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Where Have All the Pop Stars Gone? -- Volume 1

Where Have All the Pop Stars Gone? -- Volume 1
Author: Marti Childs
Publisher: EditPros LLC
Total Pages: 324
Release: 2011-07-13
Genre: Biography & Autobiography
ISBN: 1937317013
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"Where Have All the Pop Stars Gone? -- Volume 1" chronicles the lives of musical soloists and band members whose songs hit the top of the music charts in the late 1950s and in the '60s. Through conversations with them, as well as producers, managers and family members, we share fascinating behind-the-scenes glimpses into the lives of these creative, talented people."Where Have All the Pop Stars Gone? -- Volume 1" includes authenticated, authorized biographical chapters on seven musical groups and solo performers: the Association (whose songs include three gold records -- "Cherish," "Windy" and "Never My Love"); Herman's Hermits (whose extensive string of hits includes three gold records -- "Mrs. Brown, You've Got a Lovely Daughter," "I'm Henry VIII, I Am" and "There's a Kind of Hush"); the Kingston Trio (whose enormous popularity reflected in seven gold albums triggered the folk music craze of the early '60s, and whose hits included million-selling "Tom Dooley," along with "Where Have All the Flowers Gone" and "Greenback Dollar"); Chris Montez (whose hit tunes included "Let's Dance," "Call Me" and "The More I See You"); the Spiral Starecase (who recorded "She's Ready," "No One For Me To Turn To" and the smash hit "More Today Than Yesterday"); Bobby Vee (whose 30 hit records included "Take Good Care of My Baby," "The Night Has a Thousand Eyes" and the million-selling "Come Back When You Grow Up"); and the Zombies (whose hits included "She's Not There," "Tell Her No" and the gold record "Time of the Season").

Where Have All the Pop Stars Gone?

Where Have All the Pop Stars Gone?
Author: Marti Smiley Childs
Publisher: Editpros LLC
Total Pages: 280
Release: 2012-11
Genre: Biography & Autobiography
ISBN: 9781937317058
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Childs and March tell the true-life stories of 21 singers and musicians who achieved fame in the 1960s as soloists or members of hit-making bands including the Buckinghams, Bobby Goldsboro, the Moody Blues, Donnie Brooks, Sam & Dave, Ray Stevens, and the Grass Roots.

Where Have All the Pop Stars Gone?

Where Have All the Pop Stars Gone?
Author: Marti Smiley Childs
Publisher: Editpros LLC
Total Pages: 362
Release: 2016-06
Genre: Biography & Autobiography
ISBN: 9781937317256
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Where Have All the Pop Stars Gone? - Volume 3 celebrates talented singers and band members who reached the pinnacle of popularity between the 1960s and '80s. Through conversations with performers and family members, we share fascinating behind-the-scenes glimpses into the lives of: ANNE MURRAY, who after soaring to popularity with "Snowbird" in 1970, topped the pop, country, and adult contemporary charts with many of her 80 singles, including "You Needed Me," and earned John Lennon's admiration for her rendition of the Beatles' "You Won't See Me"; BILLY JOE ROYAL, the versatile singer who recorded 1960s pop favorites "Down in the Boondocks" and "Cherry Hill Park," then experienced a resurgence in the '80s with a string of country music hits, including "Burned Like A Rocket" and "Out Of Sight And On My Mind"; B.J. THOMAS, the bluesy pop and country crossover singer whose chart-topping hits included "Hooked On A Feeling," "(Hey Won't You Play) Another Somebody Done Somebody Wrong Song" and the beloved Oscar-winning movie theme "Raindrops Keep Fallin' On My Head"; AND MEMBERS OF FOUR BRILLIANT BANDS: Buddy Buie, Barry Bailey, Dean Daughtry, J.R. Cobb, Paul Goddard, and Rodney Justo of the ATLANTA RHYTHM SECTION, the top-notch session musicians too good to remain just a backing band, whose hits included "So In To You," "Imaginary Lover," and "Do It Or Die"; Arthur Lee, Johnny Echols, and Michael Stuart-Ware of the group LOVE, who recorded fan favorites "My Little Red Book," "7 And 7 Is," and "Alone Again Or," and whose masterpiece Forever Changes is widely regarded among the best rock albums ever recorded; Larry Tamblyn and John "Fleck" Fleckenstein of the STANDELLS, known equally for "Dirty Water," the anthemic rallying cry for Boston pride, and "Try It," the mildly titillating song that unintentionally provoked a nationwide controversy about lewd lyrics; and Chuck Negron and Floyd Sneed of THREE DOG NIGHT, which during a nine-year span attained a seemingly unstoppable run of success, with 21 consecutive top 40 hits, including the No. 1 smash hits "Mama Told Me (Not To Come)," "Joy To The World," and "Black And White.""

