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What Made the Eighteenth Century Writers and Their Novels

What Made the Eighteenth Century Writers and Their Novels
Author: Stefano Mochi
Publisher: Cambridge Scholars Publishing
Total Pages: 163
Release: 2023-05-26
Genre: Literary Criticism
ISBN: 1527501817
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This book examines eighteenth-century novels, with a focus on the skills that readers were expected to master in order to read these works. It analyses how such skills were shaped by the cultural and political climate of the time. Starting with a review of the debate on education that began in England in the eighteenth-century and the way it was influenced by philosophers such as John Locke, it then discusses the demands that novelists like Defoe, Fielding, Sterne, Godwin, Smollett and Richardson made concerning this subject. Various scientific, philosophical, religious and linguistic theories are used to examine the issues above: Chaos Theory, Wittgenstein’s idea of “logical space”, Grice’s cooperative principle, Aristotle’s poetics and de Molinos’ Quietism.

Reading and the Making of Time in the Eighteenth Century

Reading and the Making of Time in the Eighteenth Century
Author: Christina Lupton
Publisher: JHU Press
Total Pages: 338
Release: 2018-08-15
Genre: Literary Criticism
ISBN: 1421425777
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How did eighteenth-century readers find and make time to read? Books have always posed a problem of time for readers. Becoming widely available in the eighteenth century—when working hours increased and lighter and quicker forms of reading (newspapers, magazines, broadsheets) surged in popularity—the material form of the codex book invited readers to situate themselves creatively in time. Drawing on letters, diaries, reading logs, and a range of eighteenth- and early nineteenth-century novels, Christina Lupton’s Reading and the Making of Time in the Eighteenth Century concretely describes how book-readers of the past carved up, expanded, and anticipated time. Placing canonical works by Elizabeth Inchbald, Henry Fielding, Amelia Opie, and Samuel Richardson alongside those of lesser-known authors and readers, Lupton approaches books as objects that are good at attracting particular forms of attention and paths of return. In contrast to the digital interfaces of our own moment and the ephemeral newspapers and pamphlets read in the 1700s, books are rarely seen as shaping or keeping modern time. However, as Lupton demonstrates, books are often put down and picked up, they are leafed through as well as read sequentially, and they are handed on as objects designed to bridge temporal distances. In showing how discourse itself engages with these material practices, Lupton argues that reading is something to be studied textually as well as historically. Applying modern theorists such as Niklas Luhmann, Bruno Latour, and Bernard Stiegler, Lupton offers a rare phenomenological approach to the study of a concrete historical field. This compelling book stands out for the combination of archival research, smart theoretical inquiry, and autobiographical reflection it brings into play.

The Enlightenment and the Book

The Enlightenment and the Book
Author: Richard B. Sher
Publisher: University of Chicago Press
Total Pages: 757
Release: 2007-02-01
Genre: Literary Criticism
ISBN: 9780226752525
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The late eighteenth century witnessed an explosion of intellectual activity in Scotland by such luminaries as David Hume, Adam Smith, Hugh Blair, William Robertson, Adam Ferguson, James Boswell, and Robert Burns. And the books written by these seminal thinkers made a significant mark during their time in almost every field of polite literature and higher learning throughout Britain, Europe, and the Americas. In this magisterial history, Richard B. Sher breaks new ground for our understanding of the Enlightenment and the forgotten role of publishing during that period. The Enlightenment and the Book seeks to remedy the common misperception that such classics as The Wealth of Nations and The Life of Samuel Johnson were written by authors who eyed their publishers as minor functionaries in their profession. To the contrary, Sher shows how the process of bookmaking during the late eighteenth-century involved a deeply complex partnership between authors and their publishers, one in which writers saw the book industry not only as pivotal in the dissemination of their ideas, but also as crucial to their dreams of fame and monetary gain. Similarly, Sher demonstrates that publishers were involved in the project of bookmaking in order to advance human knowledge as well as to accumulate profits. The Enlightenment and the Book explores this tension between creativity and commerce that still exists in scholarly publishing today. Lavishly illustrated and elegantly conceived, it will be must reading for anyone interested in the history of the book or the production and diffusion of Enlightenment thought.

