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World Art Studies

World Art Studies
Author: Kitty Zijlmans
Publisher:
Total Pages: 474
Release: 2008
Genre: Art
ISBN:

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"This timely volume challenges the narrow Western-centrism of most art historical models. Archeologists have found that, for tens of thousands of years, all human cultures have shared a desire for visual representation or expression. Yet the study of art history has traditionally focused on Western artworks of the past few centuries. World Art Studies examines the phenomenon of art through a broader cultural, global, and temporal perspective, bringing together a uniquely exhaustive range of perspectives on art and borrowing approaches from the study of neuroscience, evolutionary biology, anthropology and geography as models - alongside more conventional art historical perspectives. In musicology or linguistics, using such diverse viewpoints for reflection and research is considered part of the normal process. In that spirit, this volume goes beyond abstract models, using case studies to demonstrate and examine specific methods of investigation."--BOOK JACKET.


Art, Culture and Nature

Art, Culture and Nature
Author: John Onians
Publisher:
Total Pages: 602
Release: 2006
Genre: Art
ISBN:

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The present volume gathers together a selection of the editorials, articles, conference papers and essays, though which he has furthered his own attempts to renew art history and participated in those of others. They reflect the influence of many personal contacts built up during three decades of teaching and lecturing in many countries in Europe, America, Asia and Australia. Contents: Theory. Art history, Kunstgeschichte and historia Art and ritual. The biological connection Architecture, metaphor and the mind I wonder. . . A short history of amazement World Art Studies and the need for a new natural history of art; Architecture and painting: the biological connection Inside the brain: looking for the roots of art history Gombrich and the biological explanation of art Prehistory. The origins of art The biological and geographical bases of cultural borders: the case of the earliest Palaeolithic art Ancient world. From the double crown to the double pediment Tabernacle and Temple and the Cosmos of the Jews War, mathematics and art in Classical Greece Idea and product: potter and philosopher in Classical Athens The Greek temple and the Greek brain Quintilian and the idea of Roman art Abstraction and imagination in Late Antiquity Renaissance. Alberti and Filarete Brunelleschi: humanist or nationalist Leon Battista Alberti: the problem of personal and urban identity How to listen to Renaissance art The biological basis of Renaissance aesthetics Alberti and the neuropsychology of style China. Chinese painting in the Twentieth Century and in the context of World Art Studies The Nature of art in Lin Fengmian's China: a neuropsychological perspective Additional Notes Index.


Circulations in the Global History of Art

Circulations in the Global History of Art
Author: Thomas DaCosta Kaufmann
Publisher: Routledge
Total Pages: 262
Release: 2016-03-03
Genre: Art
ISBN: 1317166159

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The project of global art history calls for balanced treatment of artifacts and a unified approach. This volume emphasizes questions of transcultural encounters and exchanges as circulations. It presents a strategy that highlights the processes and connections among cultures, and also responds to the dynamics at work in the current globalized art world. The editors’ introduction provides an account of the historical background to this approach to global art history, stresses the inseparable bond of theory and practice, and suggests a revaluation of materialist historicism as an underlying premise. Individual contributions to the book provide an overview of current reflection and research on issues of circulation in relation to global art history and the globalization of art past and present. They offer a variety of methods and approaches to the treatment of different periods, regions, and objects, surveying both questions of historiography and methodology and presenting individual case studies. An 'Afterword' by James Elkins gives a critique of the present project. The book thus deliberately leaves discussion open, inviting future responses to the large questions it poses.


Creating a World on Paper

Creating a World on Paper
Author: Sue Rainey
Publisher: Studies in Print Culture and t
Total Pages: 0
Release: 2013
Genre: Biography & Autobiography
ISBN: 9781558499799

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This book documents Harry Fenn's career from the 1860s until his death in 1911.


Art, Animals, and Experience

Art, Animals, and Experience
Author: Elizabeth Sutton
Publisher: Routledge
Total Pages: 268
Release: 2017-04-21
Genre: Art
ISBN: 1315279436

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Elizabeth Sutton, using a phenomenological approach, investigates how animals in art invite viewers to contemplate human relationships to the natural world. Using Rembrandt van Rijn’s etching of The Presentation in the Temple (c. 1640), Joseph Beuys’s social sculpture I Like America and America Likes Me (1974), archaic rock paintings at Horseshoe Canyon, Canyonlands National Park, and examples from contemporary art, this book demonstrates how artists across time and cultures employed animals to draw attention to the sensory experience of the composition and reflect upon the shared sensory awareness of the world.


