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Sondra Perry

Sondra Perry
Author: Sondra Perry
Publisher: Koenig Books
Total Pages: 220
Release: 2018-05
Genre: Art, Modern
ISBN: 9783960982777

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Artist Sondra Perry (b. 1986, USA) foregrounds the tools of digital production in her videos and performances to reflect critically on new technologies of representation and to remobilise their potential. Her work revolves around black American history and ways in which technology shapes identities, often with her own personal history as a point of departure. The exhibition at the Serpentine Sackler Gallery will be Perry’s first solo presentation of her work in Europe and continues the Serpentine’s engagement with her practice, which began with her moving image intervention for the 2016 Park Nights series. The exhibition will include a site-specific installation incorporating existing works.

Sondra Perry

Sondra Perry
Author: Museum of Contemporary Art Cleveland
Publisher: Hatje Cantz Verlag
Total Pages: 121
Release: 2022-01-27
Genre: Art
ISBN: 3775746366

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Was macht aus einem beliebigen Raum einen Platz? Was schreibt ihm Geschichte ein oder verleiht ihm Bedeutung? Diese Fragen beschäftigen die Installationskünstlerin Sondra Perry in ihrer aktuellen Arbeit A Terrible Thing für das Museum of Contemporary Art in Cleveland. An der Euclid Street, im Herzen Clevelands gelegen, betreibt Perry mit den Mitteln von Video, online gefundenen Bildern und digitalen Repräsentationsmöglichkeiten eine archäologische Studie, die der Geschichte dieser Straße nachspürt. Die Infrastruktur und ihr Wandel, die architektonische Konstruktion und ihre alltägliche Nutzung, der fertige Komplex und die Arbeit zu seiner Errichtung werden aufeinander bezogen, um Fragen der Identität – einer Stadt, einer Gesellschaft und der Individuen – zu verhandeln. Diese Arbeit wurde zu einem Prisma aus Zeiten und Perspektiven, die nun auch im Buch nachvollzogen werden können.

Myths of the Marble

Myths of the Marble
Author: Homay King
Total Pages: 0
Release: 2018
Genre: Art and technology
ISBN: 9783956792380

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Myths of the Marble documents a group exhibition at the Institute of Contemporary Art (ICA), University of Pennsylvania, and Henie Onstad Kunstsenter (HOK), norway. Co-organized by curators Alex Klein (ICA) and Milena Hoegsberg (HOK), the exhibition reflects upon how the virtual has been engaged by contemporary artists as a way to consider the world as a site of possibility and limitation that both permeates physical space and online experience. The accompanying catalog begins with individual profiles of each artist and expansive color images of each work, which includes painting, sculpture, and installation to video, 16-mm film, and vR technology. Informative installation views from both venues connect the essays from scholars Homay King and Tom Holert, along with artists Cayetano ferrer, florian Meisenberg, Sondra Perry, and art historians Iggy Cortez and Marina Isgro, discussing concepts ranging from the video game skybox to the complexities of the prosthetic. exhibition artists are Rachel de Joode, Cayetano ferrer, Ane Graff, Ignas Krunglevicius, Chris Marker, Daria Martin, florian Meisenberg Shahryar nashat, Sondra Perry, Jacolby Satterwhite, and Susanne M. Winterling.

We Don't Die

We Don't Die
Author: Sandra Champlain
Publisher: Morgan James Publishing
Total Pages: 305
Release: 2013-05-01
Genre: Self-Help
ISBN: 1614483825

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“We Don’t Die: A Skeptic’s Discovery of Life After Death” gives credible evidence of life after death. The goal of “We Don’t Die” is to have people believe that their deceased loved ones are still near them, help them navigate through the grieving process and educate that we are ‘eternal souls having a human experience. It is unique because it teaches people about the grieving process, keeping relationships whole, gives awe inspiring exercises that the reader experiences that we must be ‘more than our bodies.’ It gets readers in touch with the purpose of their lives and gets them on the path to producing results. Readers will no longer fear death, their pain of losing someone will be lessened, they will have hope, faith, and powerful access to live a successful life.

No Humans Involved

No Humans Involved
Author: Kelley Armstrong
Publisher: Vintage Canada
Total Pages: 418
Release: 2010-02-23
Genre: Fiction
ISBN: 0307358763

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Readers around the world have fallen for Kelley Armstrong’s intoxicating, sensual and wicked tales of the paranormal, in which demons and witches, werewolves and vampires collide – often hilariously, sometimes violently – with everyday life. In Armstrong’s first six novels, Elena, Paige and Eve have had their way with us. Now get ready for Jaime Vegas, the luscious, lovelorn and haunted necromancer. . . Jaime, who knows a thing or two about showbiz, is on a television shoot in Los Angeles when weird things start to happen. As a woman whose special talent is raising the dead, her threshold for weirdness is pretty high: she’s used to not only seeing dead people but hearing them speak to her in very emphatic terms. But for the first time in her life – as invisible hands brush her skin, unintelligible fragments of words are whispered into her ears, and beings move just at the corner of her eye–she knows what humans mean when they talk about being haunted. She is determined to get to the bottom of these manifestations, but as she sets out to solve the mystery she has no idea how scary her investigation will get, or to what depths ordinary humans will sink in their attempts to gain supernatural powers. As she digs into the dark underside of Los Angeles, she’ll need as much Otherworld help as she can get in order to survive, calling on her personal angel, Eve, and Hope, the well-meaning chaos demon. Jeremy, the alpha werewolf, is also by her side offering protection. And, Jaime hopes, maybe a little more than that. “As I knelt on the cobblestones to begin the ritual, I opened not some ancient leather pouch, but a Gucci make-up bag. . . . I know little about the geography and theology of the afterlife, but I do know that the worst spirits are kept secured, and my risk of “accidentally” tapping into a hell dimension is next to nil. Even if I do bring back some depraved killer’s spirit, what can it do to me? When you deprive someone of the ability to act in the living world, he’s pretty darned helpless. In death, even the worst killer plummets from lethal to merely annoying. Yet whatever had been trying to contact me apparently could cross that barrier, could act in the living world. . .at least on me. I added an extra helping of vervain to the censer.” —from No Humans Involved

