Writing, Medium, Machine
Author | : |
Publisher | : |
Total Pages | : |
Release | : 2016 |
Genre | : Literature (General) |
ISBN | : 9781785420184 |
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Author | : |
Publisher | : |
Total Pages | : |
Release | : 2016 |
Genre | : Literature (General) |
ISBN | : 9781785420184 |
Author | : Sean Pryor |
Publisher | : |
Total Pages | : 222 |
Release | : 2020-10-09 |
Genre | : Literary Criticism |
ISBN | : 9781013286643 |
Writing, Medium, Machine: Modern Technographies is a collection of thirteen essays by leading scholars which explores the mutual determination of forms of writing and forms of technology in modern literature. The essays unfold from a variety of historical and theoretical perspectives the proposition that literature is not less but more mechanical than other forms of writing: a transfigurative ideal machine. The collection breaks new ground archaeologically, unearthing representations in literature and film of a whole range of decisive technologies from the stereopticon through census-and slot-machines to the stock ticker, and from the Telex to the manipulation of genetic code and the screens which increasingly mediate our access to the world and to each other. It also contributes significantly to critical and cultural theory by investigating key concepts which articulate the relation between writing and technology: number, measure, encoding, encryption, the archive, the interface. Technography is not just a modern matter, a feature of texts that happen to arise in a world full of machinery and pay attention to that machinery in various ways. But the mediation of other machines has beyond doubt assisted literature to imagine and start to become the ideal machine it is always aspiring to be. Contributors: Ruth Abbott, John Attridge, Kasia Boddy, Mark Byron, Beci Carver, Steven Connor, Esther Leslie, Robbie Moore, Julian Murphet, James Purdon, Sean Pryor, Paul Sheehan, Kristen Treen. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.
Author | : N. Katherine Hayles |
Publisher | : MIT Press |
Total Pages | : 148 |
Release | : 2002 |
Genre | : Architecture |
ISBN | : 9780262582155 |
A pseudo-autobiographical exploration of the artistic and cultural impact of the transformation of the print book to its electronic incarnations.
Author | : Brooke Gladstone |
Publisher | : W. W. Norton & Company |
Total Pages | : 192 |
Release | : 2011-05-23 |
Genre | : Social Science |
ISBN | : 0393083543 |
"Mind-opening, thought-provoking and incredibly timely… An absolutely spectacular read."—Cory Doctorow, BoingBoing A million listeners trust NPR's Brooke Gladstone to guide them through the complexities of the modern media. Bursting onto the page in vivid comics by acclaimed artist Josh Neufeld, this brilliant radio personality guides us through two millennia of media history, debunking the notion that "The Media" is an external force beyond our control and equipping us to be savvy consumers and shapers of the news. Owing to the graphic format, this book is readable only on larger screens and devices.
Author | : Tung Charles M. Tung |
Publisher | : Edinburgh University Press |
Total Pages | : 331 |
Release | : 2019-03-14 |
Genre | : American fiction |
ISBN | : 1474431364 |
Bridging modernist studies and science fiction scholarshipModernism and Time Machines places the fascination with time in canonical works of twentieth-century literature and art side-by-side with the rise of time-travel narratives and alternate histories in popular culture. Both modernism and this cardinal trope of science fiction produce a range of effects and insights that go beyond the exhilarations of simply sliding back and forth in history. Together the modernist time-obsession and the fantasy of moving in time help us to rethink the shapes of time, the consistency of timespace and the nature of history.Key FeaturesDraws on insights from a range of sources, including critical geography, postcolonial theory, science and technology studies, and time studiesExamines different kinds of objects together: SF, Impressionism, and Henri Lefebvre's rhythmanalysis; evolutionary biology, Eliot's The Waste Land, and Leinster's "e;Sidewise in Time"e;; Woolf, Philip K. Dick's alternate history, and the film Interstellar; bullet time, Faulkner's racialized lag, and Jessica Hagedorn's postcolonial anachronism; "e;big history,"e; Olaf Stapledon's two-billion-year novel of the human species, and Terrence Malick's film Tree of Life
Author | : Martin Kleppmann |
Publisher | : "O'Reilly Media, Inc." |
Total Pages | : 658 |
Release | : 2017-03-16 |
Genre | : Computers |
ISBN | : 1491903104 |
Data is at the center of many challenges in system design today. Difficult issues need to be figured out, such as scalability, consistency, reliability, efficiency, and maintainability. In addition, we have an overwhelming variety of tools, including relational databases, NoSQL datastores, stream or batch processors, and message brokers. What are the right choices for your application? How do you make sense of all these buzzwords? In this practical and comprehensive guide, author Martin Kleppmann helps you navigate this diverse landscape by examining the pros and cons of various technologies for processing and storing data. Software keeps changing, but the fundamental principles remain the same. With this book, software engineers and architects will learn how to apply those ideas in practice, and how to make full use of data in modern applications. Peer under the hood of the systems you already use, and learn how to use and operate them more effectively Make informed decisions by identifying the strengths and weaknesses of different tools Navigate the trade-offs around consistency, scalability, fault tolerance, and complexity Understand the distributed systems research upon which modern databases are built Peek behind the scenes of major online services, and learn from their architectures
