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Why Moralize upon It?

Why Moralize upon It?
Author: Brian Danoff
Publisher: Rowman & Littlefield
Total Pages: 143
Release: 2020-07-22
Genre: Political Science
ISBN: 1498573630

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Franklin Delano Roosevelt famously declared that “the greatest duty of a statesman is to educate." The central claim of Why Moralize upon It? is that it is not only statesmen who can help educate a democratic citizenry, but also novelists and filmmakers. This book’s title is drawn from Melville’s “Benito Cereno.” Near the end of this novella, after he has put down a rebellion of enslaved Africans, the American captain Amasa Delano claims that “the past is passed,” and thus there is no need to “moralize upon it.”Melville suggests, though, that it is crucial for Americans to critically examine American history and American political institutions; otherwise, they may be blind to the existence of injustices which will ultimately undermine democracy. Danoff argues that novels and films play a crucial role in helping democratic citizens undertake the kind of moral reflection that they must engage in if they are to not only preserve their political community, but also render it “forever worthy of the saving,” as Abraham Lincoln put it. Contending that some of the most profound American thinking about the nature of democratic leadership has come through novels more so than treatises or essays, Danoff argues that the works of fiction examined in this book explore difficult questions rather than provide any easy answers. Because these works have an ambiguous, nuanced, and tragic outlook, they teach citizen-readers how to think through the moral complexities of the political issues on which they must render judgment. The rich and multi-faceted democratic education that citizens glean from outstanding works of fiction is particularly necessary at a time when the media-landscape is often dominated by superficial “viral moments,” “sound-bites,” and social media posts. Moreover, given that we today live in an era of sharp political polarization in which partisans often demonize one another, it is especially valuable for Americans to be exposed to literary and cinematic works of art which remind us that none of us have a monopoly on virtue, and that all of us inhabit what Melville called “the common continent of men.”


"Why Moralize Upon It?"

Author:
Publisher:
Total Pages:
Release: 2009
Genre:
ISBN:

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The question of what constitutes morally sound behavior informs all of Melville2s writing and, to a large degree, accounts for its continuing appeal. Some of the most probing examinations of the human capacity for good and evil can be found in two short stories that Melville wrote for Putnam2s Monthly Magazine between 1853 and 1856: "Bartleby, the Scrivener" (1853) and "Benito Cereno" (1855). Although very different in setting and "surface topic" 6 Wall Street capitalism on the one hand and slavery on the other 6 both stories have a very similar basic configuration: a confident person is unexpectedly confronted with the mysterious "other" that challenges his snug and comfortable outlook on life. In both cases, this other figure is dead by the end of the story and the reader is left with the nagging question of who is to blame for what has happened. This basic pattern also applies to a short novel which Melville began thirty years after writing for Putnam2s and which was left unfinished at his death in 1891. Billy Budd, Sailor (1924) shows yet another "man of the world" who is caught between the devil and the deep blue sea, the devil being the iniquitous master-at-arms and the deep blue sea being the blue-eyed Handsome Sailor. While all three stories invite moral judgment of their non-title characters, they never openly prescribe what kind of verdict readers should pass on them. In the present study I use a comparative approach to offer some new insight into the nature of the moral dilemmata that Melville examines and the kind of conclusion that readers are encouraged to reach. The most important aspect that is considered is the way in which Melville uses narrative technique 6 and in particular point of view 6 in describing morally ambiguous situations. How does the choice of one particular perspective - first-person narration in "Bartleby", a limited point of view in "Benito Cereno" and an omniscient narrator in Billy Budd - determine our understanding and evaluatio.


The Piazza Tales

The Piazza Tales
Author: Herman Melville
Publisher: The Floating Press
Total Pages: 248
Release: 2010-06-01
Genre: Fiction
ISBN: 1775418111

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The critically acclaimed author of that behemoth of nineteenth-century fiction, Moby-Dick, Herman Melville was also an accomplished short story writer whom critics say did much to advance the form. The Piazza Tales collects many of Melville's best-known short works, including "Bartleby the Scrivener" and "Benito Cereno."


The Piazza Tales

The Piazza Tales
Author: Herman Melville
Publisher:
Total Pages: 456
Release: 1856
Genre: Literary Criticism
ISBN:

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Included in this Herman Melville collection are six tales that range considerably -- from "The Encantadas" (an allegorical travelogue) to the haunting "Bartleby, the Scrivener." Opening the volume is "The Piazza," a pastoral sketch that frames the collection. "Benito Cerenno" -- a subversive satire -- of grows out of a true story of mutiny among the enslaved . . .


The Law Is a White Dog - How Legal Rituals Make and Unmake Persons

The Law Is a White Dog - How Legal Rituals Make and Unmake Persons
Author: Colin Dayan
Publisher: Princeton University Press
Total Pages: 364
Release: 2013-03-03
Genre: Law
ISBN: 0691157871

