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| Author | : Alexandre Dauge-Roth |
| Publisher | : |
| Total Pages | : 291 |
| Release | : 2010 |
| Genre | : Electronic books |
| ISBN | : |
| Author | : Alexandre Dauge-Roth |
| Publisher | : Lexington Books |
| Total Pages | : 306 |
| Release | : 2010-04-27 |
| Genre | : History |
| ISBN | : 0739147625 |
Writing and Filming the Genocide of the Tutsis in Rwanda: Dismembering and Remembering Traumatic History is an innovative work in Francophone and African studies that examines a wide range of responses to the 1994 genocide of the Tutsis in Rwanda. From survivor testimonies, to novels by African authors, to films such as Hotel Rwanda and Sometimes in April, the arts of witnessing are varied, comprehensive, and compelling. Alexandre Dauge-Roth compares the specific potential and the limits of each medium to craft unique responses to the genocide and instill in us its haunting legacy. In the wake of genocide, urgent questions arise: How do survivors both claim their shared humanity and speak the radically personal and violent experience of their past? How do authors and filmmakers make inconceivable trauma accessible to a society that will always remain foreign to their experience? How are we transformed by the genocide through these various modes of listening, viewing, and reading?
| Author | : Matthew Edwards |
| Publisher | : McFarland |
| Total Pages | : 273 |
| Release | : 2018-06-25 |
| Genre | : History |
| ISBN | : 1476670722 |
The Rwandan genocide was one of the most shameful events of the 20th century. Many Westerners' understanding of it is based upon the Oscar-winning film Hotel Rwanda and the critically acclaimed Shooting Dogs. Yet how accurately do these films depict events in Rwanda in 1994? Drawing on new scholarship, this collection of essays explores a variety of feature films and documentaries about the genocide to understand its expression in both Western and Rwandan cinema. Interviews with filmmakers are featured, including journalist Steve Bradshaw (BBC's Panorama), director Nick Hughes (100 Days), director Lee Isaac Chung (Munyurangabo) and Rwandan filmmakers Eric Kabera and Kivu Ruhorahoza.
| Author | : Keir Pearson |
| Publisher | : Newmarket |
| Total Pages | : 278 |
| Release | : 2005 |
| Genre | : History |
| ISBN | : |
"In 1994, as his country descended into madness, Paul Rusesabagina, the hotel manager of a Belgian-owned luxury hotel in Kigali, the capital of Rwanda, used cunning and courage to save 1,268 people from certain death while the rest of the world closed its eyes. His real-life story inspired writer Terry George to make the film, Hotel Rwanda." "Now, in the only official companion book, comes the filmmaking story, with first-person pieces by Terry George and co-screenwriter Keir Pearson about their three-year struggle to gain support and financing, as well as a brief history of Rwanda with details on the actual events portrayed in the movie."--BOOK JACKET.
| Author | : Piotr Cieplak |
| Publisher | : Springer |
| Total Pages | : 232 |
| Release | : 2017-08-05 |
| Genre | : Photography |
| ISBN | : 1137579889 |
This book explores how photography and documentary film have participated in the representation of the 1994 genocide in Rwanda and its aftermath. This in-depth analysis of professional and amateur photography and the work of Rwandan and international filmmakers offers an insight into not only the unique ability of images to engage with death, memory and the need for evidence, but also their helplessness and inadequacy when confronted with the enormity of the event. Focusing on a range of films and photographs, the book tests notions of truth, evidence, record and witnessing – so often associated with documentary practice – in the specific context of Rwanda and the wider representational framework of African conflict and suffering. Death, Image, Memory is an inquiry into the multiple memorial and evidentiary functions of images that transcends the usual investigations into whether photography and documentary film can reliably attest to the occurrence and truth of an event.