The Cambridge Companion to the Eighteenth-Century Novel

The Cambridge Companion to the Eighteenth-Century Novel
Author: John Richetti
Publisher: Cambridge University Press
Total Pages: 380
Release: 1996-09-05
Genre: Literary Criticism
ISBN: 1139825046
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In the past twenty years our understanding of the novel's emergence in eighteenth-century Britain has drastically changed. Drawing on new research in social and political history, the twelve contributors to this Companion challenge and refine the traditional view of the novel's origins and purposes. In various ways each seeks to show that the novel is not defined primarily by its realism of representation, but by the new ideological and cultural functions it serves in the emerging modern world of print culture. Sentimental and Gothic fiction and fiction by women are discussed, alongside detailed readings of work by Defoe, Swift, Richardson, Henry Fielding, Sterne, Smollett, and Burney. This multifaceted picture of the novel in its formative decades provides a comprehensive and indispensable guide for students of the eighteenth-century British novel, and its place within the culture of its time.

The Wiley-Blackwell Encyclopedia of Eighteenth-Century Writers and Writing 1660 - 1789

The Wiley-Blackwell Encyclopedia of Eighteenth-Century Writers and Writing 1660 - 1789
Author: Paul Baines
Publisher: John Wiley & Sons
Total Pages: 689
Release: 2010-12-28
Genre: Literary Criticism
ISBN: 1444390082
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The Wiley-Blackwell Encyclopedia of Eighteenth-Century Writers and Writing1660-1789 features coverage of the lives and works of almost 500 notable writers based in the British Isles from the return of the British monarchy in 1660 until the French Revolution of 1789. Broad coverage of writers and texts presents a new picture of 18th-century British authorship Takes advantage of newly expanded eighteenth-century canon to include significantly more women writers and labouring-class writers than have traditionally been studied Draws on the latest scholarship to more accurately reflect the literary achievements of the long eighteenth century

Eighteenth-Century Authorship and the Play of Fiction

Eighteenth-Century Authorship and the Play of Fiction
Author: Emily Hodgson Anderson
Publisher: Routledge
Total Pages: 370
Release: 2009-05-15
Genre: Literary Criticism
ISBN: 1135838682
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This study looks at developments in eighteenth-century drama that influenced the rise of the novel; it begins by asking why women writers of this period experimented so frequently with both novels and plays. Here, Eliza Haywood, Frances Burney, Elizabeth Inchbald, Maria Edgeworth, and Jane Austen explore theatrical frames--from the playhouse, to the social conventions of masquerade, to the fictional frame of the novel itself—that encourage audiences to dismiss what they contain as feigned. Yet such frames also, as a result, create a safe space for self-expression. These authors explore such payoffs both within their work—through descriptions of heroines who disguise themselves to express themselves—and through it. Reading the act of authorship as itself a form of performance, Anderson contextualizes the convention of fictionality that accompanied the development of the novel; she notes that as the novel, like the theater of the earlier eighteenth century, came to highlight its fabricated nature, authors could use it as a covert yet cathartic space. Fiction for these authors, like theatrical performance for the actor, thus functions as an act of both disclosure and disguise—or finally presents self-expression as the ability to oscillate between the two, in "the play of fiction."

An Introduction to Eighteenth-Century Fiction

An Introduction to Eighteenth-Century Fiction
Author: John Skinner
Publisher: Bloomsbury Publishing
Total Pages: 317
Release: 2017-03-14
Genre: Literary Criticism
ISBN: 0230629466
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The formal and expressive range of canonic eighteenth-century fiction is enourmous: between them Defoe, Richardson, Fielding, Smollett and Sterne seem to have anticipated just about every question confronting the modern novelist; and Aphra Behn even raises a number of issues overlooked by her male successors. But one might also reverse the coin: much of what is present in these writers will today seem remote and bizarre. There is, in fact, only one novelist from the 'long' eighteenth century who is not an endangered species outside the protectorates of university English departments: Jane Austen. Plenty of people read her, moreover, without the need for secondary literature. These reservations were taken into account in the writing of this book. An Introduction to Eighteenth Century Fiction is a comprehensive and accessible introduction to English fiction from Aphra Behn to Jane Austen. It deals with novel criticism, canon formation and relations between genre and gender. The second part of the book contains an extensive discussion of Richardson and Fielding, followed by paired readings of major eighteenth-century novels, juxtaposing texts by Behn and Defoe, Sterne and Smollett, Lennox and Burney among others. The various sections of the book, and even the individual chapters, may be read independently or in any order. Works are discussed in a way intended to help students who have not read them, and even engage with some who never will. The author consumes eighteenth-century fiction avidly, but has tried to write a reader-friendly survey for those who may not.

