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World of Image in Islamic Philosophy

World of Image in Islamic Philosophy
Author: L. W. C. van Lit
Publisher: Edinburgh University Press
Total Pages: 288
Release: 2017-04-30
Genre: Philosophy
ISBN: 1474415865

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One of the most controversial issues that divided Islamic philosophers and theologians during the Middle Ages was whether human beings would have a spiritual or bodily existence after death. The idea of a world of image was conceived as a solution, suggesting that there exists a world of non-physical (imagined) bodies, beyond our earthly existence. This world may be reached in sleep, in meditation or after death.From the embryonic conception by Ibn Sina, to the radical rethinking by Suhrawardi and Shahrazuri into a sophisticated system, L. W. C. van Lit unravels the history of this idea. Using a distant reading approach for measuring the transmission, he further shows how the idea remained relevant for Muslim thinkers through the centuries, up until today.


The World of Image in Islamic Philosophy

The World of Image in Islamic Philosophy
Author: Lambertus Willem Cornelis van Lit
Publisher:
Total Pages:
Release: 2017
Genre: Islamic philosophy
ISBN: 9781474435024

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Using an innovative approach, Van Lit looks at the curious idea concerning eschatology proposed by Ibn Sina.


World of Image in Islamic Philosophy

World of Image in Islamic Philosophy
Author: van Lit L. W. C. van Lit
Publisher: Edinburgh University Press
Total Pages: 197
Release: 2017-04-01
Genre: Philosophy
ISBN: 1474415873

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One of the most controversial issues that divided Islamic philosophers and theologians during the Middle Ages was whether human beings would have a spiritual or bodily existence after death. The idea of a world of image was conceived as a solution, suggesting that there exists a world of non-physical (imagined) bodies, beyond our earthly existence. This world may be reached in sleep, in meditation or after death.From the embryonic conception by Ibn Sina, to the radical rethinking by Suhrawardi and Shahrazuri into a sophisticated system, L. W. C. van Lit unravels the history of this idea. Using a distant reading approach for measuring the transmission, he further shows how the idea remained relevant for Muslim thinkers through the centuries, up until today.


Philosophy in the Islamic World: A Very Short Introduction

Philosophy in the Islamic World: A Very Short Introduction
Author: Peter Adamson
Publisher: OUP Oxford
Total Pages: 144
Release: 2015-09-24
Genre: Philosophy
ISBN: 0191506591

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In the history of philosophy, few topics are so relevant to today's cultural and political landscape as philosophy in the Islamic world. Yet, this remains one of the lesser-known philosophical traditions. In this Very Short Introduction, Peter Adamson explores the history of philosophy among Muslims, Jews, and Christians living in Islamic lands, from its historical background to thinkers in the twentieth century. Introducing the main philosophical themes of the Islamic world, Adamson integrates ideas from the Islamic and Abrahamic faiths to consider the broad philosophical questions that continue to invite debate: What is the relationship between reason and religious belief? What is the possibility of proving God's existence? What is the nature of knowledge? Drawing on the most recent research in the field, this book challenges the assumption of the cultural decline of philosophy and science in the Islamic world by demonstrating its rich heritage and overlap with other faiths and philosophies.


The Image Debate

The Image Debate
Author: Christiane J. Gruber
Publisher: Gingko Library
Total Pages: 0
Release: 2019
Genre: ART
ISBN: 9781909942349

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"The images released by The Islamic State of militants smashing statues at ancient sites were a horrifying aspect of their advance across Northern Iraq and Syria during 2015-16. Their leaders justified this act of iconoclasm by arguing that such actions were divinely decreed in Islam, a notion that has remained fixed in the public consciousness. The Image Debate is a collection of thirteen essays that examine the controversy surrounding the use of images in Islamic and other religious cultures and seek to redress some of the misunderstandings that have arisen. Written by leading academics from the United States, Australia, Turkey, Israel and the United Kingdom, the book opens with an introduction by the editor Christiane Gruber, who sets the subject in context with a detailed examination of the debates over idols and the production of figural images in Islamic traditions. The book is divided into three sections: the first deals with pre-modern Islamic practices and anxieties concerned with image-making; the second addresses similar issues in Judaism, in Christianity during the Byzantine period, in pre-Islamic Iran and Central Asia, and in Hindu and Buddhist contexts in South Asia; and the third brings the reader back to Islamic lands by examining traditions of figural representation in the modern and contemporary periods." -- Publisher's website


Islamic Philosophy and Occidental Phenomenology on the Perennial Issue of Microcosm and Macrocosm

Islamic Philosophy and Occidental Phenomenology on the Perennial Issue of Microcosm and Macrocosm
Author: Anna-Teresa Tymieniecka
Publisher: Springer Science & Business Media
Total Pages: 292
Release: 2006-09-22
Genre: Philosophy
ISBN: 1402041152

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By proposing the Microcosm and Macrocosm analogy for dialogue between Islamic Philosophy and Occidental Phenomenology, the authors of this volume are reviving the perennial positioning of the human condition in the play of forces within and without the human being. This theme has run from Plato through the Middle Ages, Renaissance and Modernity, and has been ignored by contemporaries. It now acquires a new pertinence and striking significance due to the scientific discoveries into the "infinitely small" in life, on the one hand, and the prodigious technological discoveries of the "infinitely great" on the other. Both open up undreamt-of prospects for the continuing conquest of cosmic forces. The human person – thrown into turmoil by the new approaches to life and needing to acquire new habits of mind, having lost security of all beliefs – desperately seeks a new clarification of the Human Condition within the unity of everything-there-is, of cosmic forces, and of his destiny. The dialogue between Islamic Philosophy and phenomenology of life can show the way. Papers by: Gholam-Reza A'awani, Mehdi Aminrazavi, Roza Davari Ardakani, Mohammad Azadpur, Gary Backhaus, Marina Banchetti-Robino, William Chittick, Seyed Mostafa Muhaghghegh Damad, Golamhossein Ebrahimi Dinani, Nader El-Bizri, Kathleen Haney, Salahaddin Khalilov, Sayyid Mohammad Khamenei, Mahmoud Khatami, Mieczyslaw Pawel Migon, Nikolay Milkov, Sachiko Murata, Anna-Teresa Tymieniecka, Daniela Verducci.


