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| Author | : Ann Thompson |
| Publisher | : Manchester University Press |
| Total Pages | : 310 |
| Release | : 1997 |
| Genre | : Feminism and literature |
| ISBN | : 9780719047046 |
Comprehensively rediscovers a lost tradition of women's writing on Shakespeare.
| Author | : Sasha Roberts |
| Publisher | : Northcote House Pub Limited |
| Total Pages | : 141 |
| Release | : 1998 |
| Genre | : Drama |
| ISBN | : 0746308124 |
This study argues that Romeo and Juliet, perhaps Shakespeare's most popularly-known play, repays thorough investigation - read afresh, the play is an extraordinary exploration of domestic conflict, social relations and linguistic practice. Drawing upon recent criticism on history and literature, and the rarely-discussed work of eighteenth- and nineteenth-century women critics, Sasha Roberts presents new readings of Romeo and Juliet and its early modern cultural context. Concisely-argued chapters address a wide range of themes - including rival texts, body politics, ethnic identity, adolescence, sexuality, masculinity, relations between women, family dynamics, ritual behaviour, language, bawdy, and the commodification of romantic love - and examine the play's striking imagery of disease, blood, beds, and wombs. Clearly written, this lively and accessible study of Romeo and Juliet will be of interest to readers both new to and familiar with the play.
| Author | : S. Roberts |
| Publisher | : Springer |
| Total Pages | : 254 |
| Release | : 2002-11-19 |
| Genre | : Literary Criticism |
| ISBN | : 0230286844 |
This is the first comprehensive study of early modern texts, readings, and readers of Shakespeare's poems in print and manuscript, Reading Shakespeare's Poems in Early Modern England makes a compelling contribution both to Shakespeare studies and the history of the book. Examining gendered readerships and the use of erotic works, reading practises and manuscript culture, textual forms and transmission, literary taste and the canonisation of Shakespeare, this book argues that historicist criticism can no longer ignore histories of reading.
| Author | : Fiona Ritchie |
| Publisher | : Cambridge University Press |
| Total Pages | : 267 |
| Release | : 2014-06-02 |
| Genre | : Drama |
| ISBN | : 1107046300 |
This book establishes the significance of actresses, female playgoers and women critics in shaping Shakespeare's burgeoning reputation in the eighteenth century.
| Author | : S. Roberts |
| Publisher | : Palgrave Macmillan |
| Total Pages | : 254 |
| Release | : 2002-11-19 |
| Genre | : Literary Criticism |
| ISBN | : 9780333740149 |
This is the first comprehensive study of early modern texts, readings, and readers of Shakespeare's poems in print and manuscript, Reading Shakespeare's Poems in Early Modern England makes a compelling contribution both to Shakespeare studies and the history of the book. Examining gendered readerships and the use of erotic works, reading practises and manuscript culture, textual forms and transmission, literary taste and the canonisation of Shakespeare, this book argues that historicist criticism can no longer ignore histories of reading.
| Author | : Gail Marshall |
| Publisher | : Cambridge University Press |
| Total Pages | : 213 |
| Release | : 2009-03-19 |
| Genre | : Literary Criticism |
| ISBN | : 0521515238 |
The first full-length study of Shakespeare's influence on Victorian women writers, actresses and readers.
| Author | : Jennifer Higginbotham |
| Publisher | : Edinburgh University Press |
| Total Pages | : 241 |
| Release | : 2013-01-31 |
| Genre | : Literary Criticism |
| ISBN | : 074865593X |
The first book-length study of the way the literature and drama of the sixteenth and seventeenth centuries constructed the category of the 'girl'.
| Author | : David Fuller |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 291 |
| Release | : 2021-02-11 |
| Genre | : Drama |
| ISBN | : 0199679118 |
This volume illustrates the meanings the Romantics took from Shakespeare. It studies the critical practices and theories that evolved in England, Germany, and France, as well as the English stage and the relations between performance, criticism, and scholarship.
| Author | : Marga Munkelt |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 425 |
| Release | : 2024-04-04 |
| Genre | : Drama |
| ISBN | : 1350321443 |
This new volume in the Shakespeare: The Critical Tradition series increases our knowledge of how Antony and Cleopatra has been received and understood by critics, editors and general readers. The volume provides, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, and the introduction offers a critical evaluation from a current stance, including modern theories and methods. This volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.
| Author | : Richard Dutton |
| Publisher | : John Wiley & Sons |
| Total Pages | : 504 |
| Release | : 2008-04-15 |
| Genre | : Literary Criticism |
| ISBN | : 0470997273 |
This four-volume Companion to Shakespeare's Works, compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism. Brings together new essays from a mixture of younger and more established scholars from around the world - Australia, Canada, France, New Zealand, the United Kingdom, and the United States. Examines each of Shakespeare’s plays and major poems, using all the resources of contemporary criticism, from performance studies to feminist, historicist, and textual analysis. Volumes are organized in relation to generic categories: namely the histories, the tragedies, the romantic comedies, and the late plays, problem plays and poems. Each volume contains individual essays on all texts in the relevant category, as well as more general essays looking at critical issues and approaches more widely relevant to the genre. Offers a provocative roadmap to Shakespeare studies at the dawning of the twenty-first century. This companion to Shakespeare’s tragedies contains original essays on every tragedy from Titus Andronicus to Coriolanus as well as thirteen additional essays on such topics as Shakespeare’s Roman tragedies, Shakespeare’s tragedies on film, Shakespeare’s tragedies of love, Hamlet in performance, and tragic emotion in Shakespeare.
