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Women’s Literary Feminism in Twentieth-Century China

Women’s Literary Feminism in Twentieth-Century China
Author: A. Dooling
Publisher: Springer
Total Pages: 273
Release: 2005-02-18
Genre: Literary Criticism
ISBN: 1403978271

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This is a critical inquiry into the connections between emergent feminist ideologies in China and the production of 'modern' women's writing from the demise of the last imperial dynasty to the founding of the PRC. It accentuates both well-known and under-represented literary voices who intervened in the gender debates of their generation as well as contextualises the strategies used in imagining alternative stories of female experience and potential. It asks two questions: first, how did the advent of enlightened views of gender relations and sexuality influence literary practices of 'new women' in terms of narrative forms and strategies, readership, and publication venues? Second, how do these representations attest to the way these female intellectuals engaged and expanded social and political concerns from the personal to the national?


Chinese Women Writers and the Feminist Imagination, 1905-1948

Chinese Women Writers and the Feminist Imagination, 1905-1948
Author: Haiping Yan
Publisher: Routledge
Total Pages: 313
Release: 2006-11-22
Genre: Literary Criticism
ISBN: 1134570899

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This book works equally well in the following multiple fields: Gender Studies, Literary/Cultural Studies, Performance Studies, Asian and Pacific Studies, Chinese Studies, Critical Theory and Literary Historiography


The Question of Women in Chinese Feminism

The Question of Women in Chinese Feminism
Author: Tani Barlow
Publisher: Duke University Press
Total Pages: 502
Release: 2004-03-25
Genre: History
ISBN: 9780822332701

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DIVBarlow documents the history of “woman” as a category in twentieth century Chinese history, tracing the question of gender through various phases in the literary career of Ding Ling, a major modern Chinese writer./div


Writing Women in Modern China

Writing Women in Modern China
Author: Amy D. Dooling
Publisher: Columbia University Press
Total Pages: 420
Release: 1998
Genre: Education
ISBN: 9780231107013

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The past few years have seen a burgeoning effort to rethink questions of women, writing, and gender in modern China. Here 22 works of fiction, drama, autobiography, essays, and poetry, each prefaced by the author's photograph and a short biographical sketch, introduce women whose literary careers coincided with an era of tremendous social, political, and cultural turbulence. 18 illustrations.


Writing Women in Modern China

Writing Women in Modern China
Author: Amy D. Dooling
Publisher: Columbia University Press
Total Pages: 340
Release: 2005
Genre: Education
ISBN: 9780231132169

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From succinct reportage of contemporary historical circumstances to comic accounts of twentieth-century urban living to carefully stylized modernist works of fiction, the selections in this anthology reflect the diversity, liveliness, humor, and surprising cosmopolitanism of women's writing from the period. This collection also reveals the ways in which women writers imagined and inscribed new meanings to Chinese feminism. Also included are biographical information on the writers, bibliographical materials, and a critical introduction by Dooling.


Feminism/Femininity in Chinese Literature

Feminism/Femininity in Chinese Literature
Author:
Publisher: BRILL
Total Pages: 219
Release: 2016-08-22
Genre: History
ISBN: 9004333983

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The present volume of Critical Studies is a collection of selected essays on the topic of feminism and femininity in Chinese literature. Although feminism has been a hot topic in Chinese literary circles in recent years, this remarkable collection represents one of the first of its kind to be published in English. The essays have been written by well-known scholars and feminists including Kang-I Sun Chang of Yale University, and Li Ziyun, a writer and feminist in Shanghai, China. The essays are inter- and multi-disciplinary, covering several historical periods in poetry and fiction (from the Ming-Qing periods to the twentieth century). In particular, the development of women’s writing in the New Period (post-1976) is examined in depth. The articles thus offer the reader a composite and broad perspective of feminism and the treatment of the female in Chinese literature. As this remarkable new collection attests, the voices of women in China have begun calling out loudly, in ways that challenge prevalent views about the Chinese female persona.


Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture

Gender and Subjectivities in Early Twentieth-Century Chinese Literature and Culture
Author: P. Zhu
Publisher: Springer
Total Pages: 194
Release: 2015-06-10
Genre: Literary Criticism
ISBN: 1137514736

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Through both cultural and literary analysis, this book examines gender in relation to late Qing and modern Chinese intellectuals, including Mu Shiying, Bai Wei, and Lu Xun. Tackling important, previously neglected questions, Zhu ultimately shows the resilience and malleability of Chinese modernity through its progressive views on femininity.


The New Woman in Early Twentieth-century Chinese Fiction

The New Woman in Early Twentieth-century Chinese Fiction
Author: Jin Feng
Publisher: Purdue University Press
Total Pages: 244
Release: 2004
Genre: History
ISBN: 9781557533302

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Jin Feng proposes that representation of the "new woman" in Communist Chinese fiction of the earlier twentieth century was paradoxically one of the ways in which male writers of the era explored, negotiated, and laid claim to their own emerging identity as "modern" intellectuals.


The Birth of Chinese Feminism

The Birth of Chinese Feminism
Author: Lydia He Liu
Publisher: Columbia University Press
Total Pages: 326
Release: 2013
Genre: Art
ISBN: 023116291X

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The book repositions He-Yin Zhen as central to the development of feminism in China, juxtaposing her writing with fresh translations of works by two of her better-known male interlocutors. The editors begin with a detailed portrait of He-Yin Zhen's life and an analysis of her thought in comparative terms. They then present annotated translations of six of her major essays, as well as two foundational tracts by her male contemporaries, Jin Tianhe (1873-1947) and Liang Qichao (1873-1929), to which He-Yin's work responds and with which it engages. Jin Tianhe, a poet and educator, and Liang Qichao, a philosopher and journalist, understood feminism as a paternalistic cause that "enlightened" male intellectuals like themselves should defend. Zhen counters with an alternative conception of feminism that draws upon anarchism and other radical trends in thought.


Women and Writing in Modern China

Women and Writing in Modern China
Author: Wendy Larson
Publisher:
Total Pages: 267
Release: 1998
Genre: Literary Collections
ISBN: 0804731292

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Using a theoretical approach that utilizes work in literary studies, anthropology, feminist theory, and cultural studies, this book investigates how, in twentieth century China, the modern concepts of the new woman and the new writing developed into a protracted cultural debate over what and how women should and could write.