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Quentin Tarantino's Django Unchained

Quentin Tarantino's Django Unchained
Author: Oliver C. Speck
Publisher: Bloomsbury Publishing USA
Total Pages: 328
Release: 2014-07-31
Genre: Performing Arts
ISBN: 1628926554

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Django Unchained is certainly Quentin Tarantino's most commercially-successful film and is arguably also his most controversial. Fellow director Spike Lee has denounced the representation of race and slavery in the film, while many African American writers have defended the white auteur. The use of extremely graphic violence in the film, even by Tarantino's standards, at a time when gun control is being hotly debated, has sparked further controversy and has led to angry outbursts by the director himself. Moreover, Django Unchained has become a popular culture phenomenon, with t-shirts, highly contentious action figures, posters, and strong DVD/BluRay sales. The topic (slavery and revenge), the setting (a few years before the Civil War), the intentionally provocative generic roots (Spaghetti Western and Blaxploitation) and the many intertexts and references (to German and French culture) demand a thorough examination. Befitting such a complex film, the essays collected here represent a diverse group of scholars who examine Django Unchained from many perspectives.


Genre Unchained. Quentin Tarantino's "Django Unchained" as Genre Hybrid

Genre Unchained. Quentin Tarantino's
Author: Stephan Jaskolla
Publisher: GRIN Verlag
Total Pages: 21
Release: 2019-12-09
Genre: Literary Collections
ISBN: 3346079074

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Seminar paper from the year 2014 in the subject American Studies - Miscellaneous, grade: 1,7, University of Dusseldorf "Heinrich Heine", language: English, abstract: In this paper Tarantino’s movie "Django Unchained" will be analyzed in respect of the genres that can be applied to it in order to figure out whether it is a genre hybrid and what effects this hybridity has. Due to the limited scope this term paper will focus on the two genres that have probably been the most controversial ones with regard to this movie, the spaghetti Western and the Blaxploitation Movie, and furthermore touch upon the Buddy Movie genre. "What kind of film do you want to see?" is a question that often arises before people turn towards a movie,be it in cinema or elsewhere. But what do they mean with "a kind of film"? One could paraphrase this expression with one single word: genre. Genres help people to classify movies and affect their expectations towards the movie they are going to see. Someone watching a "romance" will be expecting something different than somebody watching a "horror film". Furthermore many movies cannot be specified to be of only one genre but show properties of several different genres.


Black and White Masculinity in Quentin Tarantino's "Django Unchained"

Black and White Masculinity in Quentin Tarantino's
Author: Maximilian Bauer
Publisher: GRIN Verlag
Total Pages: 21
Release: 2015-12-11
Genre: Literary Collections
ISBN: 3668108757

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Seminar paper from the year 2015 in the subject American Studies - Miscellaneous, grade: 2,3, University of Würzburg (Neuphilologisches Institut), course: Spezialgebiet Amerikanische Literatur 2, language: English, abstract: This paper discusses Quentin Tarantino's 2013 movie "Django Unchained" under the aspect of black and white masculinity. It looks at stereotypical ideas of masculinity of white slave holders ans black slaves and how they are represented in the movie. Also the main characters are discussed as to their differences in masculinity and how they express it. "Django Unchained", a movie directed by Quentin Tarantino, was released in December 2012 and won several prices. The film was discussed a lot in public mostly because of the issue of slavery the director is dealing with in the movie and about how he does it. The film had to endure many critical reviews, bad ones and good ones obviously, as many people thought of the depiction of violence as fitting considered the brutality towards slaves in the antebellum south, others thought it to be extremely exaggerated. Also the controversial use of the N-word, as named in literature and interviews, was a major part of the public discussion about '"Django Unchained". Ultimately it is the viewer himself who has to decide if in his opinion Tarantino uses the right words and pictures to get even with the institution of slavery and the relationship between white farmers and black slaves.


Django Unchained

Django Unchained
Author: Quentin Tarantino
Publisher: Grand Central Publishing
Total Pages: 176
Release: 2016-06-21
Genre: Performing Arts
ISBN: 9781455559725

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For the first time in print, the Academy Award-winning screenplay of the blockbuster film DJANGO UNCHAINED, with scenes that didn't make the final cut, an introduction by a film scholar, and a foreword written by Quentin Tarantino. In Tarantino's most recent film, a freed slave sets out to rescue his wife from a brutal Mississippi plantation owner with the help of a German bounty hunter-a role that won Christoph Waltz an Academy Award. With new cover art envisioned by Tarantino himself, DJANGO UNCHAINED, along with Kill Bill and Pulp Fiction, will be designed to look great as a stand-alone, but also to coordinate as a complete collector's set for the Tarantino fan.


Quentin Tarantino's Django Unchained

Quentin Tarantino's Django Unchained
Author: Oliver C. Speck
Publisher: Bloomsbury Publishing USA
Total Pages: 329
Release: 2014-07-31
Genre: Performing Arts
ISBN: 1623567807

Download Quentin Tarantino's Django Unchained Book in PDF, ePub and Kindle

Django Unchained is certainly Quentin Tarantino's most commercially-successful film and is arguably also his most controversial. Fellow director Spike Lee has denounced the representation of race and slavery in the film, while many African American writers have defended the white auteur. The use of extremely graphic violence in the film, even by Tarantino's standards, at a time when gun control is being hotly debated, has sparked further controversy and has led to angry outbursts by the director himself. Moreover, Django Unchained has become a popular culture phenomenon, with t-shirts, highly contentious action figures, posters, and strong DVD/BluRay sales. The topic (slavery and revenge), the setting (a few years before the Civil War), the intentionally provocative generic roots (Spaghetti Western and Blaxploitation) and the many intertexts and references (to German and French culture) demand a thorough examination. Befitting such a complex film, the essays collected here represent a diverse group of scholars who examine Django Unchained from many perspectives.