The Association ‘Cherish’

The Association ‘Cherish’
Author: Malcolm C. Searles
Publisher: Troubador Publishing Ltd
Total Pages: 464
Release: 2018-05-08
Genre: Music
ISBN: 1789013615
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The very first full biography of The Association, one of the most successful bands to come out of the mid-1960s US folk-rock boom, with some of the most distinctive harmony sounds of the era, but one that is largely overlooked today. The group achieved two US Billboard Number One hits, a number of further Top 20 places, along with a run of successful best-selling LPs. In addition, whilst often credited as being one of the hardest working bands of the era, they are also honoured as having the second-most played song on US radio history during the 20th century! This extensive biography looks at the early foundations of the line-up, from the various group member’s struggles in an early 1960s Los Angeles, touring the folk clubs and coffee houses, through to their 1965 breakthrough and their first recording contract. Then, follow the band through the heady days of a psychedelic 1960s America, and into the confusion of the 1970’s where tragedy, disappointment and disarray left the band on the edge of breakup. The careers of each of the band members are discussed at length as they came, left and re-joined, most notably during the 1980s reunion tour, with full access to the recollections from principle members Jules Alexander, Terry Kirkman and Jim Yester. Finally, we bring the story fully up to date, with the band celebrating their 50th Anniversary and still out on the road, playing to packed venues across the country. Cherish IS indeed the word

40 Hits, 40 Stories

40 Hits, 40 Stories
Author: Rick Simmons
Publisher: McFarland
Total Pages: 258
Release: 2022-10-28
Genre: Music
ISBN: 1476683751
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Innovative sounds in pop, rock and soul in the 1960s and 1970s meant that music appealed to more people than ever before. While some songs appealed to a broad audience, some targeted a much narrower demographic, meaning songs on the pop charts might not do as well on the adult contemporary or soul charts, or vice versa. This book examines forty songs featured on song charts of the 1960s and 1970s. Charts considered are Billboard Pop, Billboard Soul, Adult Contemporary, Cashbox and British Charts. Each listing includes discussion of the factors that contributed to the songs' popularity. Author interviews with songwriters, musicians and artists such as KC (of KC and the Sunshine Band), Mark Farner (of Grand Funk), Jerry Butler, Ron Dante (of the Archies and the Cuff Links), Freda Payne, Lou Christie, Tommy Roe, The Spinners and others tell the stories behind some of the era's most popular songs.

The Rock History Reader

The Rock History Reader
Author: Theo Cateforis
Publisher: Routledge
Total Pages: 418
Release: 2012-11-27
Genre: Music
ISBN: 1136201017
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The Rock History Reader is an eclectic compilation of readings that tells the history of rock as it has been received and explained as a social and musical practice throughout its six decade history. The readings range from the vivid autobiographical accounts of such rock icons as Ronnie Spector and David Lee Roth to the writings of noted rock critics like Lester Bangs and Chuck Klosterman. It also includes a variety of selections from media critics, musicologists, fanzine writers, legal experts, sociologists and prominent political figures. Many entries also deal specifically with distinctive styles such as Motown, punk, disco, grunge, rap and indie rock. Each entry includes headnotes, which place it in its historical context. This second edition includes new readings on the early years of rhythm & blues and rock ‘n’ roll, as well as entries on payola, mods, the rise of FM rock, progressive rock and the PMRC congressional hearings. In addition, there is a wealth of new material on the 2000s that explores such relatively recent developments as emo, mash ups, the explosion of internet culture and new media, and iconic figures like Radiohead and Lady Gaga. With numerous readings that delve into the often explosive issues surrounding censorship, copyright, race relations, feminism, youth subcultures, and the meaning of musical value, The Rock History Reader continues to appeal to scholars and students from a variety of disciplines.

Pop Stars in My Pantry

Pop Stars in My Pantry
Author: Paul Simper
Publisher: Unbound Publishing
Total Pages: 252
Release: 2017-08-10
Genre: Biography & Autobiography
ISBN: 1783523883
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Corrupted by Spandau. Slated by Boy George. Mothered by Sade. Evicted by Bananarama. Jilted by Madonna. Author, columnist and TV writer Paul Simper had a front-row seat at one of pop stardom’s most exciting shows: the 1980s. His memoir, Pop Stars in My Pantry, is an account of a wide-eyed, wet-behind-the-ears lad from Wiltshire landing in London just as the capital’s club scene went into orbit. As a pop writer and fellow clubber, he had unique access to the artists who would become the biggest pop acts of the decade. On any given day, he might be required to fly a reader to the other side of the world to hang out with Spandau Ballet, accompany Bananarama’s Keren and Wham!’s George Michael on a blind date, help Frankie Goes to Hollywood chuck furniture out of TV studio windows in Rome, watch Boy George styling and flirting with Paul Weller in fake furs, or walk off into the sunset with a newbie called Madonna. It is also the tale of his own attempts at pop stardom with the help of former ’Nana Miss Jacqueline O’Sullivan and an unexpected bonus career as a showbiz party DJ for the likes of Prince, Whitney, Elton and even Al Pacino. This is an endlessly entertaining, behind-the-scenes ride – the ultimate back-stage pass – for 1980s pop enthusiasts and lovers of Smash Hits ... from the man who saw it all.

