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| Author | : Sherehe Awaadh Saiwaard |
| Publisher | : |
| Total Pages | : 140 |
| Release | : 1996 |
| Genre | : |
| ISBN | : |
| Author | : Florence Stratton |
| Publisher | : Routledge |
| Total Pages | : 197 |
| Release | : 2020-09-23 |
| Genre | : Literary Collections |
| ISBN | : 1000158772 |
The influence of colonialism and race on the development of African literature has been the subject of a number of studies. The effect of patriarchy and gender, however, and indeed the contributions of African women, have up until now been largely ignored by the critics. Contemporary African Literature and the Politics of Gender is the first extensive account of African literature from a feminist perspective. In this first radical and exciting work Florence Stratton outlines the features of an emerging female tradition in African fiction. A chapter is dedicated to each to the works of four women writers: Grace Ogot, Flora Nwapa, Buchi Emecheta and Mariama Ba. In addition she provides challenging new readings of canonical male authors such as Chinua Achebe, Ngugi wa Thiongo'o and Wole Soyinka. Contemporary African Literature and the Politics of Gender thus provides the first truly comprehensive definition of the current literary tradition in Africa.
| Author | : Ogaga Okuyade |
| Publisher | : Rodopi |
| Total Pages | : 434 |
| Release | : 2014-08-15 |
| Genre | : Literary Criticism |
| ISBN | : 9401211094 |
The essays in this volume capture the exciting energy of the emergent novel in East and West Africa, drawing on diffe¬rent theoretical insights to offer fresh and engaging perspectives on what has been variously termed the ‘new wave’, ‘emer¬gent generation’, and ‘third generation’. Subjects addressed include the politics of identity, especially when (re)constructed outside the homeland or when African indigenous values are eroded by globaliz¬ation, transnationalism, and the exilic condition or the self undergoes fragmen¬tation. Other essays examine once-taboo concerns, including gendered accounts of same-sex sexualities. Most of the essays deal with shifting perceptions by African women of their social condition in patriarchy in relation to such issues as polygamy, adultery, male domination, and the woman’s quest for fulfilment and respect through access to quality education and full economic and socio-political participation. Themes taken up by other novels examined in¬clude the sexual exploitation of women and criminality generally and the ex¬posure of children to violence. Likewise examined is the contemporary textual¬izing of orality (the trickster figure). Writers discussed include Chima¬manda Ngozi Adichie, Okey Ndibe, Helon Habila, Ike Oguine, Chris Abani, Tanure Ojaide, Maik Nwosu, Unoma Azuah, Jude Dibia, Lola Shoneyin, Mary Karooro Okurut, Violet Barungi, Adaobi Tricia Nwaubani, Abidemi Sanusi, Akachi Ezeigbo, Sefi Atta, Kaine Agary, Kojo Laing, Ahmadou Kourouma, Uwen Akpan, and Alobwed’Epie Ogaga Okuyade teaches popular/folk culture, African literature and culture, African American and African diasporic studies, and the English novel in the Department of English and Literary Studies, Niger Delta University, Wilberforce Island, Nigeria. He has guest-edited special issues of ARIEL and Imbizo, and is the editor of Eco-Critical Literature: Regreening African Landscapes (2013).
| Author | : Charles Smith |
| Publisher | : African Books Collective |
| Total Pages | : 204 |
| Release | : 2015-09-23 |
| Genre | : Literary Criticism |
| ISBN | : 978370365X |
In literature the ambiguous portraiture of female characters by some male writers and the phallic nature of men's writings have proved a matter of concern to female writers in Africa. For decades within African writing the issue of silencing was interrogated particularly as it addressed the muting and marginalisation of black women by male writers through the script of patriarchy which men follow. In this series we continue the literary and dramatic tradition of feminist concern for womens issues and we review novels, plays and poetry which demonstrate a commitment to exploring the challenges facing modern women in changing times and excerpting the issues of gender, feminism, identity, race, history, national and international politics specifically as they affect women. Female Subjectivities collectively answers the need to question and adumbrate the possibilities of literary revisions, showing what it would mean to revise even the Feminist psychoanalyst in a discourse on the subjectivity of women of colour.
| Author | : Sadia Zulfiqar |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 230 |
| Release | : 2016-09-23 |
| Genre | : Social Science |
| ISBN | : 1443812773 |
This work examines the work of a group of African women writers who have emerged over the last forty years. While figures such as Chinua Achebe, Ben Okri and Wole Soyinka are likely to be the chief focus of discussions of African writing, female authors have been at the forefront of fictional interrogations of identity formation and history. In the work of authors such as Mariama Bâ (Senegal), Buchi Emecheta (Nigeria), Chimamanda Ngozi Adichie (Nigeria), Tsitsi Dangarembga (Zimbabwe), and Leila Aboulela (Sudan), there is a clear attempt to subvert the tradition of male writing where the female characters are often relegated to the margins of the culture, and confined to the domestic, private sphere. This body of work has already generated a significant number of critical responses, including readings that draw on gender politics and colonialism, but it is still very much a minor literature, and most mainstream western feminism has not sufficiently processed it. The purpose of this book is three-fold. First, it draws together some of the most important and influential African women writers of the post-war period and looks at their work, separately and together, in terms of a series of themes and issues, including marriage, family, polygamy, religion, childhood, and education. Second, it demonstrates how African literature produced by women writers is explicitly and polemically engaged with urgent political issues that have both local and global resonance: the veil, Islamophobia and a distinctively African brand of feminist critique. Third, it revisits Fredric Jameson’s claim that all third-world texts are “national allegories” and considers these novels by African women in relation to Jameson’s claim, arguing that their work has complicated Jameson’s assumptions.
