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The Final Warning and a Defense Against Modernism

The Final Warning and a Defense Against Modernism
Author: Paul A. Mihalik
Publisher:
Total Pages: 95
Release: 1997
Genre: Religion
ISBN: 9781579180430

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This book is an essential guide to understanding the "final warning" and what the prophets of yesterday and today tell us about it. Messages from La Salette, Fatima, Sr. Faustina, Garabandal, Medjugorje, Akita and many more are included to illustrate that we are indeed in the final hour. The author also sheds light on the dangers of modernism which are rampant in today's world.


The Nature of Angels

The Nature of Angels
Author: Queenship Publishing Company
Publisher:
Total Pages: 68
Release: 2000
Genre:
ISBN: 9781579181437

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Opera After the Zero Hour

Opera After the Zero Hour
Author: Emily Richmond Pollock
Publisher: Oxford University Press
Total Pages: 304
Release: 2019-08-20
Genre: Music
ISBN: 0190063769

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Opera After the Zero Hour: The Problem of Tradition and the Possibility of Renewal in Postwar West Germany presents opera as a site for the renegotiation of tradition in a politically fraught era of rebuilding. Though the "Zero Hour" put a rhetorical caesura between National Socialism and postwar West Germany, the postwar era was characterized by significant cultural continuity with the past. With nearly all of the major opera houses destroyed and a complex relationship to the competing ethics of modernism and restoration, opera was a richly contested art form, and the genre's reputed conservatism was remarkably multi-faceted. Author Emily Richmond Pollock explores how composers developed different strategies to make new opera "new" while still deferring to historical conventions, all of which carried cultural resonances of their own. Diverse approaches to operatic tradition are exemplified through five case studies in works by Boris Blacher, Hans Werner Henze, Carl Orff, Bernd Alois Zimmermann, and Werner Egk. Each opera alludes to a distinct cultural or musical past, from Greek tragedy to Dada, bel canto to Berg. Pollock's discussions of these pieces draw on source studies, close readings, unpublished correspondence, institutional history, and critical commentary to illuminate the politicized artistic environment that influenced these operas' creation and reception. The result is new insight into how the particular opposition between a conservative genre and the idea of the "Zero Hour" motivated the development of opera's social, aesthetic, and political value after World War II.


Military Sociology

Military Sociology
Author: Wilbur J. Scott
Publisher: Taylor & Francis
Total Pages: 357
Release: 2022-12-30
Genre: Social Science
ISBN: 1000817377

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This textbook introduces the reader to the field of military sociology through narrative reviews of selected key studies in the discipline. The book provides a guided introduction. In each chapter, the authors set the stage and then immerse the reader in Spotlights – that is, descriptions of essential studies that inform the discipline of military sociology. The goal is to afford readers a ready pathway into how sociologists and social scientists have thought about topics in the study of the military and war. Topics covered in the book include: What is military sociology? What does it have to offer in understanding armed forces, wars, and societies? What basic tools are needed to ply sociological, or more broadly, social science perspectives for studying war and the military? What are the bio-social bases of war? What does the spectrum of such societally organized violence look like? How do societies raise and maintain formal militaries? What are variations in their social composition and in the profiles of civil–military relations? How and why is military organization and war changing so dramatically in the 21st-century? What does the future hold? This book will be of great interest to students of military sociology, the armed forces and society, peace studies, and international relations.


Condorcet and Modernity

Condorcet and Modernity
Author: David Williams
Publisher: Cambridge University Press
Total Pages: 306
Release: 2004-09-16
Genre: Political Science
ISBN: 1139456482

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The Marquis de Condorcet was one of the few Enlightenment ideologists to witness the French Revolution and participate as an elected politician at the centre of events during France's transition from monarchy to republic. Condorcet and Modernity explores the interaction between Condorcet's political theory, legislative pragmatism, public policy proposals and the management of change. David Williams examines key topics including rights, the civil order, the Church, the slave trade, women's civil rights, judicial reform, voting and representation, economics, monarchy, power and revolution. He explores the complex links between Condorcet as the visionary ideologist and Condorcet as the pragmatic legislator, and between Condorcet's concept of modernity - the application of 'social arithmetic' to government policies. Based on an extensive array of both printed and manuscript sources, this major contribution to enlightenment studies is a full treatment of Condorcet's politics.


