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The Final Warning and a Defense Against Modernism

The Final Warning and a Defense Against Modernism
Author: Paul A. Mihalik
Publisher:
Total Pages: 95
Release: 1997
Genre: Religion
ISBN: 9781579180430

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This book is an essential guide to understanding the "final warning" and what the prophets of yesterday and today tell us about it. Messages from La Salette, Fatima, Sr. Faustina, Garabandal, Medjugorje, Akita and many more are included to illustrate that we are indeed in the final hour. The author also sheds light on the dangers of modernism which are rampant in today's world.


Modern: Genius, Madness, and One Tumultuous Decade That Changed Art Forever

Modern: Genius, Madness, and One Tumultuous Decade That Changed Art Forever
Author: Philip Hook
Publisher: The Experiment, LLC
Total Pages: 434
Release: 2022-04-19
Genre: Art
ISBN: 1615198687

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A revelatory, fast-paced account of the most exciting, frenzied, and revolutionary decade in art history—1905 to the dawn of World War I in 1914—and the avant-garde artists who indelibly changed our visual landscape Modern begins on a specific day—March 22, 1905—at a specific place: the Salon des Indépendants in Paris, where works of art we recognize as modern were first exhibited. Drawing on his forty five-year fine art career, author Philip Hook illuminates how this new art came to be—and how truly shocking it was. With Hook’s expert guidance, we witness movement upon movement that burst forth in dizzying succession: Fauvism, Expressionism, Primitivism, Symbolism, Cubism, Futurism, and Abstract art. As Hook barnstorms across Europe—to London, Germany, Moscow, Scandinavia, and everywhere modern art was being made—his vivid accounts breathe new life into the work and times of Picasso, Matisse, Modigliani, Kandinsky, Malevich, Klimt, Schiele, Munch, and nearly two hundred other artists who painted, sculpted, and exhibited alongside them, and whose collective genius was understood and appreciated by few at the time. Hook reconsiders the decade from a series of fresh angles: What was the conventional art against which Modernism sought to rebel? Why were avant-garde artists so self-obsessed? What persuaded a few bold collectors to buy difficult modern art? And why did others pay so much money for Old Masters at the same time? Modern helps us answer these questions and more—and to see how avant-garde artists marshaled their genius (and oftentimes their madness) to create works of such profound consequence, they still reverberate today—and which, taken together, made for a movement more influential than even the Renaissance.


The Nature of Angels

The Nature of Angels
Author: Queenship Publishing Company
Publisher:
Total Pages: 68
Release: 2000
Genre: Body, Mind & Spirit
ISBN: 9781579181437

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Modernity and the Final Aim of History

Modernity and the Final Aim of History
Author: F. Tomasoni
Publisher: Springer Science & Business Media
Total Pages: 278
Release: 2013-03-09
Genre: Philosophy
ISBN: 940170113X

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This book is intended for scholars and students in humanities, history, Jewish studies, philosophy, Christian theology, and for those concerned with the roots of anti-Semitism and with the need for toleration and intercultural pluralism. The book combines the development of German philosophy from the Enlightenment to Idealism, and from Idealism to the revolutionary turning-point of the mid-nineteenth century with the Jewish question.


Anti-modernism

Anti-modernism
Author: Diana Mishkova
Publisher: Central European University Press
Total Pages: 452
Release: 2014-09-01
Genre: Political Science
ISBN: 9633860954

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The last volume of the Discourses of Collective Identity in Central and Southeast Europe 1770–1945 series presents 46 texts under the heading of "antimodernism". In a dynamic relationship with modernism, from the 1880s to the 1940s, and especially during the interwar period, the antimodernist political discourse in the region offered complex ideological constructions of national identification. These texts rejected the linear vision of progress and instead offered alternative models of temporality, such as the cyclical one as well as various narratives of decline. This shift was closely connected to the rejection of liberal democratic institutionalism, and the preference for organicist models of social existence, emphasizing the role of the elites (and charismatic leaders) shaping the whole body politic. Along these lines, antimodernist authors also formulated alternative visions of symbolic geography: rejecting the symbolic hierarchies that focused on the normativity of Western European models, they stressed the cultural and political autarchy of their own national community, which in some cases was also coupled with the reevaluation of the Orient. At the same time, this antimodernist turn should not be confused with rightwing radicalism—in fact, the dialogue with the modernist tradition was often very subtle and the anthology also contains texts which offered a criticism of 'modern' totalitarianism in an antimodernist key.


