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William Blake and the Productions of Time

William Blake and the Productions of Time
Author: Andrew M. Cooper
Publisher: Routledge
Total Pages: 533
Release: 2016-12-05
Genre: Literary Criticism
ISBN: 1351872923

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Challenging the idea that a writer’s work reflects his experiences in time and place, Andrew M. Cooper locates the action of William Blake’s major illuminated books in the ahistorical present, an impersonal spirit realm beyond the three-dimensional self. Blake, Cooper shows, was a formalist who exploited eighteenth-century scientific and philosophical research on vision, sense, and mind for spiritual purposes. Through irony, dialogism, two-way syntax, and synesthesia, Blake extended and refined the prophetic method Milton forged in Paradise Lost to bring the performativity of traditional oral song and storytelling into print. Cooper argues that historicist attempts to place Blake’s vision in perspective, as opposed to seeing it for oneself, involve a deeply self-contradictory denial of his performativity as a poet-artist. Rather, Blake’s expansion of linear reading into a space of creative, self-conscious collaboration laid the basis for his lifelong critique of dualism in religion and science, and anticipated the non-Euclidean geometrics of twentieth-century Modernism.


Productions of Time

Productions of Time
Author: Michael Dolzani
Publisher: McGill-Queen's Press - MQUP
Total Pages:
Release: 2021-02-18
Genre: Literary Criticism
ISBN: 0228006473

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Myth criticism flourished in the mid-twentieth century under the powerful influence of Canadian thinker Northrop Frye. It asserted the need to identify common, unifying patterns in literature, arts, and religion. Although it was eclipsed by postmodern theories that asserted difference and conflict, those theories proved incapable of inspiring solidarity or guiding social action. The Productions of Time argues for a return to myth criticism in order to refine and extend its vision. With the aim of rehabilitating myth criticism for our time, Michael Dolzani sketches an anatomy of the imagination as demonstrated in the total body of its productions, including literature, mythology, the arts, popular culture, and religious and political texts. Dolzani situates a vast panoply of images, character types, plot structures, themes, and genres to better understand their purposes, their recurrences across broad spans of history, and their interrelations. Illustrating the relationship between mythology and history, The Productions of Time proposes a symbolic language as a way of enabling dialogue across ideological and individual differences. Arguing for the ethical and intellectual necessity of conceiving a unifying pattern that transcends differences, The Productions of Time demonstrates that imagination is part of the human inheritance, common to all, not just to poets and mystics.


Proverbs of Hell

Proverbs of Hell
Author: William Blake
Publisher:
Total Pages: 27
Release: 1982
Genre:
ISBN:

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Constructive Vision and Visionary Deconstruction

Constructive Vision and Visionary Deconstruction
Author: Peter Otto
Publisher:
Total Pages: 0
Release: 2023
Genre: Eternity in literature
ISBN: 9781383003840

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Focusing on the tension in William Blake's poetry between a hermeneutics of suspicion and a hermeneutics of belief, this work offers a new account of the way in which Blake's major prophecies work. The author redefines the role of Los and Jesus in Blake's work, emphasizing Blake's prophetic intent.


A Bastard Kind of Reasoning

A Bastard Kind of Reasoning
Author: Andrew M. Cooper
Publisher: State University of New York Press
Total Pages: 437
Release: 2023-05-01
Genre: Literary Criticism
ISBN: 1438493231

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What do Einsteinian relativity, eighteenth-century field theory, Neoplatonism, and the overthrow of three-dimensional perspective have in common? The poet and artist William Blake's geometry—the conception of space-time that informs his work across media and genres. In this illuminating, inventive new study, Andrew M. Cooper reveals Blake to be the vehicle of a single imaginative vision in which art, literature, physics, and metaphysics stand united. Romantic-period physics was not, as others have assumed, materialist. Blake's cosmology forms part of his age's deep reevaluation of body and soul, of matter and Heaven, and even probes what it is to understand understanding, reason, and substance. Far from being anti-Newtonian, Blake was prophetically post-Newtonian. His poetry and art realized the revolutionary potential of Enlightened natural philosophy even as that philosophy still needed an Einstein for its physics to snap fully into focus. Blake's mythmaking exploits the imaginative reach of formal abstractions to generate a model of how sensation imparts physical extension to the world. More striking still, Cooper shows how Blake's art of vision leads us today to visualize four-dimensional concepts of space, time, and Man for ourselves.


The Complete Poetry and Prose of William Blake

The Complete Poetry and Prose of William Blake
Author: William Blake
Publisher: Univ of California Press
Total Pages: 1028
Release: 1982
Genre: Literary Criticism
ISBN: 9780520044739

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Since its first publication in 1965, this collection has been widely hailed as the best available text of William Blake's poetry and prose. It is now expanded to include a new foreword by Harold Bloom, his definitive statement on Blake's greatness.


William Blake

William Blake
Author: Martin Butlin
Publisher: London : Tate Gallery Publications
Total Pages: 182
Release: 1978
Genre: Literary Criticism
ISBN:

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Holes in the Texture of Time

Holes in the Texture of Time
Author: William Blake
Publisher:
Total Pages: 15
Release: 1994-11-01
Genre:
ISBN: 9781873422229

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Romanticism and Time

Romanticism and Time
Author: Sophie Laniel-Musitelli
Publisher: Open Book Publishers
Total Pages: 185
Release: 2021-03-10
Genre: Literary Criticism
ISBN: 1800640749

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‘Eternity is in love with the productions of time’. This original edited volume takes William Blake’s aphorism as a basis to explore how British Romantic literature creates its own sense of time. It considers Romantic poetry as embedded in and reflecting on the march of time, regarding it not merely as a reaction to the course of events between the late-eighteenth and mid-nineteenth centuries, but also as a form of creative engagement with history in the making. The authors offer a comprehensive overview of the question of time from a literary perspective, applying a diverse range of critical approaches to Romantic authors from William Blake and Percy Shelley to John Clare and Samuel Rodgers. Close readings uncover fresh insights into these authors and their works, including Frankenstein, the most familiar of Romantic texts. Revising current thinking about periodisation, the authors explore how the Romantic poetics of time bears witness to the ruptures and dislocations at work within chronological time. They consider an array of topics, such as ecological time, futurity, operatic time, or the a-temporality of Venice. As well as surveying the Romantic canon’s evolution over time, these essays approach it as a phenomenon unfolding across national borders. Romantic authors are compared with American or European counterparts including Beethoven, Irving, Nietzsche and Beckett. Romanticism and Time will be of great value to literary scholars and students working in Romantic Studies. It will be of further interest to philosophers and historians working on the connections between philosophy, history and literature during the nineteenth century.