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Women's Poetry and Religion in Victorian England

Women's Poetry and Religion in Victorian England
Author: Cynthia Scheinberg
Publisher: Cambridge University Press
Total Pages: 292
Release: 2002-05-30
Genre: Literary Criticism
ISBN: 1139434225

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Victorian women poets lived in a time when religion was a vital aspect of their identities. Cynthia Scheinberg examines Anglo-Jewish (Grace Aguilar and Amy Levy) and Christian (Elizabeth Barrett Browning and Christina Rossetti) women poets, and argues that there are important connections between the discourses of nineteenth-century poetry, gender and religious identity. Further, Scheinberg argues that Jewish and Christian women poets had a special interest in Jewish discourse; calling on images from Judaism and the Hebrew Scriptures, their poetry created complex arguments about the relationships between Jewish and female artistic identity. She suggests that Jewish and Christian women used poetry as a site for creative and original theological interpretation, and that they entered into dialogue through their poetry about their own and each other's religious and artistic identities. This book's interdisciplinary methodology calls on poetics, religious studies, feminist literary criticism, and little read Anglo-Jewish primary sources.


Women's Poetry and Religion in Victorian England

Women's Poetry and Religion in Victorian England
Author: Cynthia Scheinberg
Publisher:
Total Pages: 275
Release: 2002-05-30
Genre: Literary Criticism
ISBN: 9780521811125

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Examines Anglo-Jewish and Christian women poets, and the connections between the discourses of nineteenth-century poetry, gender and religious identity.


Christian and Lyric Tradition in Victorian Women’s Poetry

Christian and Lyric Tradition in Victorian Women’s Poetry
Author: F. Elizabeth Gray
Publisher: Routledge
Total Pages: 301
Release: 2009-09-10
Genre: Literary Criticism
ISBN: 1135237948

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Women in the Victorian period were acknowledged to be the "religious sex," but their relationship to the doctrines, practices, and hierarchies of Christianity was both highly circumscribed, which has been well documented, and complexly creative, which has not. Gray visits the importance of the literature of Christian devotion to women's creative lives through an examination of the varied ways in which Victorian women reproduced and recreated traditional Christian texts in their own poetic texts. Investigating how women poets redeployed the discourse of Christianity to uncover the multiple voices of the scriptures, to expand identity and gender constructions, and to question traditional narratives and processes of authorization, Gray contends that women found in religious poetry unexpected, liberating possibilities. Taking into account multiple voices, from the best-known female poets of the day to some of the most obscure, this study provides a comprehensive account of Victorian women's religious poetic creativity, and argues that this body of work helped shape the development of the lyric in the Victorian period.


Form and Faith in Victorian Poetry and Religion

Form and Faith in Victorian Poetry and Religion
Author: Kirstie Blair
Publisher: Oxford University Press
Total Pages: 267
Release: 2012-05-24
Genre: Literary Criticism
ISBN: 0199644500

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This study explores Victorian poetry in relation to Victorian religion, with particular emphasis on the bitter contemporary debates over the use of forms in worship. It discusses major Victorian poets - Tennyson, the Brownings, Rossetti, Hopkins, Hardy - and also argues that their work was influenced by a host of minor and less studied writers.


Victorian Women Poets: An Anthology

Victorian Women Poets: An Anthology
Author: Angela Leighton
Publisher: Wiley-Blackwell
Total Pages: 691
Release: 1999-10-15
Genre: Literary Criticism
ISBN: 9780631176091

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This reader contains sixteen new and recent essays addressing work by, and issues raised concerning, Victorian women poets. Among those discussed directly are: Elizabeth Barrett Browing, Emily Bronte, George Eliot, Michael Field, Felicia Hemans, Adelaide Proctor, Christina Rossetti, and Rosamund Marriott Watson. Key topics dealt with include the nature of home,the market, the fallen woman and the moral law, the mother, and the muse. Critics represented are: Isobel Armstrong, Kathleen Blake, Susan Conley, Stevie Davies, Sandra M. Gilbert, Gill Gregory, Terrence Holt, Linda K. Hughes, Angela Leighton, Tricia Lootens, Jerome J. McGann, Dorothy Mermin, Margaret Reynolds, Dolores Rosenblum, Chris White, and Joyce Zonana.


