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Woman-Centered Brazilian Cinema

Woman-Centered Brazilian Cinema
Author: Jack A. Draper III
Publisher: State University of New York Press
Total Pages: 306
Release: 2022-10-01
Genre: Performing Arts
ISBN: 1438490267

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Woman-Centered Brazilian Cinema highlights the bold, inspiring, and diverse work of female filmmakers—including directors, screenwriters, and producers—and female protagonists in the twenty-first-century Brazilian film industry. This volume examines the diverse production and distribution spaces these filmmakers are working in, including documentary, experimental, and short filmmaking, as well as commercial feature films. An intersectional approach runs throughout the chapters with complex considerations around gender, race, sexuality, and class. The book features a mix of research methods and genres, with macro-level political, economic, and industry-wide views of gender disparities appearing alongside in-depth conversations with contemporary filmmakers Maria Augusta Ramos, Petra Costa, Mari Corrêa, and Paula Sacchetta, focused on micro-level personal experiences. In bringing together original essays and interviews, the volume provides valuable information for students of Brazil in general and of Brazilian film in particular.


Woman-Centered Brazilian Cinema

Woman-Centered Brazilian Cinema
Author: Jack A Draper
Publisher:
Total Pages: 272
Release: 2022-10
Genre:
ISBN: 9781438490250

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Illuminates the complex factors that have helped or hindered creative work by and about women in the twenty-first-century Brazilian film industry.


The “Femme” Fatale in Brazilian Cinema

The “Femme” Fatale in Brazilian Cinema
Author: Antônio Márcio da Silva
Publisher: Springer
Total Pages: 215
Release: 2014-05-01
Genre: Performing Arts
ISBN: 113739921X

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In film, the femme fatale has long been constructed as a beautiful heterosexual Caucasian woman. Da Silva shows the need to incorporate diverse ethnic groups and male homosexuals into the range of "femmes" fatales and examines how the Brazilian representations cross gender, race, and class and offer alternatives to the dominant Hollywood model.


Gender and Society in Contemporary Brazilian Cinema

Gender and Society in Contemporary Brazilian Cinema
Author: David William Foster
Publisher: University of Texas Press
Total Pages: 188
Release: 1999
Genre: Performing Arts
ISBN: 9780292725102

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"Gender is an absolute ground zero for most human societies," writes David William Foster, "an absolute horizon of social subjectivity." In this book, he examines gender issues in thirteen Brazilian films made (with one exception) after the 1985 return to constitutional democracy and elimination of censorship to show how these issues arise from and comment on the sociohistorical reality of contemporary Brazilian society. Foster organizes his study around three broad themes: construction of masculinity, constructions of feminine and feminist identities, and same-sex positionings and social power. Within his discussions of individual films ranging from Jorge um brasileiro to A hora da estrela to Beijo no asfalto, he offers new ways of understanding national ideals and stereotypes, sexual dissidence (homoeroticism and transgenderism), heroic models, U.S./Brazilian relations, revolutionary struggle, and human rights violations. As the first study of Brazilian cinematic representations of gender ideology in English or Portuguese, this book will be important reading in film and cultural studies.


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ISBN: 0520290984

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The Value Gap

The Value Gap
Author: Courtney Brannon Donoghue
Publisher: University of Texas Press
Total Pages: 344
Release: 2023-08-08
Genre: Performing Arts
ISBN: 1477327320

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How female directors, producers, and writers navigate the challenges and barriers facing female-driven projects at each stage of filmmaking in contemporary Hollywood. Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change. The Value Gap traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transformative moment. Drawing from five years of extensive interviews with female producers, writers, and directors at different stages of their careers, Courtney Brannon Donoghue examines how Hollywood business cultures “value” female-driven projects as risky or not bankable. Industry claims that “movies targeting female audiences don’t make money” or “women can’t direct big-budget blockbusters” have long circulated to rationalize systemic gender inequities and have served to normalize studios prioritizing the white male–driven status quo. Through a critical media industry studies lens, The Value Gap challenges this pervasive logic with firsthand accounts of women actively navigating the male-dominated and conglomerate-owned industrial landscape.


Triangulated Visions

Triangulated Visions
Author: Ingeborg Majer O'Sickey
Publisher: SUNY Press
Total Pages: 306
Release: 1998-04-09
Genre: Social Science
ISBN: 9780791437186

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This broad-ranging collection, the first of its kind, gathers essays on the representation of women in recent German cinema, as well as recent interviews with German women filmmakers.


Representing History, Class, and Gender in Spain and Latin America

Representing History, Class, and Gender in Spain and Latin America
Author: Carolina Rocha
Publisher: Springer
Total Pages: 235
Release: 2012-07-25
Genre: History
ISBN: 1137030879

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This anthology explores the role of children and teenagers in Latin American and Spanish Film as protagonists, victims and witnesses of societies polarized by and still grappling with the consequences of political divisions.


Brazilian National Cinema

Brazilian National Cinema
Author: Lisa Shaw
Publisher: Routledge
Total Pages: 274
Release: 2014-05-01
Genre: Performing Arts
ISBN: 1134702175

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Brazilian cinema is one of the most influential national cinemas in Latin America and this wide-ranging study traces the evolution of Brazilian film from the silent era to the present day, including detailed studies of more recent international box-office hits, such as Central Station (1998) and City of God (2002). Brazilian National Cinema gives due importance to traditionally overlooked aspects of Brazilian cinema, such as popular genres, ranging from musical comedies (the chanchada) to soft-core porn films (the pornochanchada) and horror films, and also provides a fresh approach to the internationally acclaimed avant-garde Cinema Novo of the 1960s. Lisa Shaw and Stephanie Dennison apply recent theories on stardom, particularly relating to issues of ethnicity, race and gender, to both well-known Brazilian performers, such as Carmen Miranda and Sonia Braga, and lesser known domestic icons, such as the Afro-Brazilian comic actor, Grande Otelo (Big Othello), and the uberblonde children’s TV and film star, and media mogul, Xuxa. This timely addition to the National Cinemas series provides a comprehensive overview of the relationship between Brazilian cinema and issues of national and cultural identity.


Screening Minors in Latin American Cinema

Screening Minors in Latin American Cinema
Author: Carolina Rocha
Publisher: Lexington Books
Total Pages: 226
Release: 2014-08-26
Genre: Performing Arts
ISBN: 0739199528

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Screening Minors in Latin American Cinema is the first volume to delve into the construction of children's subjectivity and agency in Latin American film, and addresses such questions as: How and to what extent do films express the point of view of the child? How do plots and film practices represent children’s subjectivity and agency? Childhood studies has demonstrated the importance of examining the lives of children. Building on those insights, together with current research from film studies and Latin American cultural studies, the essays in this volume analyze the development of agency and voices of minors in contemporary Latin American film. The theoretical perspectives used—gender studies, psychoanalytic and postcolonial theory, film studies, play and performance studies, and emotion studies, among others—take into account innovative approaches to filmic techniques as they explore the varied representations of children.