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Post-Orientalism and Contemporary American Novels

Post-Orientalism and Contemporary American Novels
Author: Mousa Abu Haserah
Publisher: Cambridge Scholars Publishing
Total Pages: 204
Release: 2023-08-09
Genre: Political Science
ISBN: 1527507106

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This book provides a scientific and academic contribution to the scholarly exploration of the complex relationship between the East and the West in American literature. The study focuses on four novels (Mornings in Jenin, Falling Man, The Reluctant Fundamentalist, and Riyah Al-Janna (The Wind of Paradise)) to discuss how the literature reflects on Middle Eastern themes in relation to the situations and conditions of the New East. It treats the Orient as a moving body and takes Edward Said’s Orientalism into account, also showing Post-Orientalism or the New East as a literary phenomenon in the 21st century, specializing in politics, militarism, and post-colonial ideology. The book explains and divides the Middle East into two parts: the Arab-Islamic Middle East and the non-Arab-Islamic Middle East. It highlights the similarities and differences between these two parts as depicted in various novels, presenting the East as a land of desolation and destruction due to the political, regional, and religious changes that have shaken it.

American Literature and Orientalism

American Literature and Orientalism
Author: Marwan M. Obeidat
Publisher: ISSN
Total Pages: 162
Release: 1998
Genre: Literary Collections

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No detailed description available for "American Literature and Orientalism".

Post-millennial Palestine

Post-millennial Palestine
Author: Rachel Gregory Fox
Publisher: Oxford University Press
Total Pages: 248
Release: 2021
Genre: History
ISBN: 1800348274

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Post-Millennial Palestine: Literature, Memory, Resistance confronts how Palestinians have recently felt obliged to re-think memory and resistance in response to dynamic political and regional changes in the twenty-first century; prolonged spatial and temporal dispossession; and the continued deterioration of the peace process. Insofar as the articulation of memory in (post)colonial contexts can be viewed as an integral component of a continuing anti-colonial struggle for self-determination, in tracing the dynamics of conveying the memory of ongoing, chronic trauma, this collection negotiates the urgency for Palestinians to reclaim and retain their heritage in a continually unstable and fretful present. The collection offers a distinctive contribution to the field of existing scholarship on Palestine, charting new ways of thinking about the critical paradigms of memory and resistance as they are produced and represented in literary works published within the post-millennial period. Reflecting on the potential for the Palestinian narrative to recreate reality in ways that both document it and resist its brutality, the critical essays in this collection show how Palestinian writers in the twenty-first century critically and creatively consider the possible future(s) of their nation.

Orientalism and Reverse Orientalism in Literature and Film

Orientalism and Reverse Orientalism in Literature and Film
Author: Sharmani Patricia Gabriel
Publisher: Routledge
Total Pages: 234
Release: 2021-06-18
Genre: Literary Criticism
ISBN: 100039963X

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Acknowledging the significance of Edward Said’s Orientalism for contemporary discourse, the contributors to this volume deconstruct, rearrange, and challenge elements of his thesis, looking at the new conditions and opportunities offered by globalization. What can a renewed or reconceptualized Orientalism teach us about the force and limits of our racial imaginary, specifically in relation to various national contexts? In what ways, for example, considering our greater cross-cultural interaction, have clichés and stereotypes undergone a metamorphosis in contemporary societies and cultures? Theoretically, and empirically, this book offers an expansive range of contexts, comprising the insights, analytical positions, and perspectives of a transnational team of scholars of comparative literature and literary and cultural studies based in Australia, Hong Kong, Japan, Malaysia, USA, Singapore, Taiwan, and Turkey. Working with, through and beyond Orientalism, they examine a variety of cultural texts, including the novel, short story, poetry, film, graphic memoir, social thought, and life writing. Making connections across centuries and continents, they articulate cultural representation and discourse through multiple approaches including critical content analysis, historical contextualization, postcolonial theory, gender theory, performativity, intertextuality, and intersectionality. Given its unique approach, this book will be essential reading for scholars of literary theory, film studies and Asian studies, as well as for those with a general interest in postcolonial literature and film.

