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William Blake on Self and Soul

William Blake on Self and Soul
Author: Laura Quinney
Publisher: Harvard University Press
Total Pages: 216
Release: 2010-05-15
Genre:
ISBN: 0674054466

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It has been clear from the beginning that William Blake was both a political radical and a radical psychologist, and in William Blake on Self and Soul Laura Quinney uses her sensitive, surprising readings of the poet to reveal his innovative ideas about the experience of subjectivity.


Self and Soul

Self and Soul
Author: Mark Edmundson
Publisher: Harvard University Press
Total Pages: 296
Release: 2015-09
Genre: Literary Criticism
ISBN: 0674088204

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An ARTery Best Book of the Year An Art of Manliness Best Book of the Year In a culture that has become progressively more skeptical and materialistic, the desires of the individual self stand supreme, Mark Edmundson says. We spare little thought for the great ideals that once gave life meaning and worth. Self and Soul is an impassioned effort to defend the values of the Soul. “An impassioned critique of Western society, a relentless assault on contemporary complacency, shallowness, competitiveness and self-regard...Throughout Self and Soul, Edmundson writes with a Thoreau-like incisiveness and fervor...[A] powerful, heartfelt book.” —Michael Dirda, Washington Post “[Edmundson’s] bold and ambitious new book is partly a demonstration of what a ‘real education’ in the humanities, inspired by the goal of ‘human transformation’ and devoted to taking writers seriously, might look like...[It] quietly sets out to challenge many educational pieties, most of the assumptions of recent literary studies—and his own chosen lifestyle.” —Mathew Reisz, Times Higher Education “Edmundson delivers a welcome championing of humanistic ways of thinking and living.” —Kirkus Reviews


Songs of Innocence

Songs of Innocence
Author: William Blake
Publisher:
Total Pages: 35
Release: 1789
Genre: Illumination of books and manuscripts
ISBN:

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Encounter with the Self

Encounter with the Self
Author: Edward F. Edinger
Publisher:
Total Pages: 88
Release: 1986
Genre: Bible
ISBN:

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Penetrating commentary on the Job story as a numinous, archetypal event, and as a paradigm for conflicts of duty that can lead to enhanced consciousness.


Milton ...

Milton ...
Author: William Blake
Publisher:
Total Pages: 88
Release: 1907
Genre:
ISBN:

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Proverbs of Hell

Proverbs of Hell
Author: William Blake
Publisher:
Total Pages: 27
Release: 1982
Genre:
ISBN:

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William Blake

William Blake
Author: Jack Lindsay
Publisher:
Total Pages: 70
Release: 1927
Genre: Creation (Literary, artistic, etc.)
ISBN:

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Songs of Innocence and of Experience

Songs of Innocence and of Experience
Author: William Blake
Publisher: Oxford University Press, USA
Total Pages: 234
Release: 1977
Genre: Poetry
ISBN:

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Reproduces the texts and the fifty-four hand-colored etchings of Blake's famous and now much sought-after double volume of lyrics.


William Blake and the Productions of Time

William Blake and the Productions of Time
Author: Andrew M. Cooper
Publisher: Routledge
Total Pages: 533
Release: 2016-12-05
Genre: Literary Criticism
ISBN: 1351872923

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Challenging the idea that a writer’s work reflects his experiences in time and place, Andrew M. Cooper locates the action of William Blake’s major illuminated books in the ahistorical present, an impersonal spirit realm beyond the three-dimensional self. Blake, Cooper shows, was a formalist who exploited eighteenth-century scientific and philosophical research on vision, sense, and mind for spiritual purposes. Through irony, dialogism, two-way syntax, and synesthesia, Blake extended and refined the prophetic method Milton forged in Paradise Lost to bring the performativity of traditional oral song and storytelling into print. Cooper argues that historicist attempts to place Blake’s vision in perspective, as opposed to seeing it for oneself, involve a deeply self-contradictory denial of his performativity as a poet-artist. Rather, Blake’s expansion of linear reading into a space of creative, self-conscious collaboration laid the basis for his lifelong critique of dualism in religion and science, and anticipated the non-Euclidean geometrics of twentieth-century Modernism.