Books of Definition in Islamic Philosophy

Books of Definition in Islamic Philosophy
Author: Kiki Kennedy-Day
Publisher: Taylor & Francis
Total Pages: 215
Release: 2003-09-02
Genre: Religion
ISBN: 113578731X

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Islamic Philosophy has unusual origins. Originally a hybrid of Greek philosophy and early Islamic theology, its technical language consisted of a number of words translated from the Greek. This book studies how Islamic philosophers of the ninth century AD, such as al-Kindi, al-Farabi and Ibn Sina, developed an indigenous set of terms and concepts. Their Books of Definition influenced the revision of the Arabic language to incorporate these new fields of knowledge. Books of Definition in Islamic Philosophy: The Limits of Words uses the work of these philosophers as a basis from which a comparison with their Greek precedents is enabled. The book presents a framework for incorporating an Islamic and historically contextualised philosophy into a continuum of world philosophers. At the core of this framework is Ibn Sina's Kitab al-hudud which the author has translated into English and situates it in its correct geopolitical framework. In establishing a historical and literary context for the writing and circulation of Ibn Sina's definitions, the book breaks new ground in the integration of Islamic philosophy within a general history of philosophies. This fascinating and comprehensive study will be of interest to scholars and postgraduate students of Islamic Philosophy.


Islamic Philosophy and Theology

Islamic Philosophy and Theology
Author: William Montgomery Watt
Publisher: Transaction Publishers
Total Pages: 222
Release: 2008-09-01
Genre: Philosophy
ISBN: 0202366979

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Events are making clear to ever-widening circles of readers the need for something more than a superficial knowledge of non-European cultures. In particular, the blossoming into independence of numerous African states, many of which are largely Muslim or have a Muslim head of state, has made clear the growing political importance of the Islamic world, and, as a result, the desirability of extending and deepening the understanding and appreciation of this great segment of mankind. Islamic philosophy and theology are looked at together in a chronological framework in this volume. From a modern standpoint, this juxtaposition of the two disciplines is important for the understanding of both; but it should be realized at the outset that it is a reversal of the traditional Islamic procedure. Not merely were the disciplines different, but in the earlier centuries the exponents were two different sets of persons, trained in two different educational traditions, each with its own separate institutions. There was little personal contact between philosophers and theologians, and the influence of the two disciplines on one another was largely by way of polemics. Eventually while philosophy died out as a separate discipline in the Islamic world, many parts of it were incorporated in theology. This work is designed to give the educated reader something more than can be found in the usual popular books. The work undertakes to survey a special part of the field, and to show the present stage of scholarship. Where there is a clear picture this will be given; but where there are gaps, obscurities and differences of opinion, these will also be indicated. This work is brilliant in its design, style, and intimate understanding. It is a must read for specialists and policy makers alike. W. Montgomery Watt (1909-2006) was professor emeritus of Arabic and Islamic Studies at the University of Edinburgh. He is the author of numerous books, including Muslim-Christian Encounters: Perceptions and Misperceptions, Islam: A Short History, Muhammad's Mecca, and Islamic Surveys: The Influence of Islam on Medieval Europe.


A History of Islamic Philosophy

A History of Islamic Philosophy
Author: Majid Fakhry
Publisher: Columbia University Press
Total Pages: 472
Release: 2004
Genre: History
ISBN: 9780231132206

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The first comprehensive survey of Islamic philosophy from the seventh century to the present, this classic discusses Islamic thought and its effect on the cultural aspects of Muslim life. Fakhry shows how Islamic philosophy has followed from the earliest times a distinctive line of development, which gives it the unity and continuity that are the marks of the great intellectual movements of history.


Enfoldment and Infinity

Enfoldment and Infinity
Author: Laura U. Marks
Publisher: MIT Press
Total Pages: 423
Release: 2010-08-13
Genre: Art
ISBN: 0262537362

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Tracing the connections—both visual and philosophical—between new media art and classical Islamic art. In both classical Islamic art and contemporary new media art, one point can unfold to reveal an entire universe. A fourteenth-century dome decorated with geometric complexity and a new media work that shapes a dome from programmed beams of light: both can inspire feelings of immersion and transcendence. In Enfoldment and Infinity, Laura Marks traces the strong similarities, visual and philosophical, between these two kinds of art. Her argument is more than metaphorical; she shows that the “Islamic” quality of modern and new media art is a latent, deeply enfolded, historical inheritance from Islamic art and thought. Marks proposes an aesthetics of unfolding and enfolding in which image, information, and the infinite interact: image is an interface to information, and information (such as computer code or the words of the Qur'an) is an interface to the infinite. After demonstrating historically how Islamic aesthetics traveled into Western art, Marks draws explicit parallels between works of classical Islamic art and new media art, describing texts that burst into image, lines that multiply to form fractal spaces, “nonorganic life” in carpets and algorithms, and other shared concepts and images. Islamic philosophy, she suggests, can offer fruitful ways of understanding contemporary art.