Orientalism from Within : Arundhati Roy and Her Contemporaries (Penerbit USM)

Orientalism from Within : Arundhati Roy and Her Contemporaries (Penerbit USM)
Author: Halimah Mohamed Ali
Publisher: Penerbit USM
Total Pages:
Genre: Literary Criticism
ISBN: 9838616834

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This book explores three Indian-English novels, which are Booker Prize nominees: Vikram Seth (1993). A Suitable Boy: Rohinton Mistry (1995). A fine Balance: and the winner of the prize Arundhati Roy (1997). The god of Small Things. The novels selected are aligned thematically by the theme of caste that runs supreme in each one. All other issues like mimicry, marriage and caste-passing, that deal with the Hindu caste movement , are considered to offer exotica. A neology has been created vis-à-vis this work. The created neology neology, 'caste-passing' is used to label the act of moving up or down the the caste ladder that is conducted in the fiction. It is based upon the act and term derived from African-American racial discourses called passing. It means taking up another identity. It has been shown via the chapters that contemporary Indian-English novels whether written within the Indian diaspora overseas or by Indians based in India have adopted Western style Orientalism. The authors make use of the Indian psyche, culture and religious worlds to regurgitate the Western bias against the Other and deliver it to the West for financial gain, which means fame and fortune for the writers. This book shows that Western Orientalsm did not end with post-colonialism in India. Neocolonialism is practiced by the West and is delivered by Indians to them. This work points out that three writers have adhered to a neocolonial Western framework. They have produced writings that pander and cater to the West since it craves for exotica and erotica from the East. Universiti Sains Malaysia, Penerbit Universiti Sains Malaysia

Postmodern Orientalism in Don DeLillo's Pre-and-Post 9/11 Fiction

Postmodern Orientalism in Don DeLillo's Pre-and-Post 9/11 Fiction
Author: Abbasali Borhan
Publisher: LAP Lambert Academic Publishing
Total Pages: 132
Release: 2014-02
ISBN: 9783659396526

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Don DeLillo is one of the most prominent figures in contemporary American fiction. This book addresses the intersection between postmodernism and neo-orientalism in his fiction. The writers examine the significance of orientalist discourse, the system of representations about the East, which figures noticeably in DeLillo's fiction, particularly in The Names, Mao II, Cosmopolis, and Falling Man. They argue that this discourse fuses with discourses of terrorism and fundamentalism. Central in this book is the contention that despite the postmodernist claims about the validity of all narratives, DeLillo's postmodern fiction largely excludes the alternative "unwelcome" narratives by disregarding the historical contingencies involved in phenomena such as terrorism.

Reading Orientalism

Reading Orientalism
Author: Daniel Martin Varisco
Publisher: University of Washington Press
Total Pages: 530
Release: 2017-05-01
Genre: Social Science
ISBN: 0295741643

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The late Edward Said remains one of the most influential critics and public intellectuals of our time, with lasting contributions to many disciplines. Much of his reputation derives from the phenomenal multidisciplinary influence of his 1978 book Orientalism. Said's seminal polemic analyzes novels, travelogues, and academic texts to argue that a dominant discourse of West over East has warped virtually all past European and American representation of the Near East. But despite the book's wide acclaim, no systematic critical survey of the rhetoric in Said's representation of Orientalism and the resulting impact on intellectual culture has appeared until today. Drawing on the extensive discussion of Said's work in more than 600 bibliographic entries, Daniel Martin Varisco has written an ambitious intellectual history of the debates that Said's work has sparked in several disciplines, highlighting in particular its reception among Arab and European scholars. While pointing out Said's tendency to essentialize and privilege certain texts at the expense of those that do not comfortably it his theoretical framework, Varisco analyzes the extensive commentary the book has engendered in Oriental studies, literary and cultural studies, feminist scholarship, history, political science, and anthropology. He employs "critical satire" to parody the exaggerated and pedantic aspects of post-colonial discourse, including Said's profound underappreciation of the role of irony and reform in many of the texts he cites. The end result is a companion volume to Orientalism and the vast research it inspired. Rather than contribute to dueling essentialisms, Varisco provides a path to move beyond the binary of East versus West and the polemics of blame. Reading Orientalism is the most comprehensive survey of Said's writing and thinking to date. It will be of strong interest to scholars of Middle East studies, anthropology, history, cultural studies, post-colonial studies, and literary studies.

