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His Master's Voice

His Master's Voice
Author:
Publisher:
Total Pages:
Release: 1926
Genre: Clippings (Books, newspapers, etc.)
ISBN:

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Our Master's Voice - Advertising

Our Master's Voice - Advertising
Author: James Rorty
Publisher: READ BOOKS
Total Pages: 408
Release: 2008-06
Genre: Business & Economics
ISBN: 9781409769736

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Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.


The Pall Mall Magazine

The Pall Mall Magazine
Author:
Publisher:
Total Pages: 964
Release: 1912
Genre: English literature
ISBN:

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Correspondence Course

Correspondence Course
Author: Carolee Schneemann
Publisher: Duke University Press
Total Pages: 601
Release: 2010-11-24
Genre: Architecture
ISBN: 0822345110

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An epistolary history of the international avant-garde of happenings, Fluxus, and performance and conceptual art emerges from decades of correspondence between Carolee Schneemann and other artists and intellectuals.


The Music Bulletin

The Music Bulletin
Author:
Publisher:
Total Pages: 400
Release: 1924
Genre: Music
ISBN:

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The Gramophone

The Gramophone
Author:
Publisher:
Total Pages: 922
Release: 1926
Genre: Audio equipment industry
ISBN:

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His Master's Voice/La Voce Del Padrone

His Master's Voice/La Voce Del Padrone
Author: Alan Kelly
Publisher: Greenwood
Total Pages: 520
Release: 1988
Genre: Music
ISBN:

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This discography provides, for perhaps the first time, a complete numerical catalogue of Italian gramophone recordings made by the Gramophone Company Ltd. Kelly has effectively used the archives and registers of EMI Limited (The Gramophone Company) to offer a richly detailed picture of recording activity during the years 1898 to 1929. The Gramophone Company was established in London in 1898 and by 1899 six branches had been set up in Europe, among them Milan, Italy. In each branch, matrixes were numbered serially and coded to indicate recorder, making it possible to identify not only the first Gramophone record to be made in Italy--Bice Adami singing Voi lo sapete with piano accompaniment--but to follow the course of the company's activities. The main catalogue is divided into three sections: recordings issued on the Gramophone label; recordings issued on the Zonophone label, including the Trento-Trieste Supplement; and recordings issued on the Gramophone Green label. Most entries include the following information: the original catalogue number; the matrix (serial) number of the recording in its correct form; the date of recording; the name of the artist(s) involved in making the recording, including the accompaniast where known; the title of the piece; and alternate issue numbers. Kelly's introduction gives an overview of the company's history and cataloging practices. Kelly not only examines the history of the Italian Gramophone Company, but added to the discographical record of the Victor Talking Machine Company, of which Gramophone was the European, Asian, and African partner. His discography will be welcomed by anyone interested in the international history of recorded music. Record collectors will also find it a valuable resource.


Whose Language?

Whose Language?
Author: Jacob L. Mey
Publisher: John Benjamins Publishing
Total Pages: 425
Release: 1985-01-01
Genre: Language Arts & Disciplines
ISBN: 9027279535

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"For the colonized person, objectivity is always directed against him" (Frantz Fanon). Colonized persons do not live on what we call (or used to call) the "colonies" alone. In general, objective reality, or the "facts of life", are very different depending on the kind of life you can afford. This goes for language as well; and it explains both the title of this book, and gives it its "raison d'être". It deals with power in language, and asks: Who is really in command when we use "our" language? And why does it make sense to talk about a language of power (or lack of it)? The powerful are the colonizers, the colonized are the powerless, in language as in geopolitics. Colonizers and colonized alike, however, are subject to the social and economic conditions prevailing in society and therefore, a thorough analysis of these conditions is a must for any socially-oriented theory of language use.