Where Have All the Good Times Gone?

Where Have All the Good Times Gone?
Author: Louis Barfe
Publisher: Atlantic Books Ltd
Total Pages: 591
Release: 2013-03-01
Genre: History
ISBN: 178239219X
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Louis Barfe's elegantly written, authoritative and highly entertaining history charts the meteoric rise and slow decline of the popular recording industry. Barfe shows how the 1920s and 1930s saw the departure of Edison from the phonograph business he created and the birth of EMI and CBS. In the years after the war, these companies, and the buccaneers, hucksters, impresarios and con-men who ran them, reaped stupendous commercial benefits with the arrival of Elvis Presley, who changed popular music (and sales of popular music) overnight. After Presley came the Beatles, when the recording industry became global and record sales reached all time highs. Where Have All The Good Times Gone? also charts the decline from that high-point a generation ago. The 1990s ushered in a period of profound crisis and uncertainty in the industry, encapsulated in one word: Napster. Barfe shows how the almost infinite amounts of free music available online have traumatic and disastrous consequences for an industry that has become cautious and undynamic.

And the Hits Just Keep On Comin'

And the Hits Just Keep On Comin'
Author: Peter E. Berry
Publisher: Syracuse University Press
Total Pages: 304
Release: 1977-03-01
Genre: Music
ISBN: 9780815601340
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And the Hits Just Keep on Comin' spans twenty-two years of popular music history from 1955 through 1976. It is a fusion of definitive statistics and commentary from Pete Berry, a radio personality also known as "The Flying Dutchman." Complementing the text, a detailed discography of the leading artists and their greatest hits, their million sellers, and their gold and platinum albums makes this volume a musical "world book of records." Berry opens with Bill Haley's famous "rimshot" that rocked the world in the mid-fifties, then works his way into the mid-seventies, an age whose idiosyncrasies have given birth to the widest variety of musical tastes in history. Each chapter is a graphic look at an individual year of American musical taste—each fifty two week interval unravels its own story. To simplify the statistics, Pete Berry presents annual charts of the top fifty songs, the week-by-week number-one songs, the most significant artists, and the Grammy and Oscar winners. He supplies facts that the average record buyer or collector previously has been unable to obtain except at great expense or through extensive research. Berry's sources include his own year-by-year records which, as a professional disc jockey, he has kept for the last twenty-two years, information supplied by such organizations as the Recording Industry Association of America, and data gleaned from record companies. An illustration section includes many of the most famous performers and groups. And the Hits Just Keep on Comin' will undoubtedly become an invaluable tool for the settlements of wagers as to the who, when, and where of popular music, and more than likely it will bring memories that are forever frozen in the lyrics and harmonies of the popular song.

Sayonara Amerika, Sayonara Nippon

Sayonara Amerika, Sayonara Nippon
Author: Michael K. Bourdaghs
Publisher: Columbia University Press
Total Pages: 304
Release: 2012
Genre: History
ISBN: 0231158742
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From the beginning of the American Occupation in 1945 to the post-bubble period of the early 1990s, popular music provided Japanese listeners with a much-needed release, channeling their desires, fears, and frustrations into a pleasurable and fluid art. Pop music allowed Japanese artists and audiences to assume various identities, reflecting the country's uncomfortable position under American hegemony and its uncertainty within ever-shifting geopolitical realities. In the first English-language study of this phenomenon, Michael K. Bourdaghs considers genres as diverse as boogie-woogie, rockabilly, enka, 1960s rock and roll, 1970s new music, folk, and techno-pop. Reading these forms and their cultural import through music, literary, and cultural theory, he introduces readers to the sensual moods and meanings of modern Japan. As he unpacks the complexities of popular music production and consumption, Bourdaghs interprets Japan as it worked through (or tried to forget) its imperial past. These efforts grew even murkier as Japanese pop migrated to the nation's former colonies. In postwar Japan, pop music both accelerated and protested the commodification of everyday life, challenged and reproduced gender hierarchies, and insisted on the uniqueness of a national culture, even as it participated in an increasingly integrated global marketplace. Each chapter in Sayonara Amerika, Sayonara Nippon examines a single genre through a particular theoretical lens: the relation of music to liberation; the influence of cultural mapping on musical appreciation; the role of translation in transmitting musical genres around the globe; the place of noise in music and its relation to historical change; the tenuous connection between ideologies of authenticity and imitation; the link between commercial success and artistic integrity; and the function of melodrama. Bourdaghs concludes with a look at recent Japanese pop music culture.