Author | : Jill Galvan |
Publisher | : Cornell University Press |
Total Pages | : 225 |
Release | : 2011-03-15 |
Genre | : Literary Criticism |
ISBN | : 0801457386 |
The nineteenth century saw not only the emergence of the telegraph, the telephone, and the typewriter but also a fascination with séances and occult practices like automatic writing as a means for contacting the dead. Like the new technologies, modern spiritualism promised to link people separated by space or circumstance; and like them as well, it depended on the presence of a human medium to convey these conversations. Whether electrical or otherworldly, these communications were remarkably often conducted—in offices, at telegraph stations and telephone switchboards, and in séance parlors—by women. In The Sympathetic Medium, Jill Galvan offers a richly nuanced and culturally grounded analysis of the rise of the female medium in Great Britain and the United States during the Victorian era and through the turn of the century. Examining a wide variety of fictional explorations of feminine channeling (in both the technological and supernatural realms) by such authors as Henry James, George Eliot, Arthur Conan Doyle, Bram Stoker, Marie Corelli, and George Du Maurier, Galvan argues that women were often chosen for that role, or assumed it themselves, because they made at-a-distance dialogues seem more intimate, less mediated. Two allegedly feminine traits, sympathy and a susceptibility to automatism, enabled women to disappear into their roles as message-carriers.Anchoring her literary analysis in discussions of social, economic, and scientific culture, Galvan finds that nineteenth- and early twentieth-century feminization of mediated communication reveals the challenges that the new networked culture presented to prevailing ideas of gender, dialogue, privacy, and the relationship between body and self.
Author | : Kate O'Neill |
Publisher | : Independently Published |
Total Pages | : 268 |
Release | : 2018-09-24 |
Genre | : Business & Economics |
ISBN | : 9781719881562 |
Technology drives the future we create. But are we steering that technology in directions that create that future in the best way, for the most people? In her new book
Author | : Thomas S. Mullaney |
Publisher | : MIT Press |
Total Pages | : 501 |
Release | : 2018-10-09 |
Genre | : Technology & Engineering |
ISBN | : 0262536102 |
How Chinese characters triumphed over the QWERTY keyboard and laid the foundation for China's information technology successes today. Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounters—in particular thousands of Chinese characters versus the typewriter and its QWERTY keyboard. Thomas Mullaney describes a fascinating series of experiments, prototypes, failures, and successes in the century-long quest for a workable Chinese typewriter. The earliest Chinese typewriters, Mullaney tells us, were figments of popular imagination, sensational accounts of twelve-foot keyboards with 5,000 keys. One of the first Chinese typewriters actually constructed was invented by a Christian missionary, who organized characters by common usage (but promoted the less-common characters for “Jesus" to the common usage level). Later came typewriters manufactured for use in Chinese offices, and typewriting schools that turned out trained “typewriter girls” and “typewriter boys.” Still later was the “Double Pigeon” typewriter produced by the Shanghai Calculator and Typewriter Factory, the typewriter of choice under Mao. Clerks and secretaries in this era experimented with alternative ways of organizing characters on their tray beds, inventing an input method that was the first instance of “predictive text.” Today, after more than a century of resistance against the alphabetic, not only have Chinese characters prevailed, they form the linguistic substrate of the vibrant world of Chinese information technology. The Chinese Typewriter, not just an “object history” but grappling with broad questions of technological change and global communication, shows how this happened. A Study of the Weatherhead East Asian Institute Columbia University
Author | : Gpt- Ai |
Publisher | : Kertojan Aani |
Total Pages | : 74 |
Release | : 2021-10-09 |
Genre | : Poetry |
ISBN | : 9789527397237 |
What does AI know about love, happiness and making a difference? Aum Golly is a book of poems written in 24 hours. It was made possible by GPT-3 - an advanced autoregressive language model published in 2020 by OpenAI. "... a collection that surprises with humor and delicateness..." - Goodreads review "... I have to say reading it was a pleasure..." - Finnish radio host Ruben Stiller on Yle "... a beautiful dialogue between man and machine..." - a review of the Finnish audiobook The deep learning model can generate text that is virtually indistinguishable from text written by humans: poems, recipes, summaries, legal text and even pieces of code. GPT-3 is autofill on steroids. Good poetry makes us feel something and see the world differently. Despite the gut reaction some of us may have towards AI-enhanced creativity, Aum Golly is a book like any other. You will love some of the poems. You will hate others. Some will make you wonder, but all of them will make you think. Award-winning writer and TEDx speaker Jukka Aalho has guided the AI and chosen the poems for the collection.