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Women and the Nineteenth-Century Lied

Women and the Nineteenth-Century Lied
Author: Aisling Kenny
Publisher: Routledge
Total Pages: 315
Release: 2016-03-03
Genre: Music
ISBN: 1134773870

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This book bridges a gap in existing scholarship by foregrounding the contribution of women to the nineteenth-century Lied. Building on the pioneering work of scholars in recent years, it consolidates recent research on women’s achievements in the genre, and develops an alternative narrative of the Lied that embraces an understanding of the contributions of women, and of the contexts of their engagement with German song and related genres. Lieder composers including Fanny Hensel, Clara Schumann, Pauline Viardot-Garcia and Josephine Lang are considered with a stimulating variety of analytical approaches. In addition to the focus on composers associated with history and theory of the Lied, the various chapters explore the cultural and sociological background to the Lied’s musical environment, as well as engaging with gender studies and discussing performance and pedagogical contexts. The range of subject matter reflects the interdisciplinary nature of current research in the field, and the energy it generates among scholars and performers. Women and the Nineteenth-Century Lied aims to widen readers’ perception of the genre and help promote awareness of women’s contribution to nineteenth-century musical life through critical appraisal of the cultural context of the Lied, encouraging acquaintance with the voices of women composers, and the variety of their contributions to the repertoire.


Women and the Nineteenth-Century Lied

Women and the Nineteenth-Century Lied
Author: Aisling Kenny
Publisher: Routledge
Total Pages: 300
Release: 2016-03-03
Genre: Music
ISBN: 1134773803

Download Women and the Nineteenth-Century Lied Book in PDF, ePub and Kindle

This book bridges a gap in existing scholarship by foregrounding the contribution of women to the nineteenth-century Lied. Building on the pioneering work of scholars in recent years, it consolidates recent research on women’s achievements in the genre, and develops an alternative narrative of the Lied that embraces an understanding of the contributions of women, and of the contexts of their engagement with German song and related genres. Lieder composers including Fanny Hensel, Clara Schumann, Pauline Viardot-Garcia and Josephine Lang are considered with a stimulating variety of analytical approaches. In addition to the focus on composers associated with history and theory of the Lied, the various chapters explore the cultural and sociological background to the Lied’s musical environment, as well as engaging with gender studies and discussing performance and pedagogical contexts. The range of subject matter reflects the interdisciplinary nature of current research in the field, and the energy it generates among scholars and performers. Women and the Nineteenth-Century Lied aims to widen readers’ perception of the genre and help promote awareness of women’s contribution to nineteenth-century musical life through critical appraisal of the cultural context of the Lied, encouraging acquaintance with the voices of women composers, and the variety of their contributions to the repertoire.


The Nineteenth-Century German Lied

The Nineteenth-Century German Lied
Author: Lorraine Gorrell
Publisher: Rowman & Littlefield
Total Pages: 400
Release: 2005-11-01
Genre: Music
ISBN: 1574672258

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The development of the piano, together with changes in culture and society, led to the transformation of song into a major musical genre. This study of the great lieder of 19th-century composers Schubert, Schumann, Brahms, and Hugo Wolf also includes lesser-known composers, such as Louis Spohr and Robert Franz, plus significant contributions from women composers and performers.


Intimacy, Performance, and the Lied in the Early Nineteenth Century

Intimacy, Performance, and the Lied in the Early Nineteenth Century
Author: Jennifer Ronyak
Publisher: Indiana University Press
Total Pages: 252
Release: 2018-09-10
Genre: Music
ISBN: 0253035791

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The German lied, or art song, is considered one of the most intimate of all musical genres—often focused on the poetic speaker's inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance.


The Nineteenth-Century German Lied

The Nineteenth-Century German Lied
Author: Lorraine Gorrell
Publisher: Hal Leonard Corporation
Total Pages: 404
Release: 2005
Genre: Music
ISBN: 9781574671230

Download The Nineteenth-Century German Lied Book in PDF, ePub and Kindle

The development of the piano, together with changes in culture and society, led to the transformation of song into a major musical genre. This study of the great lieder of 19th-century composers Schubert, Schumann, Brahms, and Hugo Wolf also includes lesser-known composers, such as Louis Spohr and Robert Franz, plus significant contributions from women composers and performers.


Intimacy, Performance, and the Lied in the Early Nineteenth Century

Intimacy, Performance, and the Lied in the Early Nineteenth Century
Author: Jennifer Ronyak
Publisher: Indiana University Press
Total Pages: 254
Release: 2018-09-10
Genre: Music
ISBN: 0253035805

Download Intimacy, Performance, and the Lied in the Early Nineteenth Century Book in PDF, ePub and Kindle

The German lied, or art song, is considered one of the most intimate of all musical genres—often focused on the poetic speaker’s inner world and best suited for private and semi-private performance in the home or salon. Yet, problematically, any sense of inwardness in lieder depends on outward expression through performance. With this paradox at its heart, Intimacy, Performance, and the Lied in the Early Nineteenth Century explores the relationships between early nineteenth-century theories of the inward self, the performance practices surrounding inward lyric poetry and song, and the larger conventions determining the place of intimate poetry and song in the public concert hall. Jennifer Ronyak studies the cultural practices surrounding lieder performances in northern and central Germany in the first quarter of the nineteenth century, demonstrating how presentations of lieder during the formative years of the genre put pressure on their sense of interiority. She examines how musicians responded to public concern that outward expression would leave the interiority of the poet, the song, or the performer unguarded and susceptible to danger. Through this rich performative paradox Ronyak reveals how a song maintains its powerful intimacy even during its inherently public performance.


New-found Voices

New-found Voices
Author: Derek Hyde
Publisher:
Total Pages: 236
Release: 1991
Genre: Music
ISBN:

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Clara Schumann Studies

Clara Schumann Studies
Author: Joe Davies
Publisher: Cambridge University Press
Total Pages: 329
Release: 2021-12-02
Genre: Music
ISBN: 1108489842

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Develops a holistic and gender-aware understanding of Clara Schumann as pianist, composer and teacher in nineteenth-century Germany.


The Cambridge Companion to Women Composers

The Cambridge Companion to Women Composers
Author: Matthew Head
Publisher: Cambridge University Press
Total Pages: 375
Release: 2024-05-30
Genre: Music
ISBN: 110880439X

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Moving beyond narratives of female suppression, and exploring the critical potential of a diverse, distinguished repertoire, this Companion transforms received understanding of women composers. Organised thematically, and ranging beyond elite, Western genres, it explores the work of diverse female composers from medieval to modern times, besides the familiar headline names. The book's prologue traces the development of scholarship on women composers over the past five decades and the category of 'woman composer' itself. The chapters that follow reveal scenes of flourishing creativity, technical innovation, and (often fleeting) recognition, challenging long-held notions around invisibility and neglect and dismissing clichés about women composers and their work. Leading scholars trace shifting ideas about composers and compositional processes, contributing to a wider understanding of how composers have functioned in history and making this volume essential reading for all students of musical history. In an epilogue, three contemporary composers reflect on their careers and identities.