| Author | : Anthonia C. Kalu |
| Publisher | : Routledge |
| Total Pages | : 204 |
| Release | : 2019-12-09 |
| Genre | : Literary Criticism |
| ISBN | : 0429650914 |
This book is a powerful exploration of the role of women in the evolution of African thinking and narratives on development, from the precolonial period right through to the modern day. Whilst the book identifies women’s oppression and marginalization as significant challenges to contemporary Africa’s advancement, it also explores how new written narratives draw on traditional African knowledge systems to bring deep-rooted and sometimes radical approaches to progress. The book asserts that Africans must tell their own stories, expressed through the complex meanings and nuances of African languages and often conveyed through oral traditions and storytelling, in which women play an important role. The book’s close examination of language and meaning in the African narrative tradition advances the illumination and elevation of African storytelling as part of a viable and valid knowledge base in its own right, rather than as an extension of European paradigms and methods. Anthonia C. Kalu's new edition of this important book, fully revised throughout, will also include fresh analysis of the role of digital media, education, and religion in African narratives. At a time when the prominence and participation of African women in development and sociopolitical debates is growing, this book's exploration of their lived experiences and narrative contribution will be of interest to students of African literature, gender studies, development, history, and sociology.
| Author | : Pauline Ada Uwakweh |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 217 |
| Release | : 2017-03-16 |
| Genre | : Political Science |
| ISBN | : 1498529194 |
African writers and literary critics must account for the changing political terrain and how these contribute to creating new sources of conflicts and aggression toward women. This book brings insight and scholarly breadth to the growing research on women, war, and conflict in Africa. The aftermath of wars and conflicts initiates new forms of violence and related gender challenges. The contributors establish compelling evidence for the significance of gender in the analyses of contemporary warfare and conflict. Articulating war's consequences for women and children remains a major challenge for critics, policy makers, and human rights organizations. There is a need for deeper understanding of the new sources of violence and male aggression on women, the gendered challenges of reintegration in the aftermath, and the future consequences of gendered violence for the African continent. This book will be useful to scholars, researchers, instructors, students of literature in the humanities, women's studies, liberal studies, African studies, etc. at both undergraduate and graduate levels. It also offers interdisciplinary utility for readers interested in literary representations of women's experience in war and conflict.
| Author | : Elizabeth F. Oldfield |
| Publisher | : Rodopi |
| Total Pages | : 284 |
| Release | : 2013-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9401209553 |
Fictions written between 1939 and 2005 by indigenous and white (post)colonial women writers emerging from an African–European cultural experience form the focus of this study. Their voyages into the European diasporic space in Africa are important for conveying how African women’s literature is situated in relation to colonialism. Notwithstanding the centrality of African literature in the new postcolonial literatures in English, the accomplishments of the indigenous writer Grace Ogot have been eclipsed by the critical attention given to her male counterparts, while Elspeth Huxley, Barbara Kimenye, and Marjorie Oludhe Macgoye, who are of Western cultural provenance but adopt an African perspective, are not accommodated by the genre of ‘expatriate literature’. The present study of both indigenous and white (post)colonial women’s narratives that are common to both categories fills this gap. Focused on the representation of gender, identity, culture, and the ‘Other’, the texts selected are set in Kenya and Uganda, and a main concern is with the extent to which they are influenced by setting and intercultural influences. The ‘African’ woman’s creation of textuality is at once the expression of female individualities and a transgression of boundaries. The particular category of fiction for children as written by Kimenye and Macgoye reveals the configuration of a voice and identity for the female ‘Other’ and writer which enables a subversive renegotiation of identity in the face of patriarchal traditions.
| Author | : Izabela Romańczuk |
| Publisher | : Taylor & Francis |
| Total Pages | : 138 |
| Release | : 2024-09-11 |
| Genre | : Literary Criticism |
| ISBN | : 104013159X |
This book provides a rich and full analysis of female Swahili novelists from a feminist perspective, highlighting their important contributions to the living Swahili literary and intellectual tradition. Compared to the diverse and centuries-old oral literature, or religious-philosophical poetry tradition developing since at least the 17th century, the novel is a relatively young phenomenon in the rich body of Swahili literary output, emerging only in the last hundred years. Since then, academia has focused primarily on male novelists, largely disregarding important female writers such as Ndyanao Balisidya, Zainab Burhani, Martha Mvungi Mlangala, Zainab Mwanga, Lucy Nyasulu, and Zainab Alwi Baharoon. This book traces the evolution of women’s writing in Tanzania, highlighting emancipatory and feminist discourses, as well as intersectional themes of class, education, and urbanisation. The author demonstrates how concepts such as utu 'the essence of humanity', aibu 'shame', 'disgrace' and heshima 'honor', 'social respectability' are used in the novels to articulate the value systems and social norms in Swahili communities, including the gendered perceptions of women that they create. Grounded throughout in the historical and socio-political contexts of the authors it discusses, this book will be an important read for researchers of African literature and women’s studies.
| Author | : Rose A. Sackeyfio |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 147 |
| Release | : 2021-04-26 |
| Genre | : Literary Criticism |
| ISBN | : 1793642443 |
African Women Writing Diaspora: Transnational Perspectives in the Twenty-First Century examines contemporary fiction by African women authors to resonate diaspora perspectives on what it means to be African within transnational spaces. Through a critical lens, the collection interrogates the ways in which women construct new ways of telling the African story in the global age of social, economic, and political transformation. African Women Writing Diaspora illustrates that for African women, life in the diaspora is an uncharted journey across new landscapes of identity beyond Africa’s borders as a unifying theme. The fictional works analyzed represent the leading women writers who dominate the African literary canon, and the contributors explore diverse themes of immigrant life, racialized identities, and otherness within transnational spaces of the west.