The Cambridge Companion to Victorian Women's Poetry

The Cambridge Companion to Victorian Women's Poetry
Author: Linda K. Hughes
Publisher: Cambridge University Press
Total Pages: 335
Release: 2019-03-14
Genre: Literary Criticism
ISBN: 1107182476

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Inclusive, cutting-edge essay collection by leading scholars on Victorian women poets and their diverse poetic forms and identities.


Christian and Lyric Tradition in Victorian Women’s Poetry

Christian and Lyric Tradition in Victorian Women’s Poetry
Author: F. Elizabeth Gray
Publisher: Routledge
Total Pages: 275
Release: 2009-09-10
Genre: Literary Criticism
ISBN: 1135237956

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In this study, Gray examines the broadly neglected body of Victorian women's religious verse, showing how women of the period used an array of inventive literary strategies to construct and wield provocative forms of authority. Their deployment of biblical source, trope and genre transfigured Christian and lyric traditions.


Women Poets in the Victorian Era

Women Poets in the Victorian Era
Author: Fabienne Moine
Publisher: Routledge
Total Pages: 314
Release: 2016-03-09
Genre: Literary Criticism
ISBN: 1134776535

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Examining the place of nature in Victorian women's poetry, Fabienne Moine explores the work of canonical and long-neglected women poets to show the myriad connections between women and nature during the period. At the same time, she challenges essentialist discourses that assume innate affinities between women and the natural world. Rather, Moine shows, Victorian women poets mobilised these alliances to defend common interests and express their engagement with social issues. While well-known poets such as Elizabeth Barrett Browning and Christina Rossetti are well-represented in Moine's study, she pays particular attention to lesser known writers such as Mary Howitt or Eliza Cook who were popular during their lifetimes or Edith Nesbit, whose verse has received scant critical attention so far. She also brings to the fore the poetry of many non-professional poets. Looking to their immediate cultural environments for inspiration, these women reconstructed the natural world in poems that raise questions about the validity and the scope of representations of nature, ultimately questioning or undermining social practices that mould and often fossilise cultural identities.


Women, Gender and Religious Cultures in Britain, 1800-1940

Women, Gender and Religious Cultures in Britain, 1800-1940
Author: Sue Morgan
Publisher: Routledge
Total Pages: 318
Release: 2010-06-10
Genre: History
ISBN: 1136972331

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This volume is the first comprehensive overview of women, gender and religious change in modern Britain spanning from the evangelical revival of the early 1800s to interwar debates over women’s roles and ministry. This collection of pieces by key scholars combines cross-disciplinary insights from history, gender studies, theology, literature, religious studies, sexuality and postcolonial studies. The book takes a thematic approach, providing students and scholars with a clear and comparative examination of ten significant areas of cultural activity that both shaped, and were shaped by women’s religious beliefs and practices: family life, literary and theological discourses, philanthropic networks, sisterhoods and deaconess institutions, revivals and preaching ministry, missionary organisations, national and transnational political reform networks, sexual ideas and practices, feminist communities, and alternative spiritual traditions. Together, the volume challenges widely-held truisms about the increasingly private and domesticated nature of faith, the feminisation of religion and the relationship between secularisation and modern life. Including case studies, further reading lists, and a survey of the existing scholarship, and with a British rather than Anglo-centric approach, this is an ideal book for anyone interested in women's religious experiences across the nineteeth and twentieth centuries.


Women Poets in the Victorian Era

Women Poets in the Victorian Era
Author: Fabienne Moine
Publisher: Routledge
Total Pages: 351
Release: 2016-03-09
Genre: Literary Criticism
ISBN: 1134776608

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Examining the place of nature in Victorian women's poetry, Fabienne Moine explores the work of canonical and long-neglected women poets to show the myriad connections between women and nature during the period. At the same time, she challenges essentialist discourses that assume innate affinities between women and the natural world. Rather, Moine shows, Victorian women poets mobilised these alliances to defend common interests and express their engagement with social issues. While well-known poets such as Elizabeth Barrett Browning and Christina Rossetti are well-represented in Moine's study, she pays particular attention to lesser known writers such as Mary Howitt or Eliza Cook who were popular during their lifetimes or Edith Nesbit, whose verse has received scant critical attention so far. She also brings to the fore the poetry of many non-professional poets. Looking to their immediate cultural environments for inspiration, these women reconstructed the natural world in poems that raise questions about the validity and the scope of representations of nature, ultimately questioning or undermining social practices that mould and often fossilise cultural identities.