The Hateful Eight

The Hateful Eight
Author: Quentin Tarantino
Publisher: Hachette UK
Total Pages: 176
Release: 2015-12-22
Genre: Performing Arts
ISBN: 1455537322

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Academy Award-winning screenwriter Quentin Tarantino returns with his most infamous, most brilliant, most masterful screenplay yet?Ķ At the end of the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. Bounty hunter John Ruth and his fugitive captive Daisy Domergue race toward the town of Red Rock, where Ruth will bring Domergue to justice. Along the road, they encounter Major Marquis Warren, a former Union soldier turned infamous bounty hunter; and Chris Mannix, a renegade who claims to be the town's new sheriff. Lost in a blizzard, Ruth, Domergue, Warren, and Mannix seek refuge at Minnie's Haberdashery, a stagecoach stopover. When they arrive, they are greeted by four unfamiliar faces: Bob, who takes care of Minnie's in the owner's absence; Oswaldo Mobray, the hangman of Red Rock; cow-puncher Joe Gage; and Confederate general Sanford Smithers. As the storm overtakes the mountainside, our eight travelers come to learn they may not make it to Red Rock after all ... The Hateful Eight is a Tarantino master class in tension-filled atmosphere, singular characters, and razor-sharp dialogue.


The whiteness of black protagonists in Quentin Tarantino’s "Django Unchained"

The whiteness of black protagonists in Quentin Tarantino’s
Author: Axel Kolbeinsson
Publisher: GRIN Verlag
Total Pages: 16
Release: 2022-04-20
Genre: Literary Collections
ISBN: 334663079X

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Seminar paper from the year 2021 in the subject American Studies - Culture and Applied Geography, grade: 1, University of Linz, language: English, abstract: White privilege was and still is an issue in past and present societies. This paper aims to determine how white privilege and power resulting from it are granted to a black protagonist in a fictional historical setting. In order to shed light on this matter, John French and Bertram Raven's (1959) theory of five (six) `Bases of Social Power' as well as the findings from the analysis of the history of whiteness were applied to Quentin Tarantino's (2012) movie "Django Unchained". Several scenes showing power relationships between the main character Django and others were analysed. Some forms of power, including legitimate, expert, informational and coercive power regarding the theory, could be detected in various relations with Django throughout the movie. Furthermore, it was found out that forms of power do not appear on their own and that, despite the fact that both parties hold at least one form of power, one side trumps the other. Although Django is granted power through white privilege, he is still not considered equal and owes his status to his expertise or knowledge by superior white men.


Quentin Tarantino

Quentin Tarantino
Author: Gerald Peary
Publisher: Univ. Press of Mississippi
Total Pages: 240
Release: 2013-10-03
Genre: Performing Arts
ISBN: 1617038768

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Here, in his own colorful, slangy words, is the true American Dream saga of a self-proclaimed “film geek,” with five intense years working in a video store, who became one of the most popular, recognizable, and imitated of all filmmakers. His dazzling, movie-informed work makes Quentin Tarantino’s reputation, from his breakout film, Reservoir Dogs (1992), through Kill Bill: Vol. 1 (2003) and Kill Bill: Vol. 2 (2004), his enchanted homages to Asian action cinema, to his rousing tribute to guys-on-a-mission World War II movie, Inglourious Basterds (2009). For those who prefer a more mature, contemplative cinema, Tarantino provided the tender, very touching Jackie Brown (1997). A masterpiece—Pulp Fiction (1994). A delightful mash of unabashed exploitation and felt social consciousness—his latest opus, Django Unchained (2012). From the beginning, Tarantino (b. 1963)—affable, open, and enthusiastic about sharing his adoration of movies—has been a journalist’s dream. Quentin Tarantino: Interviews, revised and updated with twelve new interviews, is a joy to read cover to cover because its subject has so much interesting and provocative to say about his own movies and about cinema in general, and also about his unusual life. He is frank and revealing about growing up in Los Angeles with a single, half-Cherokee mother, and dropping out of ninth grade to take acting classes. Lost and confused, he still managed a gutsy ambition: young Quentin decided he would be a filmmaker. Tarantino has conceded that Ordell (Samuel L. Jackson), the homicidal African American con man in Jackie Brown, is an autobiographical portrait. “If I hadn’t wanted to make movies, I would have ended up as Ordell,” Tarantino has explained. “I wouldn’t have been a postman or worked at the phone company. . . . I would have gone to jail.”


Django Unchained

Django Unchained
Author: Quentin Tarantino
Publisher:
Total Pages: 180
Release: 2014
Genre: Comics & Graphic Novels
ISBN: 9788845273643

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Quentin Tarantino

Quentin Tarantino
Author: David Roche
Publisher: Univ. Press of Mississippi
Total Pages: 351
Release: 2018-08-02
Genre: Performing Arts
ISBN: 1496819195

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Quentin Tarantino's films beg to be considered metafiction: metacommentaries that engage with the history of cultural representations and exalt the aesthetic, ethical, and political potential of creation as re-re-creation and resignification. Covering all eight of Quentin Tarantino's films according to certain themes, David Roche combines cultural studies and neoformalist approaches to highlight how closely the films' poetics and politics are intertwined. Each in-depth chapter focuses on a salient feature, some which have drawn much attention (history, race, gender, violence), others less so (narrative structure, style, music, theatricality). Roche sets Tarantino's films firmly in the legacy of Howard Hawks, Jean-Luc Godard, Sergio Leone, and the New Hollywood, revising the image of a cool pop-culture purveyor that the American director cultivated at the beginning of his career. Roche emphasizes the breadth and depth of his films' engagement with culture, highbrow and lowbrow, screen and print, American, East Asian, and European.