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| Author | : Samantha Friedman |
| Publisher | : Museum of Modern Art |
| Total Pages | : 0 |
| Release | : 2016-05-17 |
| Genre | : Juvenile Fiction |
| ISBN | : 9781633450042 |
Edgar Degas walks through the streets of Paris observing life in the city and creating art based on some of the things he sees.
| Author | : Eva Montanari |
| Publisher | : Harry N. Abrams |
| Total Pages | : 0 |
| Release | : 2009-10-01 |
| Genre | : Juvenile Fiction |
| ISBN | : 9780810938786 |
Monsieur Degas likes to paint the students while they practice in ballet class. But one day he mistakenly leaves his paints in the dance studio and instead takes a young ballerina's bag, which contains her new tutu. And so the ballerina begins a great chase to find Degas before her recital. Full color.
| Author | : Camille Laurens |
| Publisher | : Other Press, LLC |
| Total Pages | : 176 |
| Release | : 2018-11-20 |
| Genre | : Biography & Autobiography |
| ISBN | : 1590519590 |
This absorbing, heartfelt work uncovers the story of the real dancer behind Degas’s now-iconic sculpture, shedding light on the struggles of late nineteenth-century Parisian life. She is famous throughout the world, but how many know her name? You can admire her figure in Washington, Paris, London, New York, Dresden, or Copenhagen, but where is her grave? We know only her age, fourteen, and the work that she did—because it was already grueling work, at an age when children today are sent to school. In the 1880s, she danced as a “little rat” at the Paris Opera, and what is often a dream for young girls now wasn’t a dream for her. She was fired after several years of intense labor; the director had had enough of her repeated absences. She had been working another job, even two, because the few pennies the Opera paid weren’t enough to keep her and her family fed. She was a model, posing for painters or sculptors—among them Edgar Degas. Drawing on a wealth of historical material as well as her own love of ballet and personal experiences of loss, Camille Laurens presents a compelling, compassionate portrait of Marie van Goethem and the world she inhabited that shows the importance of those who have traditionally been overlooked in the study of art.
| Author | : Gabrielle Balkan |
| Publisher | : Penguin |
| Total Pages | : 56 |
| Release | : 2021-09-07 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 0744054362 |
See the world through Georgia O'Keeffe's eyes and be inspired to produce your own masterpieces. Have you ever wondered exactly what your favorite artists were looking at to make them draw, sculpt, or paint the way they did? In this charming illustrated series of books to keep and collect, created in full collaboration with the Metropolitan Museum of Art, you can see what they saw, and be inspired to create your own artworks, too. In What the Artist Saw: Georgia O'Keeffe, meet famous American painter Georgia O'Keeffe. Step into her life and learn what led her to look closely at nature and paint her iconic paintings of flowers and bones. See the vast New Mexico landscapes that inspired her work. Have a go at producing your own close-up still-life artworks! Follow the artists' stories and find intriguing facts about their environments and key masterpieces. Then see what you can see and make your own art. Take a closer look at landscapes, or even yourself, with Vincent van Gogh. Try crafting a story in fabric like Faith Ringgold, or carve a woodblock print at home with Hokusai. Every book in this series is one to treasure and keep - perfect for budding young artists to explore exhibitions with, then continue their own artistic journeys. © The Metropolitan Museum of Art, New York
| Author | : Alice Michel |
| Publisher | : David Zwirner Books |
| Total Pages | : 89 |
| Release | : 2017-08-22 |
| Genre | : Art |
| ISBN | : 1941701558 |
There are many myths about the artist Edgar Degas—from Degas the misanthrope to Degas the deviant, to Degas the obsessive. But there is no single text that better stokes the fire than Degas and His Model, a short memoir published by Alice Michel, who purportedly modeled for Degas. Never before translated into English, the text’s original publication in Mercure de France in 1919, shortly after the artist’s death, has been treated as an important account of the master sculptor at work. We know that Alice was writing under a pseudonym, but who the real person behind this account was remains a mystery—to this day nothing is known about her. Yet, the descriptions seem too accurate to be ignored, the anecdotes too spot-on to discount; even the dialogue captures the artist’s tone and mannerisms. What is found in these pages is at times a woman’s flirtatious recollection of a bizarre “artistic type” and at others a moving attempt to connect with a great, often tragic man. The descriptions are limpid, unburdened; the dialogue is lively and intimate, not unlike reading the very best kind of gossip, with world-historical significance. Here in these dusty studios, Degas is alive, running hands over clay, complaining about his eyes, denigrating the other artists around him, and whispering salaciously to his model. And during his mood swings, we see reflected the model’s innocence and confusion, her pain at being misunderstood and finally rejected. It is an intimate portrait of a moment in a great artist’s life, a sort of Bildungsroman in which his model (whoever she may be) does not emerge unscathed.
