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Women's Experimental Writing

Women's Experimental Writing
Author: Ellen E. Berry
Publisher: Bloomsbury Publishing
Total Pages: 185
Release: 2016-05-19
Genre: Literary Criticism
ISBN: 1474226418

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Women's Experimental Writing considers six contemporary authors who use experimental methods and negative modes of critique in their fiction and feminism. The authors covered are Valerie Solanas, Kathy Acker, Theresa Cha, Chantel Chawaf, Jeanette Winterson, and Lynda Barry. These writers all share a commitment to combining extreme content with formally radical techniques in order to enact varieties of gender, sex, race, class and nation-based experience that, they suggest, may only be “represented” accurately through the experimental unmaking of dominant structures of rationality. Ellen Berry extends the anti-social negative critique predominant in queer studies by offering an alternative archive of feminist negative literary practices and explores the consequences of joining an anti-social critique with radical innovations in literary and cultural forms. She argues that the radical aesthetic practices the authors employ are central to the emergence of contemporary Western feminisms and in doing so rectifies a critical neglect of contemporary experimental writing by women, especially in politicized forms, within the still-emerging postmodern canon.


Language Unbound

Language Unbound
Author: Nancy Gray
Publisher:
Total Pages: 200
Release: 1992
Genre: Literary Criticism
ISBN:

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New Orientations

New Orientations
Author: I. Coy-dibley
Publisher:
Total Pages:
Release: 2020
Genre:
ISBN:

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Women Writers and Experimental Narratives

Women Writers and Experimental Narratives
Author: Kate Aughterson
Publisher: Springer Nature
Total Pages: 276
Release: 2021-01-23
Genre: Literary Criticism
ISBN: 3030496511

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This book explores the history of women’s engagement with writing experimentally. Women writers have long used different narratives and modes of writing as a way of critiquing worlds and stories that they find themselves at odds with, but at the same time, as a way to participate in such spaces. Experimentation—of style, mode, voice, genre and language—has enabled women writers to be simultaneously creative and critical, engaged in and yet apart from stories and cultures that have so often seen them as ‘other’. This collection shows that women writers in English over the past 400 years have challenged those ideas not only through explicit polemic and alternative representations but through disrupting the very modes of representation and story itself.


Telling Ways

Telling Ways
Author: Anna Couani
Publisher:
Total Pages: 116
Release: 1988
Genre: Australian literature
ISBN:

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British Experimental Women’s Fiction, 1945—1975

British Experimental Women’s Fiction, 1945—1975
Author: Andrew Radford
Publisher: Springer Nature
Total Pages: 293
Release: 2021-08-23
Genre: Literary Criticism
ISBN: 3030727661

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This book scrutinizes a range of relatively overlooked post-WWII British women writers who sought to demonstrate that narrative prose fiction offered rich possibilities for aesthetic innovation. What unites all the primary authors in this volume is a commitment to challenging the tenets of British mimetic realism as a literary and historical phenomenon. This collection reassesses how British female novelists operated in relation to transnational vanguard networking clusters, debates and tendencies, both political and artistic. The chapters collected in this volume enquire, for example, whether there is something fundamentally different (or politically dissident) about female experimental procedures and perspectives. This book also investigates the processes of canon formation, asking why, in one way or another, these authors have been sidelined or misconstrued by recent scholarship. Ultimately, it seeks to refine a new research archive on mid-century British fiction by female novelists at least as diverse as recent and longer established work in the domain of modernist studies.


Cultural Criticism in Women's Experimental Writing

Cultural Criticism in Women's Experimental Writing
Author: Kornelia Freitag
Publisher: Universitatsverlag Winter
Total Pages: 396
Release: 2006
Genre: Literary Criticism
ISBN:

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Contemporary experimental poetry? By women? But is this women's writing? The type of poetry that is central to this book has long been met with surprise, if not rejection, by both critics and the general public. This volume is an introduction to recent developments in women's poetic experiments, an area that has grown from rather marginalized and isolated beginnings into a thriving and highly visible field. Women's experimental texts can no longer be ignored, but they remain a challenge to readers and critics: this study examines some of the reasons why recognition has been delayed, and it also provides a range of new readings. With particular focus on poetry by Rosmarie Waldrop, Lyn Hejinian, and Susan Howe, women's poetic experiments are shown to be a critique of current practices of cultural representation that relegate women's poetry and experimental writing to separate spheres.


Women Writing Culture

Women Writing Culture
Author: Ruth Behar
Publisher: Univ of California Press
Total Pages: 476
Release: 1995
Genre: Social Science
ISBN: 9780520202085

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Extrait de la couverture : ""Here, for the first time, is a book that brings women's writings out of exile to rethink anthropology's purpose at the end of the century. ... As a historical resource, the collection undertakes fresh readings of the work of well-known women anthropologists and also reclaims the writings of women of color for anthropology. As a critical account, it bravely interrogates the politics of authorship. As a creative endeavor, it embraces new Feminist voices of ethnography that challenge prevailing definitions of theory and experimental writing."


Breaking the Sequence

Breaking the Sequence
Author: Ellen G. Friedman
Publisher: Princeton University Press
Total Pages: 344
Release: 2014-07-14
Genre: Literary Criticism
ISBN: 1400859948

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These nineteen essays introduce the rich and until now largely unexplored tradition of women's experimental fiction in the twentieth century. The writers discussed here range from Gertrude Stein to Christine Brooke-Rose and include, among others, Virginia Woolf, Jean Rhys, Jane Bowles, Marguerite Young, Eva Figes, Joyce Carol Oates, and Marguerite Duras. "Friedman and Fuchs demonstrate the breadth of their research, first in their introduction to the volume, in which they outline the history of the reception of women's experimental fiction, and analyze and categorize the work not only of the writers to whom essays are devoted but of a number of others, too; and second in an extensive and wonderfully useful bibliography."--Emma Kafalenos, The International Fiction Review "After an introduction that is practically itself a monograph, eighteen essayists (too many of them distinguished to allow an equitable sampling) take up three generations of post-modernists."--American Literature "The editors see this volume as part of the continuing feminist project of the `recovery and foregrounding of women writers.' Friedman and Fuchs's substantive introduction excellently synthesizes the issues presented in the rest of the volume."--Patrick D. Murphy, Studies in the Humanities Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Women’s Experimental Poetry in Britain 1970–2010

Women’s Experimental Poetry in Britain 1970–2010
Author: David Kennedy
Publisher: Liverpool University Press
Total Pages: 201
Release: 2013-11-04
Genre: Literary Criticism
ISBN: 1781385777

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Women’s Experimental Poetry in Britain 1970–2010 presents the history and current state of a critically neglected, significant body of contemporary writing and places it within the wider social and political contexts of the period.