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The Work of Authorship

The Work of Authorship
Author: Mireille M. M. van Eechoud
Publisher:
Total Pages: 0
Release: 2014
Genre: SOCIAL SCIENCE
ISBN: 9789089646354

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What fresh perspectives can viewing copyright law through a humanities' looking glass bring to key notions of tomorrow's copyright law?


Copyright and Collective Authorship

Copyright and Collective Authorship
Author: Daniela Simone
Publisher: Cambridge University Press
Total Pages: 327
Release: 2019-05-02
Genre: Law
ISBN: 1107199956

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Addresses the difficult question of how to determine the authorship, and ownership, of copyright in highly collaborative works.


The Idea of Authorship in Copyright

The Idea of Authorship in Copyright
Author: Lior Zemer
Publisher: Routledge
Total Pages: 179
Release: 2017-03-02
Genre: Philosophy
ISBN: 1351888013

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As information flows become increasingly ubiquitous in our post digital environment, the challenges to traditional concepts of intellectual property and the practices deriving from them are immense. The romantic understanding of the lone author as an endless source of new creations has to face these challenges. In order to do so, this work presents a collectivist model of intellectual property rights. The core argument is that since copyright works enjoy profit from significant public contribution, they should not be privately owned, but considered to be a joint enterprise, made real by both the public and author. It is argued that every copyright work depends on and is reflective of the author's exposure to externalities such as language, culture and the various social events and processes that occur in the public domain, therefore copyright works should not be regarded as exclusive private property. The study takes its organizing principle from John Locke, defining and proving the fatal flaw inherent in debates on copyright: on the one hand the copyright community is eager to arm authors with a robust property right over their creation, while on the other this community totally ignores the fact that the exposure of the individual to externalities is what makes him or her capable of creating material that is copyrightable. Just as Locke was against the absolute authority of kings, the expressed view of the study is against the exclusive right an author can claim.


Intellectual Property Rights in Industry-sponsored University Research

Intellectual Property Rights in Industry-sponsored University Research
Author:
Publisher: National Academies
Total Pages: 40
Release: 1993-01-15
Genre: Science
ISBN:

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In 1988, a Roundtable committee, in conjunction with the Industrial Research Institute, developed a set of model agreements to streamline the negotiation process. The intent was that these models would decrease the time and effort needed to develop a research agreement, as well as provide a starting point for companies and universities new to negotiating agreements. In general, the models were well received by the academic and industrial communities. However, one concern, intellectual property rights, continues to pose significant hurdles to successful negotiation. Intellectual Property Rights in Industry-Sponsored University Research: Guide to Alternatives for Research Agreements identifies the contentious issues related to intellectual property rights and develops contract language that makes it easier to negotiate agreements for industry-sponsored university research. This report clarifies issues that cross institutional boundaries when university-industry research agreements are negotiated.


The Confidence-Man (Unabridged)

The Confidence-Man (Unabridged)
Author: Herman Melville
Publisher: Everest Media LLC
Total Pages: 350
Release: 2024-07-01
Genre: Fiction
ISBN:

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Board the steamboat Mississippi on a journey down a river of deception. It's April Fool's Day, and a mysterious stranger,the "Confidence-Man," slithers aboard. With a silver tongue and an endless capacity for disguise, he weaves a web of scams, targeting the hopes, dreams, and vulnerabilities of his fellow passengers. Will a pious man be swayed by a promise of a utopian community? Can a cynic be convinced to invest in a cure-all elixir? As the Mississippi churns, Melville's masterpiece "The Confidence-Man" delivers a darkly comic satire on American society, where trust and truth are as murky as the river itself. Prepare to be entertained, and maybe a little unsettled.


World Wide Research

World Wide Research
Author: William H. Dutton
Publisher: MIT Press
Total Pages: 403
Release: 2010-05-21
Genre: Computers
ISBN: 0262288311

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Experts examine ways in which the use of increasingly powerful and versatile digital information and communication technologies are transforming research activities across all disciplines. Advances in information and communication technology are transforming the way scholarly research is conducted across all disciplines. The use of increasingly powerful and versatile computer-based and networked systems promises to change research activity as profoundly as the mobile phone, the Internet, and email have changed everyday life. This book offers a comprehensive and accessible view of the use of these new approaches—called “e-Research”—and their ethical, legal, and institutional implications. The contributors, leading scholars from a range of disciplines, focus on how e-Research is reshaping not only how research is done but also, and more important, its outcomes. By anchoring their discussion in specific examples and case studies, they identify and analyze a promising set of practical developments and results associated with e-Research innovations. The contributors, who include Geoffrey Bowker, Christine Borgman, Paul Edwards, Tim Berners-Lee, and Hal Abelson, explain why and how e-Research activity can reconfigure access to networks of information, expertise, and experience, changing what researchers observe, with whom they collaborate, how they share information, what methods they use to report their findings, and what knowledge is required to do this. They discuss both the means of e-Research (new research-centered computational networks) and its purpose (to improve the quality of world-wide research).


