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LaFaye surpasses the lyricism and emotional depth of her sparkling debut, The Year of the Sawdust Man, in this sequel. It's been two years since Nissa's mother, Heirah Rae, left the family and Depression-era Harper, La., for a new life in Chicago. Nissa, now 13, believes she must preserve her mother's presence in the household. When Heirah Rae calls home to announce her birthday gift to Nissa, a trip to Chicago, she upsets the tenuous relationship between Nissa, her father, Ivar, and her stepmother, Lara. Still feeling abandoned but hungry for time with her mother, Nissa decides to travel back to Chicago with Heirah Rae, who shows up on their doorstep. During her stay in Chicago, Nissa notes how her mother has blossomed away from Harper's nosy scandalmongers. LaFaye achieves just the right balance between Nissa's introspection and the adventures she has with her mother. The intricate prose mirrors the fragile complexity of Nissa's feelings about returning to Harper: ""My heart shrunk a little as the train pulled away, but I knew I'd made the right choice. I could feel it like a warm blanket on a cold nightAa tight, satisfied feeling deep down inside strong enough to carry me home."" Readers will be moved as Nissa comes to view Heirah Rae's flight as an act of courage and a spur for Nissa to make her own dream of a library in Harper come true is most successful when he mixes his different approaches into the original sort of magic realism he creates in the title tale, which concerns an erotically charged encounter between a virginal Irish au pair, Nula, and a Moroccan student, Henri Tatahouine, in Paris. The hallucinatory quality of Henri's account of his life leaves Nula emotionally blistered, as though she had been in the Sahara. The comic, horrifying """"Cats in Space,"""" which tells the tale of a group of kids who use helium balloons to launch a kitten into the air, is similarly effective. Though uneven, Kalfus's collection is ambitious and daring, with smart, fluid prose and an abundance of surprises.
