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Objects, Images, and the Word

Objects, Images, and the Word
Author: Colum Hourihane
Publisher: Princeton University Press
Total Pages: 326
Release: 2003
Genre: Art
ISBN: 9780691115382

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The medieval liturgy was in many ways a performance in which the worshipper was transformed into both actor and audience--an act of intense involvement steeped in spoken words, music, and images alike. Of all these elements, art was arguably paramount: it transformed the physical setting of this ritual, shaped the medieval sense of belief, and guided the faithful toward a fuller comprehension of the word. The complex and always evolving relationship between the liturgy and the wide range of art that it influenced is the subject of the thirteen scholars who present their recent work in this richly illustrated volume. The authors' approaches are as varied as the objects they examine, which range from sumptuous codexes, altarpieces, metal shrines, ivories, and the expansive stained-glass windows of the Sainte-Chapelle to more humble artifacts such as baptismal fonts, choir stalls, and drinking horns. One of the many conclusions that emerge from these essays is that "liturgical art" was far from being a rigidly controlled or formulaic genre. Throughout the Middle Ages it could--and did--respond readily and in nuanced detail to the changing expectations of the devout, the taste and demands of individuals, and even the lingering presence of secular and pagan objects. The contributors are Adelaide Bennett, Elaine C. Block, Lisa Victoria Ciresi, Michael Curschmann, William J. Diebold, Julian Gardner, Alyce A. Jordan, Peter Lasko, John Lowden, Carol Neuman de Vegvar, Harriet M. Sonne de Torrens, Elizabeth C. Teviotdale, and Beth Williamson.


Word and Object, new edition

Word and Object, new edition
Author: Willard Van Orman Quine
Publisher: MIT Press
Total Pages: 309
Release: 2013-01-25
Genre: Philosophy
ISBN: 0262518317

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A new edition of Quine's most important work. Willard Van Orman Quine begins this influential work by declaring, "Language is a social art. In acquiring it we have to depend entirely on intersubjectively available cues as to what to say and when." As Patricia Smith Churchland notes in her foreword to this new edition, with Word and Object Quine challenged the tradition of conceptual analysis as a way of advancing knowledge. The book signaled twentieth-century philosophy's turn away from metaphysics and what Churchland calls the "phony precision" of conceptual analysis. In the course of his discussion of meaning and the linguistic mechanisms of objective reference, Quine considers the indeterminacy of translation, brings to light the anomalies and conflicts implicit in our language's referential apparatus, clarifies semantic problems connected with the imputation of existence, and marshals reasons for admitting or repudiating each of various categories of supposed objects. In addition to Churchland's foreword, this edition offers a new preface by Quine's student and colleague Dagfinn Follesdal that describes the never-realized plans for a second edition of Word and Object, in which Quine would offer a more unified treatment of the public nature of meaning, modalities, and propositional attitudes.


Words about Pictures

Words about Pictures
Author: Perry Nodelman
Publisher: University of Georgia Press
Total Pages: 353
Release: 1990-08-01
Genre: Literary Criticism
ISBN: 0820312711

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A pioneering study of a unique narrative form, Words about Pictures examines the special qualities of picture books--books intended to educate or tell stories to young children. Drawing from a number of aesthetic and literary sources, Perry Nodelman explores the ways in which the interplay of the verbal and visual aspects of picture books conveys more narrative information and stimulation than either medium could achieve alone. Moving from "baby" books, alphabet books, and word books to such well-known children's picture books as Nancy Ekholm Burkert's Snow White and the Seven Dwarfs, Gerald McDermott's Arrow to the Sun, Maurice Sendak's Where the Wild Things Are, and Chris Van Allsburg's The Garden of Abdul Gasazi, Nodelman reveals how picture-book narrative is affected by the exclusively visual information of picture-book design and illustration as well as by the relationships between pictures and their complementary texts.


Words/images/objects

Words/images/objects
Author: Bilgé Friedlaender
Publisher:
Total Pages: 29
Release: 1981
Genre: Artists' books
ISBN:

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Faith Basics: Sacramentals and Signs. Objects, Actions, and Words as Avenues of Grace

Faith Basics: Sacramentals and Signs. Objects, Actions, and Words as Avenues of Grace
Author: Regis Flaherty
Publisher: Emmaus Road Publishing
Total Pages: 55
Release: 2015-09-01
Genre: Religion
ISBN: 1941447732

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What exactly is sacramental? It is a sacred sign that possesses a likeness to the sacraments and whose effects are obtained by the prayer of the Church. Sacramentals can be objects, such as holy water, medals, rosaries, or ashes; or they can be actions (for example, a pilgrimage); or they can be words (such as a blessing). In countless ways, these sacred visual images and words provide us opportunities to cooperate with the working of God’s grace. Find out how in these pages. About the Series: The Faith Basics series is about living life well. The booklets cover those topics of the Faith that most directly relate to the practical Catholic. Written for the person spread a bit too thin, the booklets are easily readable, coving the fundamentals in few words, while both informing and inspiring busy people to understand and live the Faith. Their convenient size makes them readily portable by purse or pocket. They are economically priced—ideal for distribution in evangelization efforts, RCIA classes, study groups, and outreach programs.


