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| Author | : Catherine Burroughs |
| Publisher | : Cambridge University Press |
| Total Pages | : 366 |
| Release | : 2000-11-16 |
| Genre | : Drama |
| ISBN | : 9780521662246 |
First published in 2000, this collection of essays focuses on women theatre artists in the romantic period.
| Author | : Keir Elam |
| Publisher | : Routledge |
| Total Pages | : 409 |
| Release | : 2016-12-05 |
| Genre | : Literary Criticism |
| ISBN | : 1351871188 |
As theatre and drama of the Romantic Period undergo a critical reassessment among scholars internationally, the contributions of women as playwrights, actresses, and managers are also being revalued. This volume, which brings together leading British, North American, and Italian critics, is a crucial step towards reclaiming the importance of women's dramatic and theatrical activities during the period. Writing for the theatre implied assuming a public role, a hazardous undertaking for women who, especially after the French Revolution, were assigned to the private, primarily domestic, sphere. As the contributors examine the covert strategies women used to become full participants in the public theatre, they shed light on the issue of women's agency, expressed both through the writing of highly politicized or ethicized drama, as in the case of Elizabeth Inchbald or Joanna Baillie, and through women's professional practice as theatre managers and stage producers, as in the case of Elizabeth Vestris and Jane Scott. Among the topics considered are women's history plays, domesticity, ethics and sexuality in women's closet drama, the politics of drama and performance, and the role of women as managers and producers. Specialists in performance studies, Romantic Period drama, and women's writing will find the essays both challenging and inspiring.
| Author | : Catherine B. Burroughs |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 251 |
| Release | : 2015-08-05 |
| Genre | : Literary Criticism |
| ISBN | : 1512801011 |
Closet Stages examines theater theory produced by middle- and upper-class British women-playwrights, actresses, and spectators-between 1790 and 1840. Shifting the focus away from the Romantic male writers to the journals, letters, and play prefaces in which women framed their relationship to the theater arts, Catherine Burroughs reveals how a concern with the performative aspects of daily life and the movement between public and private spheres produced a notion of theater that complicates the Romantic opposition between "closet" and "stage."
| Author | : Lilla Maria Crisafulli |
| Publisher | : Peter Lang |
| Total Pages | : 362 |
| Release | : 2008 |
| Genre | : Drama |
| ISBN | : 9783039110971 |
This volume presents a selection of essays by established Italian and international scholars in the field of Romantic drama. It is divided into four main sections: 1) Dramatic Theory and Practice; 2) On the Romantic Stage: History, Arts, and Acting; 3) Interaction of Genres: from Fiction to Drama; 4) The Romantics' Debate on Theatre and Drama: a Selected Anthology. The crucial area of debate these essays address is the way in which the problem of the dramatic representation of the self becomes in Romantic drama the very centre of reflection on the constitution of the modern subject. Each essay explores one or more aspects of the formation of modern subjectivity through dramatic representation of the self and through critical enquiry into the modes of that representation. The first and the fourth sections discuss the complex interaction between the theoretical questions that animated the debate around the Romantic theatre and the multifarious and often unruly performance practices of the time. The other two sections deal with the many and diverse ways in which Romantic drama engaged with and incorporated other artistic genres such as painting, performing arts, music, and the novel.
| Author | : Wendy C. Nielsen |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 235 |
| Release | : 2013 |
| Genre | : Literary Criticism |
| ISBN | : 1611494303 |
Women Warriors in Romantic Drama advances scholarship on late eighteenth- and early nineteenth-century theater by bringing together, for the first time, female and male dramatists as well as British, German, Irish, and French writers, thinkers, actors, and philosophers. This transnational perspective allows Women Warriors in Romantic Drama to make the provocative claim that in some instances, the violence of the French Revolution--and especially women's participation in it--advances proto-feminist concerns.
| Author | : Tracy C. Davis |
| Publisher | : Cambridge University Press |
| Total Pages | : 324 |
| Release | : 1999-05-27 |
| Genre | : Drama |
| ISBN | : 9780521659826 |
This collection of essays recovers the names and careers of nineteenth-century women playwrights.
