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| Author | : Achim Moeller Fine Art Limited |
| Publisher | : |
| Total Pages | : 8 |
| Release | : 2018 |
| Genre | : |
| ISBN | : |
| Author | : Scott Allan |
| Publisher | : Getty Publications |
| Total Pages | : 228 |
| Release | : 2016-06-21 |
| Genre | : Art |
| ISBN | : 1606064770 |
Théodore Rousseau (1812–1867), arguably the most important French landscape artist of the mid-nineteenth century and a leader of the so-called Barbizon School, occupies a crucial moment of transition from the idealizing effects of academic painting to the radically modern vision of the Impressionists. He was an experimental artist who rejected the traditional historical, biblical, or literary subject matter in favor of “unruly nature,” a Romantic naturalism that confounded his contemporaries with its “bizarre” compositional and coloristic innovations. Lavishly illustrated and thoroughly documented, this volume includes five essays by experts in the field. Scott Allan and Édouard Kopp alternately examine Rousseau’s diverse techniques and working procedures as a painter and as a draftsman, as well as his art’s mixed economic and critical fortunes on the art market and at the Salon. Line Clausen Pedersen’s essay focuses on Mont Blanc Seen from La Faucille, Storm Effect, an early touchstone for the artist and a spectacular example of the Romantic sublime in the Ny Carlsberg Glyptotek’s collection. This catalogue accompanies an eponymous exhibition on view at the J. Paul Getty Museum from June 21 to September 11, 2016, and at the Ny Carlsberg Glyptotek from October 13, 2016, to January 8, 2017.
| Author | : Nicholas Green |
| Publisher | : |
| Total Pages | : 128 |
| Release | : 1982 |
| Genre | : Barbizon school |
| ISBN | : |
| Author | : Théodore Rousseau |
| Publisher | : |
| Total Pages | : 96 |
| Release | : 2002 |
| Genre | : Art |
| ISBN | : |
| Author | : Simon Kelly |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 281 |
| Release | : 2021-03-25 |
| Genre | : Art |
| ISBN | : 1501343807 |
The 19th century in France witnessed the emergence of the structures of the modern art market that remain until this day. This book examines the relationship between the avant-garde Barbizon landscape painter, Théodore Rousseau (1812-1867), and this market, exploring the constellation of patrons, art dealers and critics who surrounded the artist. It argues for the pioneering role of Rousseau, his patrons and his public in the origins of the modern art market, and, in so doing, shifts attention away from the more traditional focus on the novel careers of the Impressionists and their supporters. Drawing on extensive archival research, the book provides new insight into the role of the modern artist as professional. It provides a new understanding of the complex iconographical and formal choices within Rousseau's work, rediscovering the original radical charge that once surrounded the artist's work and led to extensive and peculiarly modern tensions with the market place.
| Author | : Richard R. Brettell |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 482 |
| Release | : 2002 |
| Genre | : Drawing |
| ISBN | : 1588390004 |
| Author | : Theodore Rousseau |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 96 |
| Release | : 1979 |
| Genre | : Art |
| ISBN | : 0870991957 |
| Author | : Colta Feller Ives |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 266 |
| Release | : 2000 |
| Genre | : Art |
| ISBN | : 0870999648 |
This volume presents 115 drawings and paintings from the holdings of collector Karen B. Cohen. The 19th-century French and English works include landscapes, portraits, figure compositions, and still lifes by great artists of the romantic period and of the Barbizon and Realist schools, beginning with Prud'hon and ending with Seurat. Among the highlights is a group of little known works by Courbet and a series of cloud studies by Constable. Ives (curator, The Metropolitan Museum of Art) provides documentation and commentary for each work, placing it within the context of the artist's development and connecting it to contemporary artistic trends and innovations. Curator Elizabeth E. Barker contributed entries on Constable and Bonington. Annotation copyrighted by Book News Inc., Portland, OR
| Author | : Julie A. Steiner |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 154 |
| Release | : 1997 |
| Genre | : Art |
| ISBN | : 0870998374 |
"The art collection assembled by Edgar Degas was remarkable not only for its quality, size, and depth but also for its revelation of Degas's artistic affinities. He acquired great numbers of works by the nineteenth-century French masters Ingres, Delacroix, and Daumier; he bought (or bartered his own pictures for) art by many of his contemporaries, particularly Manet, Cezanne, Gauguin, and Cassatt; and he acquired works by a wide range of other artists, from eminent to little known. The extent of Degas's holdings was not recognized until after his death, when the collection came up for auction in Paris in 1918 and, in what was called the sale of the century, was widely dispersed." "Extensive research has made it possible to "reassemble" that collection in book form. This summary catalogue contains information on the more than five thousand works owned by Degas. For each work catalogued the entry includes, to the extent possible: a description with medium and dimensions; provenance information about Degas's acquisition and ownership of the work; information pertaining to the sale of the work in 1918 (or its disposal earlier), including the purchaser, purchase price, and other data; the current location; selected references; and an illustration. In a concordance, collection sale lot numbers are listed with their corresponding summary catalogue numbers." "This catalogue and its companion volume of essays are published in conjunction with the exhibition "The Private Collection of Edgar Degas," held at The Metropolitan Museum of Art, New York, from October 1, 1997, to January 11, 1998."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
| Author | : Amy Kurlander |
| Publisher | : |
| Total Pages | : 163 |
| Release | : 2014-09 |
| Genre | : Barbizon school |
| ISBN | : 9780875981680 |
With Camille Corot and Jean-François Millet, Théodore Rousseau (1812–67) ranks as one of the preeminent masters of the Barbizon School, a group of nineteenth-century French artists whose preferred subject was the primeval wooded landscape of the forest of Fontainebleau. The Barbizon School painters were greatly influenced by the Romantic movement, producing works inspired by the powerful forces of nature. Surprisingly, despite his pivotal role in French art and his profound impact on the development of landscape painting, Rousseau has never before been the subject of a monographic exhibition in the United States.00Comprising seventy works from private and public collections, including the Morgan Library & Museum, this exhibition will consider the artist's wide-ranging achievements as a draftsman and his particular approach to the open-air oil sketch. It will trace Rousseau's path to Barbizon, from his early oil sketches in the Ile-de-France, Auvergne, and Normandy, to his mature works in the Forest of Fontainebleau. Rousseau's works—some bucolic and evocative of a simpler, pre-industrial age, others brooding, moody, and redolent with lingering vestiges of Romanticism or testaments to the haunting majesty of the natural world—are both appealing and instructive. Collectively, this selection chronicles Rousseau's artistic practice and highlights his contribution to the shifting conception of landscape in the wake of the Industrial Revolution. The show will explore the range of techniques and handling of media, and the sense of poetic melancholy that permeates Rousseau's art. A fully illustrated scholarly catalogue accompanies the exhibition. 0Exhibition: The Morgan Library & Museum, New York, U.S.A. (26.09.2014-18.01.2015).
