camera angles, distorted compositions, and shifting points-of-view, film noir's style both creates and comments upon a morally adumbrated world, where the alienating effects of the uncanny, the fetishistic, and the surreal dominate. What drew original audiences to film noir is an immediate recognition of this modern social and psychological reality. Much of the appeal of film noir concerns its commentary on social anxieties, its cynical view of political and capitalist corruption, and its all-too-brutal depictions of American modernity. This book examines the changing, often volatile shifts in representations of masculinity and femininity, as well as the genre's complex relationship with Afro-American culture, observable through noir's musical and sonic experiments. Key featuresTraces the history of film noir from its aesthetic antecedents through its mid-century popularization to its influence on contemporary global mediaDiscusses the influence of literary and artistic sources on the development of film noirIncludes extensive bibliographies, filmographies and recommended noir film viewingConcludes with a reflective chapter by Alain Silver and James Ursini on their own influential studies and collections on film noir criticism


Film Noir

Film Noir
Author: Ian Brookes
Publisher: Bloomsbury Publishing USA
Total Pages: 288
Release: 2017-03-09
Genre: Performing Arts
ISBN: 178093324X

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What is film noir? With its archetypal femme fatale and private eye, its darkly-lit scenes and even darker narratives, the answer can seem obvious enough. But as Ian Brookes shows in this new study, the answer is a lot more complex than that. This book is designed to tackle those complexities in a critical introduction that takes into account the problems of straightforward definition and classification. Students will benefit from an accessible introductory text that is not just an account of what film noir is, but also an interrogation of the ways in which the term came to be applied to a disparate group of American films of the 1940s and 1950s.


French and American Noir

French and American Noir
Author: Alistair Rolls
Publisher: Springer
Total Pages: 229
Release: 2009-08-21
Genre: Literary Criticism
ISBN: 0230244823

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A longstanding misconception surrounding the term French noir suggests that the post-war French thriller and film noir were a development of, or response to, a pre-existing American tradition. This book challenges this misconception, examining the complexity of this trans-Atlantic exchange and refocusing debate to include a Franco-French lineage.


Roots of Film Noir

Roots of Film Noir
Author: Kevin Grant
Publisher: McFarland
Total Pages: 253
Release: 2022-11-23
Genre: Performing Arts
ISBN: 147668748X

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Individual reviews of 90+ films created and released before 1941 are included here in the first title-by-title reference guide to the forerunners of film noir. Silent Hitchcock thrillers and German expressionist masterpieces, French poetic realist dramas and forgotten Hollywood B-movies, pseudo-Freudian gangster films and costume melodramas are among the works covered. The collection spans subgenres and cultures of filmmaking, aiming to demonstrate that the roots of noir were sown far and wide, long before the lasting and mysterious genre flowered in America during the war years.


Class, Crime and International Film Noir

Class, Crime and International Film Noir
Author: D. Broe
Publisher: Springer
Total Pages: 233
Release: 2014-04-08
Genre: Performing Arts
ISBN: 1137290145

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Class, Crime and International Film Noir argues that, in its postwar, classical phase, this dark variant of the crime film was not just an American phenomenon. Rather, these seedy tales with their doomed heroes and heroines were popular all over the world including France, Britain, Italy and Japan.


Film Noir

Film Noir
Author: William Luhr
Publisher: John Wiley & Sons
Total Pages: 248
Release: 2012-01-04
Genre: Performing Arts
ISBN: 1444355937

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Film Noir offers new perspectives on this highly popular and influential film genre, providing a useful overview of its historical evolution and the many critical debates over its stylistic elements. Brings together a range of perspectives on a topic that has been much discussed but remains notoriously ill-defined Traces the historical development of the genre, usefully exploring the relations between the films of the 1940s and 1950s that established the "noir" universe and the more recent films in which it has been frequently revived Employs a clear and intelligent writing style that makes this the perfect introduction to the genre Offers a thorough and engaging analysis of this popular area of film studies for students and scholars Presents an in-depth analysis of six key films, each exemplifying important trends of film noir: Murder, My Sweet; Out of the Past; Kiss Me Deadly; The Long Goodbye; Chinatown; and Seven


Film Noir Reader 4

Film Noir Reader 4
Author: Alain Silver
Publisher: Hal Leonard Corporation
Total Pages: 340
Release: 2004
Genre: Performing Arts
ISBN:

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This text identifies a handful of plot elements that consistently recur within film noir and analyses in depth the memorable pictures that, while being vivid prototypes of certain cinematics themes, bend and break their moulds to find new ways to enthral and frighten us.


Cornell Woolrich from Pulp Noir to Film Noir

Cornell Woolrich from Pulp Noir to Film Noir
Author: Thomas C. Renzi
Publisher: McFarland
Total Pages: 380
Release: 2015-01-24
Genre: Performing Arts
ISBN: 0786482818

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Extremely popular and prolific in the 1930s and 1940s, Cornell Woolrich still has diehard fans who thrive on his densely packed descriptions and his spellbinding premises. A contemporary of Hammett and Chandler, he competed with them for notoriety in the pulps and became the single most adapted writer for films of the noir period. Perhaps the most famous film adaptation of a Woolrich story is Alfred Hitchcock's Rear Window (1954). Even today, his work is still onscreen; Michael Cristofer's Original Sin (2001) is based on one of his tales. This book offers a detailed analysis of many of Woolrich's novels and short stories; examines films adapted from these works; and shows how Woolrich's techniques and themes influenced the noir genre. Twenty-two stories and 30 films compose the bulk of the study, though many other additions of films noirs are also considered because of their relevance to Woolrich's plots, themes and characters. The introduction includes a biographical sketch of Woolrich and his relationship to the noir era, and the book is illustrated with stills from Woolrich's noir classics.