Psychological Review

Psychological Review
Author: James Mark Baldwin
Publisher:
Total Pages: 450
Release: 1905
Genre: Electronic journals
ISBN:

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Issues for 1894-1903 include the section: Psychological literature.


Aesthetics

Aesthetics
Author: Vasily Sesemann
Publisher: BRILL
Total Pages: 309
Release: 2007-01-01
Genre: Social Science
ISBN: 9004357998

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This work by Lithuania's most important philosopher Vasily Sesemann (1884-1963) is a European classic. Having been published in Lithuanian for the first time in 1970 (though written much earlier) it has now finally become accessible to an international public. Sesemann's Aesthetics is not only an extremely useful introduction to the discipline of aesthetics; it also engages in stimulating analyses of a whole range of subjects that remain of interest for the contemporary reader. Sesemann explains in a clear and systematic way almost all problems linked to aesthetic production and perception, providing inquiries into, for example, philosophical problems of space, tectonicity in architecture, and film. Sesemann's personal philosophical vision of aesthetic experience as well as of the ambiguity of aesthetic form makes this book a must for specialists in German and Eastern European interwar philosophy as well as in Russian Formalism.


The Pictured Word

The Pictured Word
Author: Martin Heusser
Publisher: Rodopi
Total Pages: 356
Release: 1998
Genre: Art and literature
ISBN: 9789042001909

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Learning and Memory

Learning and Memory
Author: W. Scott Terry
Publisher: Routledge
Total Pages: 410
Release: 2017-10-16
Genre: Psychology
ISBN: 1317224051

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This thoroughly updated edition provides a balanced review of the core methods and the latest research on animal learning and human memory. The relevance of basic principles is highlighted throughout via everyday examples to ignite student interest, along with more traditional examples from human and animal laboratory studies. Individual differences in age, gender, learning style, cultural background, or special abilities (such as the math gifted) are highlighted within each chapter to help students see how the principles may be generalized to other subject populations. The basic processes of learning – such as classical and instrumental conditioning and encoding and storage in long-term memory in addition to implicit memory, spatial learning, and remembering in the world outside the laboratory – are reviewed. The general rules of learning are described along with the exceptions, limitations, and best applications of these rules. The relationship between the fields of neuropsychology and learning and memory is stressed throughout. The relevance of this research to other disciplines is reflected in the tone of the writing and is demonstrated through a variety of examples from education, neuropsychology, rehabilitation, psychiatry, nursing and medicine, I/O and consumer psychology, and animal behavior. Each chapter begins with an outline and concludes with a detailed summary. A website for instructors and students accompanies the book. Updated throughout with new research findings and examples the new edition features: A streamlined presentation for today’s busy students. As in the past, the author supports each concept with a research example and real-life application, but the duplicate example or application now appears on the website so instructors can use the additional material to illustrate the concepts in class. Expanded coverage of neuroscience that reflects the current research of the field including aversive conditioning (Ch. 5) and animal working memory (Ch. 8). More examples of research on student learning that use the same variables discussed in the chapter, but applies them in a classroom or student’s study environment. This includes research that applies encoding techniques to student learning, for example: studying: recommendations from experts (Ch. 1); the benefits of testing (Ch. 9); and Joshua Foer’s Moonwalking with Einstein, on his quest to become a memory expert (Ch. 6). More coverage of unconscious learning and knowledge (Ch. 11). Increased coverage of reinforcement and addiction (Ch. 4), causal and language learning (Ch. 6), working memory (WM) and the effects of training on WM, and the comparative evolution of WM in different species (Ch. 8), and genetics and learning (Ch. 12).


Sensational Religion

Sensational Religion
Author: Sally M. Promey
Publisher: Yale University Press
Total Pages: 721
Release: 2014-06-24
Genre: Religion
ISBN: 0300187351

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The result of a collaborative, multiyear project, this groundbreaking book explores the interpretive worlds that inform religious practice and derive from sensory phenomena. Under the rubric of "making sense," the studies assembled here ask, How have people used and valued sensory data? How have they shaped their material and immaterial worlds to encourage or discourage certain kinds or patterns of sensory experience? How have they framed the sensual capacities of images and objects to license a range of behaviors, including iconoclasm, censorship, and accusations of blasphemy or sacrilege? Exposing the dematerialization of religion embedded in secularization theory, editor Sally Promey proposes a fundamental reorientation in understanding the personal, social, political, and cultural work accomplished in religion’s sensory and material practice. Sensational Religion refocuses scholarly attention on the robust material entanglements often discounted by modernity’s metaphysic and on their inextricable connections to human bodies, behaviors, affects, and beliefs.