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The Final Warning and a Defense Against Modernism

The Final Warning and a Defense Against Modernism
Author: Paul A. Mihalik
Publisher:
Total Pages: 95
Release: 1997
Genre: Religion
ISBN: 9781579180430

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This book is an essential guide to understanding the "final warning" and what the prophets of yesterday and today tell us about it. Messages from La Salette, Fatima, Sr. Faustina, Garabandal, Medjugorje, Akita and many more are included to illustrate that we are indeed in the final hour. The author also sheds light on the dangers of modernism which are rampant in today's world.


The Nature of Angels

The Nature of Angels
Author: Queenship Publishing Company
Publisher:
Total Pages: 68
Release: 2000
Genre: Body, Mind & Spirit
ISBN: 9781579181437

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Modern: Genius, Madness, and One Tumultuous Decade That Changed Art Forever

Modern: Genius, Madness, and One Tumultuous Decade That Changed Art Forever
Author: Philip Hook
Publisher: The Experiment, LLC
Total Pages: 434
Release: 2022-04-19
Genre: Art
ISBN: 1615198687

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A revelatory, fast-paced account of the most exciting, frenzied, and revolutionary decade in art history—1905 to the dawn of World War I in 1914—and the avant-garde artists who indelibly changed our visual landscape Modern begins on a specific day—March 22, 1905—at a specific place: the Salon des Indépendants in Paris, where works of art we recognize as modern were first exhibited. Drawing on his forty five-year fine art career, author Philip Hook illuminates how this new art came to be—and how truly shocking it was. With Hook’s expert guidance, we witness movement upon movement that burst forth in dizzying succession: Fauvism, Expressionism, Primitivism, Symbolism, Cubism, Futurism, and Abstract art. As Hook barnstorms across Europe—to London, Germany, Moscow, Scandinavia, and everywhere modern art was being made—his vivid accounts breathe new life into the work and times of Picasso, Matisse, Modigliani, Kandinsky, Malevich, Klimt, Schiele, Munch, and nearly two hundred other artists who painted, sculpted, and exhibited alongside them, and whose collective genius was understood and appreciated by few at the time. Hook reconsiders the decade from a series of fresh angles: What was the conventional art against which Modernism sought to rebel? Why were avant-garde artists so self-obsessed? What persuaded a few bold collectors to buy difficult modern art? And why did others pay so much money for Old Masters at the same time? Modern helps us answer these questions and more—and to see how avant-garde artists marshaled their genius (and oftentimes their madness) to create works of such profound consequence, they still reverberate today—and which, taken together, made for a movement more influential than even the Renaissance.


Modernity and the Final Aim of History

Modernity and the Final Aim of History
Author: F. Tomasoni
Publisher: Springer Science & Business Media
Total Pages: 278
Release: 2013-03-09
Genre: Philosophy
ISBN: 940170113X

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This book is intended for scholars and students in humanities, history, Jewish studies, philosophy, Christian theology, and for those concerned with the roots of anti-Semitism and with the need for toleration and intercultural pluralism. The book combines the development of German philosophy from the Enlightenment to Idealism, and from Idealism to the revolutionary turning-point of the mid-nineteenth century with the Jewish question.


The Contemporaneity of Modernism

The Contemporaneity of Modernism
Author: Michael D'Arcy
Publisher: Routledge
Total Pages: 248
Release: 2015-10-23
Genre: Literary Criticism
ISBN: 1317423658

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At a juncture in which art and culture are saturated with the forces of commodification, this book argues that problems, forms, and positions that defined modernism are crucially relevant to the condition of contemporary art and culture. The volume is attuned to the central concerns of recent scholarship on modernism and contemporary culture: the problems of aesthetic autonomy and the specific role of art in preserving a critical standpoint for cultural production; the relationship between politics and the category of the aesthetic; the problems of temporality and contemporaneity; literary transnationalism; and the questions of medium and medium specificity. Ranging across art forms, mediums, disciplines, and geographical locations, essays address the foundational questions that fuse modernism and the contemporary moment: What is art? What is the relation between art and the economy? How do art and technology interpenetrate and transform each other? What is modernism’s logic of time and contemporaneity, and how might it speak to the problem of thinking genuine novelty, or the possibility of an alternative to the current stage of neo-liberal capitalism? What is modernism, and what is its history? The book is thus committed to revising our understanding of what modernism was in its earlier instantiations, and in accounting for the current moment, addressing the problems raised by modernism's afterlives and reverberations in the 20th and 21st centuries. The volume includes essays that consider literature, sociology, philosophy, visual art, music, architecture, digital culture, television, and other artistic media. It synthesizes the most recent thinking on modernism and contemporary culture and presents a compelling case for what happens to literature, art, and culture in the wake of the exhaustion of postmodernism. This book will be of interest to those studying literature, visual art, media studies, architecture, literary theory, modernism, and twentieth-century and contemporary culture more generally.