| Author | : Diane Piccitto |
| Publisher | : University of Michigan Press |
| Total Pages | : 397 |
| Release | : 2023-05-24 |
| Genre | : Performing Arts |
| ISBN | : 0472129767 |
The Visual Life of Romantic Theater examines the dynamism and vibrancy of stage spectacle and its impact in an era of momentous social upheaval and aesthetic change. Situating theatrical production as key to understanding visuality ca. 1780-1830, this book places the stage front and center in Romantic scholarship by re-envisioning traditional approaches to artistic and social creation in the period. How, it asks, did dramaturgy and stagecraft influence aesthetic and sociopolitical concerns? How does a focus on visuality expand our understanding of the historical experience of theatergoing? In what ways did stage performance converge with visual culture beyond the theater? How did extratheatrical genres engage with theatrical sight and spectacle? Finally, how does a focus on dramatic vision change the way we conceive of Romanticism itself? The volume’s essays by emerging and established scholars provide exciting and suggestive answers to these questions, along with a more capacious conception of Romantic theater as a locus of visual culture that reached well beyond playhouse walls.
| Author | : Jeffrey N. Cox |
| Publisher | : Broadview Press |
| Total Pages | : 420 |
| Release | : 2003-02-05 |
| Genre | : Drama |
| ISBN | : 1770484981 |
The London theatres arguably were the central cultural institutions in England during the Romantic period, and certainly were arenas in which key issues of the time were contested. While existing anthologies of Romantic drama have focused almost exclusively on “closet dramas” rarely performed on stage, The Broadview Anthology of Romantic Drama instead provides a broad sampling of works representative of the full range of the drama of the period. It includes the dramatic work of canonical Romantic poets (Samuel Coleridge’s Remorse, Percy Shelley’s The Cenci, and Lord Byron’s Sardanapalus) and important plays by women dramatists (Hannah Cowley’s A Bold Stroke for a Husband, Elizabeth Inchbald’s Every One Has His Fault, and Joanna Baillie’s Orra). It also provides a selection of popular theatrical genres—from melodrama and pantomime to hippodrama and parody—most popular in the period, featuring plays by George Colman the Younger, Thomas John Dibdin, and Matthew Gregory Lewis. In short, this is the most wide-ranging and comprehensive anthology of Romantic drama ever published. The introduction by the editors provides an informative overview of the drama and stage practices of the Romantic Period. The anthology also provides copious supplementary materials, including an Appendix of reviews and contemporary essays on the theater, a Glossary of Actors and Actresses, and a guide to further reading. Each of the ten plays has been fully edited and annotated.
| Author | : Julie A. Carlson |
| Publisher | : Cambridge University Press |
| Total Pages | : 284 |
| Release | : 2007-08-16 |
| Genre | : Literary Criticism |
| ISBN | : 9780521039635 |
English Romanticism has long been considered an 'undramatic' and 'anti-theatrical' age, yet Wordsworth, Coleridge, Byron, Shelley and Keats all wrote plays and viewed them as central to England's poetic and political reform. In the Theatre of Romanticism analyses these plays, in the context of London theatre at the time, and argues that Romantic discourse on theatre is crucial to constructions of nationhood in the period. The book focuses primarily on Coleridge and on the middle stage of his career, during which he wrote most extensively for and about the theatre. But its discussion of anxieties about women in Coleridge's plays applies just as forcefully to the history plays of the second-generation romantic poets, and to the best-known romantic writers on theatre: Hazlitt, Hunt and Lamb. Unlike the few existing studies of romantic drama, this study considers the plays not as closet drama or 'mental theatre', but as theatrical contributions to the debate sparked off by the Revolution in France.
| Author | : Carol Shiner Wilson |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 348 |
| Release | : 2017-01-30 |
| Genre | : Literary Criticism |
| ISBN | : 1512819379 |
Selected by Choice magazine as an Outstanding Academic Book for 1995