The Scholar's Art

The Scholar's Art
Author: Jerome McGann
Publisher: University of Chicago Press
Total Pages: 252
Release: 2006-05-15
Genre: Literary Criticism
ISBN: 0226500853

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For Jerome McGann, the purpose of scholarship is to preserve and pass on cultural heritage, a feat accomplished through discussion among scholars and interested nonspecialists. In The Scholar’s Art, a collection of thirteen essays, McGann both addresses and exemplifies that discussion and the vocation it supports. Of particular interest to McGann is the demise of public discourse about poetry. That poetry has become recondite is, to his mind, at once a problem for how scholars do their work and a general cultural emergency. The Scholar’s Art asks what could be gained by reimagining the way scholars have codified the literary and cultural history of the past two hundred years and goes on to provide a series of case studies that illustrate how scholarly method can help bring about such reimaginings. McGann closes with a discussion of technology’s ability to harness the reimagination of cultural memory and concludes with exemplary acts of critical reflection. Astute observation from one of America’s most bracing and original commentators on the place of literature in twenty-first century culture, The Scholar’s Art proposes new ways—cultural, philological, and technological—to reimagine our literary past and future.


Is Art History Global?

Is Art History Global?
Author: James Elkins
Publisher: Routledge
Total Pages: 474
Release: 2013-10-18
Genre: Art
ISBN: 1135867666

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This is the third volume in The Art Seminar, James Elkin's series of conversations on art and visual studies. Is Art History Global? stages an international conversation among art historians and critics on the subject of the practice and responsibility of global thinking within the discipline. Participants range from Keith Moxey of Columbia University to Cao Yiqiang, Ding Ning, Cuautemoc Medina, Oliver Debroise, Renato Gonzalez Mello, and other scholars.


The Global Work of Art

The Global Work of Art
Author: Caroline A. Jones
Publisher: University of Chicago Press
Total Pages: 380
Release: 2016
Genre: Art
ISBN: 022629174X

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The first major history of the glamorous art biennial. Biennials have proliferated across the globe since the end of the Cold War and have now stabilized at about 200 a year. While this quintessentially contemporary form has significant roots in the world expositions of the 19th century, Jones argues that the biennial is also the platform for an important new aesthetic shift. Moving away from a focus on visual looking in the mid 20th century, the art world today embraces experience: art fairs give the feel of closeness and spaciousness, crowds, and they engage all our senses, even taste. Jones argues that the dominance of installation art and the simultaneous rise of biennialsor recurring art fairsneed to be examined as joint phenomenamutually reinforcing and linked to specific geo-political and aesthetic conditions. From the rise of tourism to the flows of art commerce, Jones hatches a new way to track the development of international art fairs in nearly every corner of the globe: from the early world fairs of London, Paris, Chicago, and New York to art fairs proper in Venice, Sao Paulo, Havana, Berlin, Lyon, and Beijing, as well as Kassel s Documenta, Whitney Biennial, and moreall explained through a rapidly evolving aesthetics of experience that has never, until now, been addressed in such a substantial way."


Art History and Visual Studies in Europe

Art History and Visual Studies in Europe
Author:
Publisher: BRILL
Total Pages: 585
Release: 2012-06-22
Genre: History
ISBN: 9004231706

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Reflection on the history and practice of art history has long been a major topic of research and scholarship, and this volume builds on this tradition by offering a critical survey of many of the major developments in the contemporary discipline, such as the impact of digital technologies, the rise of visual studies or new initiatives in conservation theory and practice. Alongside these methodological issues this book addresses the mostly neglected question of the impact of national contexts on the development of the discipline. Taking a wide range of case studies, this book examines the impact of the specific national political, institutional and ideological demands on the practice of art history. The result is an account that both draws out common features and also highlights the differences and the plurality of practices that together constitute art history as a discipline.


Concerning Consequences

Concerning Consequences
Author: Kristine Stiles
Publisher: University of Chicago Press
Total Pages: 491
Release: 2016-03-21
Genre: Art
ISBN: 022630440X

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Kristine Stiles has played a vital role in establishing trauma studies within the humanities. A formidable force in the art world, Stiles examines the significance of traumatic experiences both in the individual lives and works of artists and in contemporary international cultures since World War II. In Concerning Consequences, she considers some of the most notorious art of the second half of the twentieth century by artists who use their bodies to address destruction and violence. The essays in this book focus primarily on performance art and photography. From war and environmental pollution to racism and sexual assault, Stiles analyzes the consequences of trauma as seen in the works of artists like Marina Abramovic, Pope.L, and Chris Burden. Assembling rich intellectual explorations on everything from Paleolithic paintings to the Bible’s patriarchal legacies to documentary images of nuclear explosions, Concerning Consequences explores how art can provide a distinctive means of understanding trauma and promote individual and collective healing.