Canadian Intellectuals, the Tory Tradition, and the Challenge of Modernity, 1939-1970

Canadian Intellectuals, the Tory Tradition, and the Challenge of Modernity, 1939-1970
Author: Philip Alphonse Massolin
Publisher: University of Toronto Press
Total Pages: 388
Release: 2001-01-01
Genre: Philosophy
ISBN: 9780802035097

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This work analyses the development of a modern consciousness through the eyes of the most fervent critics of modernity - adherents to the moral and value systems associated with Canada's tory tradition.


Nazi Exhibition Design and Modernism

Nazi Exhibition Design and Modernism
Author: Michael Tymkiw
Publisher: U of Minnesota Press
Total Pages: 394
Release: 2018-05-29
Genre: Art
ISBN: 1452956774

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A new and challenging perspective on Nazi exhibition design In one of the most comprehensive analyses ever written on the subject, Michael Tymkiw reassesses the relationship between Nazi exhibition design and modernism. While National Socialist exhibitions are widely understood as platforms for attacking modern art, they also served as sites of surprising formal experimentation among artists, architects, and others, who often drew upon and reconfigured the practices and principles of modernism when designing exhibition spaces and the objects within. In this book, Tymkiw reveals that a central motivation behind such experimentation was the interest in provoking what he calls "engaged spectatorship"—attempts to elicit experiences among exhibition-goers that would pique their desire to become involved in wider processes of social and political change. For historians of art, architecture, performance, and other forms of visual culture, Nazi Exhibition Design and Modernism unravels long-held assumptions, particularly concerning the ideological stakes of participation.


Africa After Modernism: Transitions in Literature Media and Philosophy

Africa After Modernism: Transitions in Literature Media and Philosophy
Author: Michael Janis
Publisher: Routledge
Total Pages: 279
Release: 2013-05-13
Genre: History
ISBN: 1135201447

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Africa after Modernism traces shifts in perspectives on African culture, arts, and philosophy from the conflict with European modernist interventions in the climate of colonialist aggression to present identitarian positions in the climate of globalism, multiculturalism, and mass media. By focusing on what may be called deconstructive moments in twentieth-century Africanist thought – on intellectual landmarks, revolutionary ideas, crises of consciousness, literary and philosophical debates – this study looks at African modernity and modernism from critical postcolonial perspectives. An effort to sketch contemporary frameworks of global intersubjective relations reflecting African cultures and concerns must resist taking modernism as a term of African periodization, or master-narrative, but as a constellation of discursive and subjective forms that obtains upon the present moment in African literature, philosophy, and cultural history. Africa after Modernism argues for a philosophical consciousness and pan-African multiculturalist ethos that operate, after the deconstruction of Eurocentrism, beyond self/other paradigms of exoticism or West/Africa political ideologies, in dialogue with postcolonial approaches to cultural reciprocity.


Post-war Cinema and Modernity

Post-war Cinema and Modernity
Author: Orr John Orr
Publisher: Edinburgh University Press
Total Pages: 464
Release: 2019-08-06
Genre: Modernism (Aesthetics)
ISBN: 1474471471

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Post-war Cinema and Modernity explores the relationship between film and modernity in the second half of the twentieth century. Its distinguishing feature is the focus on the close connections between history, theory and textual criticism. The first section, on Film Theory and Film Form, begins with a sustained group of theory readings. Bazin and Telotte critique new post-war forms of film narrative, while Metz and Birch respond to the filmic innovations of the 1960s and the question of modernism. Pasolini's landmark polemic on the cinema of poetry is a vital springboard for the later critiques by Deleuze and Tarkovsky of time and the image, and for Kawin and De Lauretis of subjectivities and their narrative transformation, while Jameson deals with the topical question of film and postmodernity. There follows a series of essays grouped around different aspects of film form. General discussion of changes in film technology and cinematic perception can be seen in the essays by Virilio, Wollen, Aumont and Bukatman, and is extended to a discussion of film documentary. Finally, there is a focus on cinematographers and their filmic collaboration, with a specially commissioned essay on post-war British cinematography, and readings featuring the work of Michael Chapman with Martin Scorsese and Nestor Almendros with Terrence Malick.The second section looks at International Cinema, placing filmmaking and filmmakers in a social and a national context, as well as taking up many aspects of film theory. It brings together landmark essays which contextualise feature films historically, yet also highlight their aesthetic power and their wider cultural importance. Filmmakers discussed include Ozu, Bresson, Hitchcock, Godard, Fassbinder and Zhang Yimou. There is a new translation of Kieslowski's essay on Bergman's The Silence and an essay specially commissioned for the volume on the work of Theo Angelopoulos.Features* Filmmaking and filmmakers are placed in social, nat