| Author | : Sulaiman Addonia |
| Publisher | : Graywolf Press |
| Total Pages | : 217 |
| Release | : 2020-09-08 |
| Genre | : Fiction |
| ISBN | : 1644451298 |
A sensuous, textured novel of life in a refugee camp, long-listed for the Orwell Prize for Political Fiction On a hill overlooking a refugee camp in Sudan, a young man strings up bedsheets that, in an act of imaginative resilience, will serve as a screen in his silent cinema. From the cinema he can see all the comings and goings in the camp, especially those of two new arrivals: a girl named Saba, and her mute brother, Hagos. For these siblings, adapting to life in the camp is not easy. Saba mourns the future she lost when she was forced to abandon school, while Hagos, scorned for his inability to speak, must live vicariously through his sister. Both resist societal expectations by seeking to redefine love, sex, and gender roles in their lives, and when a businessman opens a shop and befriends Hagos, they cast off those pressures and make an unconventional choice. With this cast of complex, beautifully drawn characters, Sulaiman Addonia details the textures and rhythms of everyday life in a refugee camp, and questions what it means to be an individual when one has lost all that makes a home or a future. Intimate and subversive, Silence Is My Mother Tongue dissects the ways society wages war on women and explores the stories we must tell to survive in a broken, inhospitable environment.
| Author | : George T. M. Shackelford |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Nude in art |
| ISBN | : 9780500093627 |
The nude figure was critical to the art of Edgar Degas throughout his life, and yet his expansive body of work on this subject has been overshadowed by his celebrated portraits and dancers. Degas and the Nude is the first book in a generation to explore the artist's treatment of the nude from his early years in the 1850s and 1860s, through his triumphs in the 1880s and 1890s, all the way to his last decades, when the theme dominated his artistic production in all media. With essays by leading critics, the book aims to provide a new interpretation of Degas's evolving conception of the nude and to situate it in the subject's broader context among his peers in 19th-century France. Among the scores of reproductions is one of the most important of Degas's early paintings, Scene of War in the Middle Ages, which exerted a lifelong influence on the artist's treatment of the female nude and includes poses poses repeated throughout his career. Also included are monotypes of the late 1870s, which illustrate Degas's most explicitly sexual depictions of women in Parisian brothels, and pictures portraying the daily life of women wherever they resided. Together these iterations range over more than a half-century of virtuoso achievement and manifest a groundbreaking look at the evolution of this master artist.
| Author | : Cathy Marie Buchanan |
| Publisher | : Penguin |
| Total Pages | : 343 |
| Release | : 2013-01-10 |
| Genre | : Fiction |
| ISBN | : 1101603798 |
A heartrending, gripping novel about two sisters in Belle Époque Paris and the young woman forever immortalized as muse for Edgar Degas’ Little Dancer Aged Fourteen. 1878 Paris. Following their father’s sudden death, the van Goethem sisters find their lives upended. Without his wages, and with the small amount their laundress mother earns disappearing into the absinthe bottle, eviction from their lodgings seems imminent. With few options for work, Marie is dispatched to the Paris Opéra, where for a scant seventeen francs a week, she will be trained to enter the famous ballet. Her older sister, Antoinette, finds work as an extra in a stage adaptation of Émile Zola’s naturalist masterpiece L’Assommoir. Marie throws herself into dance and is soon modeling in the studio of Edgar Degas, where her image will forever be immortalized as Little Dancer Aged Fourteen. There she meets a wealthy male patron of the ballet, but might the assistance he offers come with strings attached? Meanwhile Antoinette, derailed by her love for the dangerous Émile Abadie, must choose between honest labor and the more profitable avenues open to a young woman of the Parisian demimonde. Set at a moment of profound artistic, cultural, and societal change, The Painted Girls is a tale of two remarkable sisters rendered uniquely vulnerable to the darker impulses of “civilized society.” In the end, each will come to realize that her salvation, if not survival, lies with the other.
| Author | : Michael F. Marmor |
| Publisher | : Somogy Editions D'Art |
| Total Pages | : 103 |
| Release | : 2002 |
| Genre | : Art |
| ISBN | : 9782850565731 |
How does one account for the change in style of Edgar Degas' work during the latter half of his life? Starting in 1870, why did the artist gradually adopt such a different style, so removed from the meticulous precision of his initial painting? Using scientific analysis, this original book compares the painter's canvases as we view them at present in museums, with how Degas saw them: evermore hazily, with failing vision. It shows the consequences that the deterioration of Degas' sight had on the evolution of his style. Surprising and innovative in the quality of its illustrations, this book yields new insight into the relationship between art and science.
| Author | : Theodore Reff |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 354 |
| Release | : 1976 |
| Genre | : Painting, French |
| ISBN | : 0870991469 |
"More than any other artist in the Impressionist group, Degas was fascinated by ideas and consciously based his work on them. "What I do is the result of reflection and study of the great masters," he once confessed, "of inspiration, spontaneity, temperament I know nothing." Yet his work has been understood very inadequately from that point of view. Publications on him, once dominated by memoirs inspired by his remarkable personality, are now concerned with cataloguing and studying limited aspects of his complex art. Its intellectual power and originality, which were evident to contemporary writers like Duranty and Valery, have not been studied sufficiently by more recent critics. It is this side of Degas's art--as seen in his ingenious pictorial strategies and technical innovations, his use of motifs like the window, the mirror, and the picture within the picture, his invention of striking, psychologically compelling compositions, and his creation of a sculptural idiom at once formal and vernacular--that is the subject of these essays. Inevitably, given the range of his intellectual interests, the essays are also concerned with his contacts with leading novelists and poets of his time and his efforts to illustrate or draw inspiration from their works. Throughout, the author makes use of an important, largely unpublished source, the material in Degas's notebooks, on which he has recently published a complete catalogue"--Publisher's description.