| Author | : Romeo Dallaire |
| Publisher | : Vintage Canada |
| Total Pages | : 585 |
| Release | : 2009-02-24 |
| Genre | : Political Science |
| ISBN | : 0307371190 |
On the tenth anniversary of the date that UN peacekeepers landed in Rwanda, Random House Canada is proud to publish the unforgettable first-hand account of the genocide by the man who led the UN mission. Digging deep into shattering memories, General Dallaire has written a powerful story of betrayal, naïveté, racism and international politics. His message is simple and undeniable: “Never again.” When Lt-Gen. Roméo Dallaire received the call to serve as force commander of the UN intervention in Rwanda in 1993, he thought he was heading off on a modest and straightforward peacekeeping mission. Thirteen months later he flew home from Africa, broken, disillusioned and suicidal, having witnessed the slaughter of 800,000 Rwandans in only a hundred days. In Shake Hands with the Devil, he takes the reader with him on a return voyage into the hell of Rwanda, vividly recreating the events the international community turned its back on. This book is an unsparing eyewitness account of the failure by humanity to stop the genocide, despite timely warnings. Woven through the story of this disastrous mission is Dallaire’s own journey from confident Cold Warrior, to devastated UN commander, to retired general engaged in a painful struggle to find a measure of peace, reconciliation and hope. This book is General Dallaire’s personal account of his conversion from a man certain of his worth and secure in his assumptions to a man conscious of his own weaknesses and failures and critical of the institutions he’d relied on. It might not sit easily with standard ideas of military leadership, but understanding what happened to General Dallaire and his mission to Rwanda is crucial to understanding the moral minefields our peacekeepers are forced to negotiate when we ask them to step into the world’s dirty wars. Excerpt from Shake Hands with the Devil My story is not a strictly military account nor a clinical, academic study of the breakdown of Rwanda. It is not a simplistic indictment of the many failures of the UN as a force for peace in the world. It is not a story of heroes and villains, although such a work could easily be written. This book is a cri de coeur for the slaughtered thousands, a tribute to the souls hacked apart by machetes because of their supposed difference from those who sought to hang on to power. . . . This book is the account of a few humans who were entrusted with the role of helping others taste the fruits of peace. Instead, we watched as the devil took control of paradise on earth and fed on the blood of the people we were supposed to protect.
| Author | : Nicki Hitchcott |
| Publisher | : Liverpool University Press |
| Total Pages | : 240 |
| Release | : 2015-11-26 |
| Genre | : Literary Criticism |
| ISBN | : 1781384827 |
A critical study of fictional responses by authors inside and outside Rwanda to the 1994 genocide.
| Author | : Caroline Williamson Sinalo |
| Publisher | : Cambridge University Press |
| Total Pages | : 245 |
| Release | : 2018-10-04 |
| Genre | : Political Science |
| ISBN | : 1108688349 |
In the 1994 Rwanda genocide, around 1 million people were brutally murdered in just thirteen weeks. This book offers an in-depth study of posttraumatic growth in the testimonies of the men and women who survived, highlighting the ways in which they were able to build a new, and often enhanced, way of life. In so doing, Caroline Williamson Sinalo advocates a new reading of trauma: one that recognises not just the negative, but also the positive responses to traumatic experiences. Through an analysis of testimonies recorded in Kinyarwanda by the Genocide Archive of Rwanda, the book focuses particularly on the relationship between posttraumatic growth and gender and examines it within the wider frames of colonialism and traditional cultural practices. Offering a striking alternative to dominant paradigms on trauma, the book reveals that, notwithstanding the countless tales of horror, pain, and loss in Rwanda, there are also stories of strength, recovery, and growth.
| Author | : Stephanie Wolfe |
| Publisher | : Taylor & Francis |
| Total Pages | : 300 |
| Release | : 2022-12-30 |
| Genre | : Political Science |
| ISBN | : 1000817148 |
This book brings together scholars and practitioners for a unique inter-disciplinary exploration of justice and memory within Rwanda. It explores the various strategies the state, civil society, and individuals have employed to come to terms with their past and shape their future. The main objective and focus is to explore broad and varied approaches to post-atrocity memory and justice through the work of those with direct experience with the genocide and its aftermath. This includes many Rwandan authors as well as scholars who have conducted fieldwork in Rwanda. By exploring the concepts of how justice and memory are understood the editors have compiled a book that combines disciplines, voices, and unique insights that are not generally found elsewhere. Including academics and practitioners of law, photographers, poets, members of Rwandan civil society, and Rwandan youth this book will appeal to scholars and students of political science, legal studies, French and francophone studies, African studies, genocide and post-conflict studies, development and healthcare, social work, education and library services.
| Author | : Anna-Marie de Beer |
| Publisher | : Springer Nature |
| Total Pages | : 306 |
| Release | : 2020-04-23 |
| Genre | : Social Science |
| ISBN | : 3030420930 |
This book deals with literary representations of the genocide of the Tutsis in Rwanda. The focus is a transnational, polyphonic writing project entitled ‘Rwanda: écrire par devoir de mémoire’ (Rwanda: Writing by Duty of Memory), undertaken in 1998 by a group of nine African authors. This work emphasizes the Afropolitan cultural frame in which the texts were conceived and written. Instead of using Western and Eurocentric tropes, this volume looks at a so-called ‘minority trauma’: an African conflict situated in a collectivist society and written about by writers from African origin. This approach enables a more situated study, in which it becomes possible to draw out the local notions of ubuntu, oral testimonies, mourning traditions, healing and storytelling strategies, and the presence of the ‘invisible’. As these texts are written in French and to date not all of them have been translated into English, most academic research has been done in French. This book thus assists in connecting English-speaking readers not only to a set of texts written in French with significant literary and cultural value, but also to francophone trauma studies research.
