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| Author | : Rob Conkie |
| Publisher | : Cambridge University Press |
| Total Pages | : 177 |
| Release | : 2016-02-24 |
| Genre | : Literary Criticism |
| ISBN | : 1107072999 |
This original and innovative study offers the reader an inventive analysis of Shakespeare in performance.
| Author | : Rob Conkie |
| Publisher | : |
| Total Pages | : 168 |
| Release | : 2016 |
| Genre | : |
| ISBN | : 9781316541494 |
"This innovative study offers a genuinely groundbreaking approach to Shakespeare in performance. Six chapters work like case studies, each highly creative in terms of visual form and structure - including puzzles, comics and pinboards - inviting the reader into playful engagement with the performative dimensions of Shakespearean production. The case studies include discussion of training and rehearsal processes; the materiality of the performance event and its various embodiments; the intertextual citations through which productions make meaning; and, in response to all of this, the multiplicity and variety of audience perspectives and interpretations. Conkie's production choices range from original practices to politicised adaptations, small-scale workshops to multimedia spectacles, offering inventive analyses of what Shakespeare might mean, or can be made to mean, at particular times and in specific places, at the start of the twenty-first century"--
| Author | : Rob Conkie |
| Publisher | : |
| Total Pages | : |
| Release | : 2016 |
| Genre | : |
| ISBN | : 9781316543214 |
| Author | : Robert Weimann |
| Publisher | : Cambridge University Press |
| Total Pages | : 324 |
| Release | : 2000-07-27 |
| Genre | : Drama |
| ISBN | : 9780521787352 |
Redefines the relationship between writing and performance in Shakespeare's theatre.
| Author | : John Russell Brown |
| Publisher | : Palgrave Macmillan |
| Total Pages | : 171 |
| Release | : 1996 |
| Genre | : Drama |
| ISBN | : 9780312158682 |
| Author | : Paul Yachnin |
| Publisher | : Routledge |
| Total Pages | : 254 |
| Release | : 2017-05-15 |
| Genre | : Literary Criticism |
| ISBN | : 1317056493 |
Theatrical performance, suggest the contributors to this volume, can be an unpredictable, individual experience as well as a communal, institutional or cultural event. The essays collected here use the tools of theatre history in their investigation into the phenomenology of the performance experience, yet they are also careful to consider the social, ideological and institutional contingencies that determine the production and reception of the living spectacle. Thus contributors combine a formalist interest in the affective and aesthetic dimensions of language and spectacle with an investment in the material cultures that both produced and received Shakespeare's plays. Six of the chapters focus on early modern cultures of performance, looking specifically at such topics as the performance of rusticity; the culture of credit; contract and performance; the cultivation of Englishness; religious ritual; and mourning and memory. Building upon and interrelating with the preceding essays, the last three chapters deal with Shakespeare and performance culture in modernity. They focus on themes including literary and theatrical performance anxiety; cultural iconicity; and the performance of Shakespearean lateness. This collection strives to bring better understanding to Shakespeare's imaginative investment in the relationship between theatrical production and the emotional, intellectual and cultural effects of performance broadly defined in social terms.
| Author | : Rob Conkie |
| Publisher | : Berghahn Books |
| Total Pages | : 196 |
| Release | : 2019-09-13 |
| Genre | : Literary Criticism |
| ISBN | : 1789202515 |
What kinds of critical insights are made possible only or especially via creative strategies? This volume examines how creative modes of writing might facilitate or inform new ways to critically engage with Shakespeare. Creative writing, demonstrated in a series of essays, reflections, stories and scenes, operates as a vehicle for exploring and articulating critical and theoretical ideas. In doing so, Shakespeare’s enduring creative and critical appeal is newly understood and critiqued.
| Author | : Sonia Massai |
| Publisher | : Cambridge University Press |
| Total Pages | : 251 |
| Release | : 2020-04-09 |
| Genre | : Drama |
| ISBN | : 1108429629 |
A history of the reception of Shakespeare on the English stage focusing on the vocal dimensions of theatrical performance.
| Author | : Barbara Hodgdon |
| Publisher | : John Wiley & Sons |
| Total Pages | : 704 |
| Release | : 2008-04-15 |
| Genre | : Literary Criticism |
| ISBN | : 1405150238 |
A Companion to Shakespeare and Performance provides astate-of-the-art engagement with the rapidly developing field ofShakespeare performance studies. Redraws the boundaries of Shakespeare performance studies. Considers performance in a range of media, including in print,in the classroom, in the theatre, in film, on television and video,in multimedia and digital forms. Introduces important terms and contemporary areas of enquiry inShakespeare and performance. Raises questions about the dynamic interplay betweenShakespearean writing and the practices of contemporary performanceand performance studies. Written by an international group of major scholars, teachers,and professional theatre makers.
| Author | : Peter Kirwan |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 417 |
| Release | : 2021-03-25 |
| Genre | : Literary Criticism |
| ISBN | : 1350080691 |
The Arden Research Handbook of Shakespeare and Contemporary Performance is a wide-ranging, authoritative guide to research on Shakespeare and performance studies by an international team of leading scholars. It contains chapters on the key methods and questions surrounding the performance event, the audience, and the archive – the primary sources on which performance studies draws. It identifies the recurring trends and fruitful lines of inquiry that are generating the most urgent work in the field, but also contextualises these within the histories and methods on which researchers build. A central section of research-focused essays offers case studies of present areas of enquiry, from new approaches to space, bodies and language to work on the technologies of remediation and original practices, from consideration of fandoms and the cultural capital invested in Shakespeare and his contemporaries to political and ethical interventions in performance practice. A distinctive feature of the volume is a curated section focusing on practitioners, in which leading directors, writers, actors, producers, and other theatre professionals comment on Shakespeare in performance and what they see as the key areas, challenges and provocations for researchers to explore. In addition, the Handbook contains various sections that provide non-specialists with practical help: an A-Z of key terms and concepts, a guide to research methods and problems, a chronology of major publications and events, an introduction to resources for study of the field, and a substantial annotated bibliography. The Arden Research Handbook of Shakespeare and Contemporary Performance is a reference work aimed at advanced undergraduate and graduate students as well as scholars and libraries, a guide to beginning or developing research in the field, and an essential companion for all those interested in Shakespeare and performance.