Reading the Eighteenth-Century Novel

Reading the Eighteenth-Century Novel
Author: David H. Richter
Publisher: John Wiley & Sons
Total Pages: 248
Release: 2017-05-01
Genre: Literary Criticism
ISBN: 1118621107
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Reading the Eighteenth-Century Novel is a lively exploration of the evolution of the English novel from 1688-1815. A range of major works and authors are discussed along with important developments in the genre, and the impact of novels on society at the time. The text begins with a discussion of the “rise of the novel” in the long eighteenth century and various theories about the economic, social, and ideological changes that caused it. Subsequent chapters examine ten particular novels, from Oroonoko and Moll Flanders to Tom Jones and Emma, using each one to introduce and discuss different rhetorical theories of narrative. The way in which books developed and changed during this period, breaking new ground, and influencing later developments is also discussed, along with key themes such as the representation of gender, class, and nationality. The final chapter explores how this literary form became a force for social and ideological change by the end of the period. Written by a highly experienced scholar of English literature, this engaging textbook guides readers through the intricacies of a transformational period for the novel.

Narrative Concepts in the Study of Eighteenth-century Literature

Narrative Concepts in the Study of Eighteenth-century Literature
Author: Liisa Steinby
Publisher: Crossing Boundaries: Turku Medieval and Early Modern Studies
Total Pages: 314
Release: 2017
Genre: European fiction
ISBN: 9789089648747
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This collection of essays studies the encounter between allegedly ahistorical concepts of narratology and eighteenth-century literature. It questions whether the general concepts of narratology are as such applicable to historically specific fields, or whether they need further specification. Furthermore, at issue is the question whether the theoretical concepts actually are, despite their appearance of ahistorical generality, derived from the historical study of a particular period and type of literature. In the essays such concepts as genre, plot, character, event, tellability, perspective, temporality, description, reading, metadiegetic narration, and paratext are scrutinized in the context of eighteenth-century texts. The writers include some of the leading theorists of both narratology and eighteenth-century literature.

Before Jane Austen

Before Jane Austen
Author: Harrison R. Steeves
Publisher: Routledge
Total Pages: 560
Release: 2020-01-08
Genre: Literary Criticism
ISBN: 1000030873
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Few centuries have seen greater changes in social perspective and guiding ideas than the eighteenth century; literature in every Western country was a powerful instrument not only in recording these changes but in bringing them about. In England, the rise and development of a new literary form – the novel – graphically mirrors that great transition in social ideology, often with rare entertainment. Originally published in 1965, in the words of Professor Steeves: ‘This volume is to deal with the years in which the novel was still an experiment. At the beginning of the eighteenth century there was no novel. By the end, novels of every description were being published, not in dozens, but in hundreds. The badness of the product was universally recognized, but perhaps fifty had emerged out of the ruck of mediocrity, some tolerable, some good, and some great.’ The author tells us that it is the province of the novel ‘to deal with what seems to be real people, in situations which have the tang of the life of the time and which pose significant problems related to that life.’ He examines the changing view of the social scene in the works of the great novelists of the period – Defoe, Richardson, Fielding, Smollett, and Sterne – and in the less familiar but still significant novels of others from the time. The discussion ends with Austen because she comes ‘exactly at the end of a century highly important in intellectual and cultural history, and at the beginning of another century equally epoch-making.... Miss Austen can properly be called the first modern English novelist, the earliest to be read with the feeling that she depicts our life, and not a life placed back somewhere in history, or off somewhere in imagined space’.