Islamophobia and the Novel

Islamophobia and the Novel
Author: Peter Morey
Publisher: Columbia University Press
Total Pages: 381
Release: 2018-08-14
Genre: Literary Criticism
ISBN: 0231541333

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In an era of rampant Islamophobia, what do literary representations of Muslims and anti-Muslim bigotry tell us about changing concepts of cultural difference? In Islamophobia and the Novel, Peter Morey analyzes how recent works of fiction have framed and responded to the rise of anti-Muslim prejudice, showing how their portrayals of Muslims both reflect and refute the ideological preoccupations of media and politicians in the post-9/11 West. Islamophobia and the Novel discusses novels embodying a range of positions—from the avowedly secular to the religious, and from texts that appear to underwrite Western assumptions of cultural superiority to those that recognize and critique neoimperial impulses. Morey offers nuanced readings of works by John Updike, Ian McEwan, Hanif Kureishi, Monica Ali, Mohsin Hamid, John le Carré, Khaled Hosseini, Azar Nafisi, and other writers, emphasizing the demands of the literary marketplace for representations of Muslims. He explores how depictions of Muslim experience have challenged liberal assumptions regarding the novel’s potential for empathy and its ability to encompass a variety of voices. Morey argues for a greater degree of critical self-consciousness in our understanding of writing by and about Muslims, in contrast to both exclusionary nationalism and the fetishization of difference. Contemporary literature’s capacity to unveil the conflicted nature of anti-Muslim bigotry expands our range of resources to combat Islamophobia. This, in turn, might contribute to Islamophobia’s eventual dismantling.

The Encyclopedia of Contemporary American Fiction, 2 Volumes

The Encyclopedia of Contemporary American Fiction, 2 Volumes
Author: Patrick O'Donnell
Publisher: John Wiley & Sons
Total Pages: 1607
Release: 2022-03-01
Genre: Literary Criticism
ISBN: 1119431719

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Fresh perspectives and eye-opening discussions of contemporary American fiction In The Encyclopedia of Contemporary American Fiction: 1980-2020, a team of distinguished scholars delivers a focused and in-depth collection of essays on some of the most significant and influential authors and literary subjects of the last four decades. Cutting-edge entries from established and new voices discuss subjects as varied as multiculturalism, contemporary regionalisms, realism after poststructuralism, indigenous narratives, globalism, and big data in the context of American fiction from the last 40 years. The Encyclopedia provides an overview of American fiction at the turn of the millennium as well as a vision of what may come. It perfectly balances analysis, summary, and critique for an illuminating treatment of the subject matter. This collection also includes: An exciting mix of established and emerging contributors from around the world discussing central and cutting-edge topics in American fiction studies Focused, critical explorations of authors and subjects of critical importance to American fiction Topics that reflect the energies and tendencies of contemporary American fiction from the forty years between 1980 and 2020 The Encyclopedia of Contemporary American Fiction: 1980-2020 is a must-have resource for undergraduate and graduate students of American literature, English, creative writing, and fiction studies. It will also earn a place in the libraries of scholars seeking an authoritative array of contributions on both established and newer authors of contemporary fiction.

Representations of China in Latin American Literature (1987-2016)

Representations of China in Latin American Literature (1987-2016)
Author: Maria Montt Strabucchi
Publisher: Liverpool University Press
Total Pages: 272
Release: 2023-11-15
Genre: Literary Criticism
ISBN: 1837644640

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An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library as part of the Opening the Future project with COPIM. Representations of China in Latin American Literature (1987-2016) analyses contemporary Latin American novels in which China is the main theme. Using ‘China’ as a multidimensional term, it explores how the novels both highlight and undermine assumptions about China that have shaped Latin America’s understanding of ‘China’ and shows ‘China’ to be a kind of literary/imaginary ‘third’ term which reframes Latin American discourses of alterity. On one level, it argues that these texts play with the way that ‘China’ stands in as a wandering signifier and as a metonym for Asia, a gesture that essentialises it as an unchanging other. On another level, it argues that the novels’ employment of ‘China’ resists essentialist constructions of identity. ‘China’ is thus shown to be serving as a concept which allows for criticism of the construction of fetishized otherness and of the exclusion inherent in essentialist discourses of identity. The book presents and analyses the depiction of an imaginary of China which is arguably performative, but which discloses the tropes and themes which may be both established and subverted, in the novels. Chapter One examines the way in which ‘China’ is represented and constructed in Latin American novels where this country is a setting for their stories. The novels studied in Chapter Two are linked to the presence of Chinese communities in Latin America. The final chapter examines novels whose main theme is travel to contemporary China. Ultimately, in the novels studied in this book ‘China’ serves as a concept through which essentialist notions of identity are critiqued.