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A fascinating account of how the law determines or dismantles identity and personhood Abused dogs, prisoners tortured in Guantánamo and supermax facilities, or slaves killed by the state—all are deprived of personhood through legal acts. Such deprivations have recurred throughout history, and the law sustains these terrors and banishments even as it upholds the civil order. Examining such troubling cases, The Law Is a White Dog tackles key societal questions: How does the law construct our identities? How do its rules and sanctions make or unmake persons? And how do the supposedly rational claims of the law define marginal entities, both natural and supernatural, including ghosts, dogs, slaves, terrorist suspects, and felons? Reading the language, allusions, and symbols of legal discourse, and bridging distinctions between the human and nonhuman, Colin Dayan looks at how the law disfigures individuals and animals, and how slavery, punishment, and torture create unforeseen effects in our daily lives. Moving seamlessly across genres and disciplines, Dayan considers legal practices and spiritual beliefs from medieval England, the North American colonies, and the Caribbean that have survived in our legal discourse, and she explores the civil deaths of felons and slaves through lawful repression. Tracing the legacy of slavery in the United States in the structures of the contemporary American prison system and in the administrative detention of ghostly supermax facilities, she also demonstrates how contemporary jurisprudence regarding cruel and unusual punishment prepared the way for abuses in Abu Ghraib and Guantánamo. Using conventional historical and legal sources to answer unconventional questions, The Law Is a White Dog illuminates stark truths about civil society's ability to marginalize, exclude, and dehumanize.


The Disinformation Age

The Disinformation Age
Author: Eric Cheyfitz
Publisher: Routledge
Total Pages: 418
Release: 2017-02-10
Genre: History
ISBN: 1351839071

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The Disinformation Age, beginning in the present and going back to the American colonial period, constructs an original historical explanation for the current political crisis and the reasons the two major political parties cannot address it effectively. Commentators inside and outside academia have described this crisis with various terms — income inequality, the disappearance of the middle-class, the collapse of the two-party system, and the emergence of a corporate oligarchy. While this book uses such terminology, it uniquely provides a unifying explanation for the current state of the union by analyzing the seismic rupture of political rhetoric from political reality used within discussion of these issues. In advancing this analysis, the book provides a term for this rupture, Disinformation, which it defines not as planned propaganda but as the inevitable failure of the language of American Exceptionalism to correspond to actual history, even as the two major political parties continue to deploy this language. Further, in its final chapter this book provides a way out of this political cul-de-sac, what it terms "the limits of capitalism’s imagination," by "thinking from a different place" that is located in the theory and practice of the Indigenous peoples of the Americas.


A Journey Through American Literature

A Journey Through American Literature
Author: Kevin J. Hayes
Publisher: OUP USA
Total Pages: 238
Release: 2012-03-02
Genre: Literary Criticism
ISBN: 0199862060

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A spirited and lively introduction to American literature, this book acquaints readers with the key authors, works, and events in the nation's rich and eclectic literary tradition.


A Political Companion to Herman Melville

A Political Companion to Herman Melville
Author: Jason Frank
Publisher: University Press of Kentucky
Total Pages: 456
Release: 2014-01-07
Genre: Political Science
ISBN: 0813143888

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Herman Melville is widely considered to be one of America's greatest authors, and countless literary theorists and critics have studied his life and work. However, political theorists have tended to avoid Melville, turning rather to such contemporaries as Ralph Waldo Emerson and Henry David Thoreau to understand the political thought of the American Renaissance. While Melville was not an activist in the traditional sense and his philosophy is notoriously difficult to categorize, his work is nevertheless deeply political in its own right. As editor Jason Frank notes in his introduction to A Political Companion to Herman Melville, Melville's writing "strikes a note of dissonance in the pre-established harmonies of the American political tradition." This unique volume explores Melville's politics by surveying the full range of his work -- from Typee (1846) to the posthumously published Billy Budd (1924). The contributors give historical context to Melville's writings and place him in conversation with political and theoretical debates, examining his relationship to transcendentalism and contemporary continental philosophy and addressing his work's relevance to topics such as nineteenth-century imperialism, twentieth-century legal theory, the anti-rent wars of the 1840s, and the civil rights movement. From these analyses emerges a new and challenging portrait of Melville as a political thinker of the first order, one that will establish his importance not only for nineteenth-century American political thought but also for political theory more broadly.


Master of the Mountain

Master of the Mountain
Author: Henry Wiencek
Publisher: Farrar, Straus and Giroux
Total Pages: 354
Release: 2012-10-16
Genre: History
ISBN: 1466827785

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Is there anything new to say about Thomas Jefferson and slavery? The answer is a resounding yes. Master of the Mountain, Henry Wiencek's eloquent, persuasive book—based on new information coming from archaeological work at Monticello and on hitherto overlooked or disregarded evidence in Jefferson's papers—opens up a huge, poorly understood dimension of Jefferson's world. We must, Wiencek suggests, follow the money. So far, historians have offered only easy irony or paradox to explain this extraordinary Founding Father who was an emancipationist in his youth and then recoiled from his own inspiring rhetoric and equivocated about slavery; who enjoyed his renown as a revolutionary leader yet kept some of his own children as slaves. But Wiencek's Jefferson is a man of business and public affairs who makes a success of his debt-ridden plantation thanks to what he calls the "silent profits" gained from his slaves—and thanks to a skewed moral universe that he and thousands of others readily inhabited. We see Jefferson taking out a slave-equity line of credit with a Dutch bank to finance the building of Monticello and deftly creating smoke screens when visitors are dismayed by his apparent endorsement of a system they thought he'd vowed to overturn. It is not a pretty story. Slave boys are whipped to make them work in the nail factory at Monticello that pays Jefferson's grocery bills. Parents are divided from children—in his ledgers they are recast as money—while he composes theories that obscure the dynamics of what some of his friends call "a vile commerce." Many people of Jefferson's time saw a catastrophe coming and tried to stop it, but not Jefferson. The pursuit of happiness had been badly distorted, and an oligarchy was getting very rich. Is this the quintessential American story?