Bad Modernisms

Bad Modernisms
Author: Douglas Mao
Publisher: Duke University Press
Total Pages: 375
Release: 2006-04-14
Genre: Literary Criticism
ISBN: 0822387824

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Modernism is hot again. At the dawn of the twenty-first century, poets and architects, designers and critics, teachers and artists are rediscovering the virtues of the previous century’s most vibrant cultural constellation. Yet this widespread embrace raises questions about modernism’s relation to its own success. Modernism’s “badness”—its emphasis on outrageous behavior, its elevation of negativity, its refusal to be condoned—seems essential to its power. But once modernism is accepted as “good” or valuable (as a great deal of modernist art now is), its status as a subversive aesthetic intervention seems undermined. The contributors to Bad Modernisms tease out the contradictions in modernism’s commitment to badness. Bad Modernisms thus builds on and extends the “new modernist studies,” recent work marked by the application of diverse methods and attention to texts and artists not usually labeled as modernist. In this collection, these developments are exemplified by essays ranging from a reading of dandyism in 1920s Harlem as a performance of a “bad” black modernist imaginary to a consideration of Filipino American modernism in the context of anticolonialism. The contributors reconsider familiar figures—such as Virginia Woolf, D. H. Lawrence, Josef von Sternberg, Ludwig Wittgenstein, W. H. Auden, and Wyndham Lewis—and bring to light the work of lesser-known artists, including the writer Carlos Bulosan and the experimental filmmaker Len Lye. Examining cultural artifacts ranging from novels to manifestos, from philosophical treatises to movie musicals, and from anthropological essays to advertising campaigns, these essays signal the capaciousness and energy galvanizing the new modernist studies. Contributors. Lisa Fluet, Laura Frost, Michael LeMahieu, Heather K. Love, Douglas Mao, Jesse Matz, Joshua L. Miller, Monica L. Miller, Sianne Ngai, Martin Puchner, Rebecca L. Walkowitz


Modernist Islam, 1840-1940

Modernist Islam, 1840-1940
Author: Charles Kurzman
Publisher: Oxford University Press, USA
Total Pages: 408
Release: 2002
Genre: History
ISBN: 9780195154689

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A major intellectual current in the Muslim world during the 19th and 20th centuries, proponents of modernist Islam typically believed that it was imperative to show how "modern" values and institutions could be reconciled with authentically Islamic ideals. This text collects their writings.


The Contemporaneity of Modernism

The Contemporaneity of Modernism
Author: Michael D'Arcy
Publisher: Routledge
Total Pages: 248
Release: 2015-10-23
Genre: Literary Criticism
ISBN: 1317423658

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At a juncture in which art and culture are saturated with the forces of commodification, this book argues that problems, forms, and positions that defined modernism are crucially relevant to the condition of contemporary art and culture. The volume is attuned to the central concerns of recent scholarship on modernism and contemporary culture: the problems of aesthetic autonomy and the specific role of art in preserving a critical standpoint for cultural production; the relationship between politics and the category of the aesthetic; the problems of temporality and contemporaneity; literary transnationalism; and the questions of medium and medium specificity. Ranging across art forms, mediums, disciplines, and geographical locations, essays address the foundational questions that fuse modernism and the contemporary moment: What is art? What is the relation between art and the economy? How do art and technology interpenetrate and transform each other? What is modernism’s logic of time and contemporaneity, and how might it speak to the problem of thinking genuine novelty, or the possibility of an alternative to the current stage of neo-liberal capitalism? What is modernism, and what is its history? The book is thus committed to revising our understanding of what modernism was in its earlier instantiations, and in accounting for the current moment, addressing the problems raised by modernism's afterlives and reverberations in the 20th and 21st centuries. The volume includes essays that consider literature, sociology, philosophy, visual art, music, architecture, digital culture, television, and other artistic media. It synthesizes the most recent thinking on modernism and contemporary culture and presents a compelling case for what happens to literature, art, and culture in the wake of the exhaustion of postmodernism. This book will be of interest to those studying literature, visual art, media studies, architecture, literary theory, modernism, and twentieth-century and contemporary culture more generally.


The Rhetoric of Modernist Fiction

The Rhetoric of Modernist Fiction
Author: Morton Levitt
Publisher: UPNE
Total Pages: 222
Release: 2006
Genre: Fiction
ISBN: 9781584655008

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A wide-ranging response to The Rhetoric of Fiction.