Nimmer on Copyright

Nimmer on Copyright
Author: Melville B. Nimmer
Publisher:
Total Pages:
Release: 1978
Genre: Copyright
ISBN:

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The Construction of Authorship

The Construction of Authorship
Author: Martha Woodmansee
Publisher: Duke University Press
Total Pages: 482
Release: 1994
Genre: Language Arts & Disciplines
ISBN: 9780822314127

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What is an author? What is a text? At a time when the definition of "text" is expanding and the technology whereby texts are produced and disseminated is changing at an explosive rate, the ways "authorship" is defined and rights conferred upon authors must also be reconsidered. This volume argues that contemporary copyright law, rooted as it is in a nineteenth-century Romantic understanding of the author as a solitary creative genius, may be inapposite to the realities of cultural production. Drawing together distinguished scholars from literature, law, and the social sciences, the volume explores the social and cultural construction of authorship as a step toward redefining notions of authorship and copyright for today's world. These essays, illustrating cultural studies in action, are aggressively interdisciplinary and wide-ranging in topic and approach. Questions of collective and collaborative authorship in both contemporary and early modern contexts are addressed. Other topics include moral theory and authorship; copyright and the balance between competing interests of authors and the public; problems of international copyright; musical sampling and its impact on "fair use" doctrine; cinematic authorship; quotation and libel; alternative views of authorship as exemplified by nineteenth-century women's clubs and by the Renaissance commonplace book; authorship in relation to broadcast media and to the teaching of writing; and the material dimension of authorship as demonstrated by Milton's publishing contract. Contributors. Rosemary J. Coombe, Margreta de Grazia, Marvin D'Lugo, John Feather, N. N. Feltes, Ann Ruggles Gere, Peter Jaszi, Gerhard Joseph, Peter Lindenbaum, Andrea A. Lunsford and Lisa Ede, Jeffrey A. Masten, Thomas Pfau, Monroe E. Price and Malla Pollack, Mark Rose, Marlon B. Ross, David Sanjek, Thomas Streeter, Jim Swan, Max W. Thomas, Martha Woodmansee, Alfred C. Yen


Theories of Authorship

Theories of Authorship
Author: John Caughie
Publisher: Routledge
Total Pages: 327
Release: 2013-10-08
Genre: Literary Criticism
ISBN: 113610268X

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The film director or `auteur' has been central in film theory and criticism over the past thirty years. Theories of Authorship documents the major stages in the debate about film authorship, and introduces recent writing on film to suggest important ways in which the debate might be reconsidered.


Mass Authorship and the Rise of Self-Publishing

Mass Authorship and the Rise of Self-Publishing
Author: Timothy Laquintano
Publisher: University of Iowa Press
Total Pages: 257
Release: 2016-10-15
Genre: Language Arts & Disciplines
ISBN: 1609384458

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In the last two decades, digital technologies have made it possible for anyone with a computer and an Internet connection to rapidly and inexpensively self-publish a book. Once a stigmatized niche activity, self-publishing has grown explosively. Hobbyists and professionals alike have produced millions of books, circulating them through e-readers and the web. What does this new flood of books mean for publishing, authors, and readers? Some lament the rise of self-publishing because it tramples the gates and gatekeepers who once reserved publication for those who met professional standards. Others tout authors’ new freedom from the narrow-minded exclusivity of traditional publishing. Critics mourn the death of the author; fans celebrate the democratization of authorship. Drawing on eight years of research and interviews with more than eighty self-published writers, Mass Authorship avoids the polemics, instead showing how writers are actually thinking about and dealing with this brave new world. Timothy Laquintano compares the experiences of self-publishing authors in three distinct genres—poker strategy guides, memoirs, and romance novels—as well as those of writers whose self-published works hit major bestseller lists. He finds that the significance of self-publishing and the challenge it presents to traditional publishing depend on the aims of authors, the desires of their readers, the affordances of their platforms, and the business plans of the companies that provide those platforms. In drawing a nuanced portrait of self-publishing authors today, Laquintano answers some of the most pressing questions about what it means to publish in the twenty-first century: How do writers establish credibility in an environment with no editors to judge quality? How do authors police their copyrights online without recourse to the law? How do they experience Amazon as a publishing platform? And how do they find an audience when, it sometimes seems, there are more writers than readers?