The Final Pagan Generation

The Final Pagan Generation
Author: Edward J. Watts
Publisher: University of California Press
Total Pages: 348
Release: 2020-08-25
Genre: Religion
ISBN: 0520379225

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A compelling history of radical transformation in the fourth-century--when Christianity decimated the practices of traditional pagan religion in the Roman Empire. The Final Pagan Generation recounts the fascinating story of the lives and fortunes of the last Romans born before the Emperor Constantine converted to Christianity. Edward J. Watts traces their experiences of living through the fourth century’s dramatic religious and political changes, when heated confrontations saw the Christian establishment legislate against pagan practices as mobs attacked pagan holy sites and temples. The emperors who issued these laws, the imperial officials charged with implementing them, and the Christian perpetrators of religious violence were almost exclusively young men whose attitudes and actions contrasted markedly with those of the earlier generation, who shared neither their juniors’ interest in creating sharply defined religious identities nor their propensity for violent conflict. Watts examines why the "final pagan generation"—born to the old ways and the old world in which it seemed to everyone that religious practices would continue as they had for the past two thousand years—proved both unable to anticipate the changes that imperially sponsored Christianity produced and unwilling to resist them. A compelling and provocative read, suitable for the general reader as well as students and scholars of the ancient world.


Popes Against Modern Errors

Popes Against Modern Errors
Author: Tan Books
Publisher:
Total Pages: 0
Release: 1999
Genre: Religion
ISBN: 9780895556431

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In 1789, the French Revolution took place and launched a host of religious, political and social errors which the Popes for over 160 years afterwards wrote and legislated against. Yet most of these errors have spread and today have filtered down to the common man... with the result that most people now take for granted many fundamental assumptions that are positively false! But almost from the beginning of these errors, the Popes spoke out as with one voice, inveighing against them. Today, as we see these errors bearing evil fruit, many thoughtful Catholics are returning to those Papal documents which condemned these modern errors, to examine what the Popes have said all along about them. Here, in one handy volume, are the best and most famous of those papal denunciations: - On Liberalism (Mirari Vos). Gregory XVI. 1832. - On Current Errors (Quanta Cura). Pius IX. 1864. - The Syllabus of Errors. Pius IX. 1864. - On Government Authority (Diuturnum Illud). Leo XIII. 1881. - On Freemasonry and Naturalism (Humanum Genus). Leo XIII. 1884. - On the Nature of True Liberty (Libertas Praestantissimum). Leo XIII. 1888. - On the Condition of the Working Classes (Rerum Novarum). Leo XIII. 1891. - On Christian Democracy (Graves de Communi Re). Leo XIII. 1901. - Syllabus Condemning the Errors of the Modernists (Lamentabili Sane). St. Pius X. 1907. - On Modernism (Pascendi Dominici Gregis). St. Pius X. 1907. - Our Apostolic Mandate (On the "Sillon"). St. Pius X. 1910. - The Oath Against Modernism. St. Pius X. 1910. - On the Feast of Christ the King (Quas Primas). Pius XI. 1925. - On Fostering True Religious Unity (Mortalium Animos). Pius XI. 1928. - On Atheistic Communism (Divini Redemptoris). Pius XI. 1937. - On Certain False Opinions (Humani Generis). Pius XII. 1950. After this book, the reader will be forced to conclude: "The Popes were right all along!" Only by heeding the advice and counsel of these enlightened Roman Pontiffs will the world be able to cast off its yoke of error and enjoy once more the true freedom Our Lord spoke of when He said, "If you continue in my word, you shall be my disciples indeed. And you shall know the truth, and the truth shall make you free." (John 8:31-32).


Anti-modernism

Anti-modernism
Author: Diana Mishkova
Publisher: Central European University Press
Total Pages: 452
Release: 2014-09-01
Genre: Political Science
ISBN: 9633860954

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The last volume of the Discourses of Collective Identity in Central and Southeast Europe 1770–1945 series presents 46 texts under the heading of "antimodernism". In a dynamic relationship with modernism, from the 1880s to the 1940s, and especially during the interwar period, the antimodernist political discourse in the region offered complex ideological constructions of national identification. These texts rejected the linear vision of progress and instead offered alternative models of temporality, such as the cyclical one as well as various narratives of decline. This shift was closely connected to the rejection of liberal democratic institutionalism, and the preference for organicist models of social existence, emphasizing the role of the elites (and charismatic leaders) shaping the whole body politic. Along these lines, antimodernist authors also formulated alternative visions of symbolic geography: rejecting the symbolic hierarchies that focused on the normativity of Western European models, they stressed the cultural and political autarchy of their own national community, which in some cases was also coupled with the reevaluation of the Orient. At the same time, this antimodernist turn should not be confused with rightwing radicalism—in fact, the dialogue with the modernist tradition was often very subtle and the anthology also contains texts which offered a criticism of 'modern' totalitarianism in an antimodernist key.