The Most Unusual Pet Ever

The Most Unusual Pet Ever
Author: Sondra Perry
Publisher: Jabberwocky Books
Total Pages: 49
Release: 2011
Genre: Juvenile Nonfiction
ISBN: 9781935204220

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Recounts the author's relationship with Henry, her "pet" great blue heron, from her first sightings of the animal in the backyard and his appetite for the fish in the ponds to her routine with him and his conflict with other birds in the yard.

Glitch Feminism

Glitch Feminism
Author: Legacy Russell
Publisher: Verso Books
Total Pages: 140
Release: 2020-09-29
Genre: Social Science
ISBN: 1786632683

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The divide between the digital and the real world no longer exists: we are connected all the time. How do we find out who we are within this digital era? Where do we create the space to explore our identity? How can we come together and create solidarity? The glitch is often dismissed as an error, a faulty overlaying, but, as Legacy Russell shows, liberation can be found within the fissures between gender, technology and the body that it creates. The glitch offers the opportunity for us to perform and transform ourselves in an infinite variety of identities. In Glitch Feminism, Russell makes a series of radical demands through memoir, art and critical theory, and the work of contemporary artists who have travelled through the glitch in their work. Timely and provocative, Glitch Feminism shows how the error can be a revolution.


Author: Anaïs Duplan
Publisher: Undercurrents
Total Pages: 126
Release: 2020-10-06
Genre: Art
ISBN: 9781939568328

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Black artists of the avant-garde have always defined the future. Blackspace: On the Poetics of an Afrofuture is the culmination of six years of multidisciplinary research by trans poet and curator Anaïs Duplan about the aesthetic strategies used by experimental artists of color since the 1960s to pursue liberatory possibility. Through a series of lyric essays, interviews with contemporary artists and writers of color, and ekphrastic poetry, Duplan deconstructs how creative people frame their relationships to the word, "liberation." With a focus on creatives who use digital media and language-as-technology--luminaries like Actress, Juliana Huxtable, Lawrence Andrews, Tony Cokes, Sondra Perry, and Nathaniel Mackey--Duplan offers three lenses for thinking about liberation: the personal, the social, and the existential. Arguing that true freedom is impossible without considering all three, the book culminates with a personal essay meditating on the author's own journey of gender transition while writing the book. Anaïs Duplan is a trans* poet, curator, and artist. He is the founding curator for the Center for Afrofuturist Studies, an artist residency program for artists of color, based in Iowa City. He has worked as an adjunct poetry professor at the University of Iowa, Columbia University, Sarah Lawrence, and St. Joseph's College. He was a 2017-2019 joint Public Programs Fellow at the Museum of Modern Art and the Studio Museum in Harlem.

Among Others

Among Others
Author: Darby English
Total Pages: 488
Release: 2019-08-20
Genre: Art
ISBN: 9781633450349

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Among Others: Blackness at MoMA begins with an essay that provides a rigorous and in-depth analysis of MoMA's history regarding racial issues. It also calls for further developments, leaving space for other scholars to draw on particular moments of that history. It takes an integrated approach to the study of racial blackness and its representation: the book stresses inclusion and, as such, the plate section, rather than isolating black artists, features works by non-black artists dealing with race and race- related subjects. As a collection book, the volume provides scholars and curators with information about the Museum's holdings, at times disclosing works that have been little documented or exhibited. The numerous and high-quality illustrations will appeal to anyone interested in art made by black artists, or in modern art in general.

Art in the Age of the Internet

Art in the Age of the Internet
Author: Eva Respini
Publisher: Yale University Press
Total Pages: 317
Release: 2018-01-01
Genre: Art
ISBN: 0300228252

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Art in the Age of the Internet, 1989 to Today is the first major thematic group exhibition in the United States to examine the radical impact of internet culture on visual art. Featuring 60 artists, collaborations, and collectives, the exhibition is comprised of over 70 works across a variety of mediums, including painting, performance, photography, sculpture, video, web-based projects, and virtual reality. The exhibition is divided into five sections that explore themes such as emergent ideas of the body and notions of human enhancement; the internet as a site of both surveillance and resistance; the circulation and control of images and information; the possibilities for exploring identity and community afforded by virtual domains; and new economies of visibility accelerated by social media. Throughout, the work in the exhibition addresses the internet-age democratization of culture that comprises our current moment. The earliest work in the exhibition is from 1989, the year that Tim Berners-Lee invented the World Wide Web. This development, and others that followed in quick succession, modernized the internet, and in the process radically changed our way of life--from how we access and generate information, make friends and share experiences, to how we imagine our future bodies and how nations police national security. 1989 also marked a watershed moment across the globe, with significant shifts in politics, geographies, and economies. Events such as the fall of the Berlin Wall and protests in Tiananmen Square signaled the beginning of our current globalized age, which cannot be imagined without the internet.