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Westminster Part II: The Art, Architecture and Archaeology of the Royal Palace

Westminster Part II: The Art, Architecture and Archaeology of the Royal Palace
Author: Warwick Rodwell
Publisher: Routledge
Total Pages: 383
Release: 2020-04-27
Genre: Architecture
ISBN: 1317248007
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Westminster came into existence in the later Anglo-Saxon period, and by the mid-11th century, when Edward the Confessor’s great new abbey was built, it was a major royal centre two miles south-west of the City of London. Within a century or so, it had become the principal seat of government in England, and this series of twenty-eight papers covers new research on the topography, buildings, art-history, architecture and archaeology of Westminster’s two great establishments — Abbey and Palace. Part I begins with studies of the topography of the area, an account of its Roman-period finds and an historiographical overview of the archaeology of the Abbey. Edward the Confessor’s enigmatic church plan is discussed and the evidence for later Romanesque structures is assembled for the first time. Five papers examine aspects of Henry III’s vast new Abbey church and its decoration. A further four cover aspects of the later medieval period, coronation, and Sir George Gilbert Scott’s impact as the Abbey’s greatest Surveyor of the Fabric. A pair of papers examines the development of the northern precinct of the Abbey, around St Margaret’s Church, and the remarkable buildings of Westminster School, created within the remains of the monastery in the 17th and 18th centuries. Part II part deals with the Palace of Westminster and its wider topography between the late 11th century and the devastating fire of 1834 that largely destroyed the medieval palace. William Rufus’s enormous hall and its famous roofs are completely reassessed, and comparisons discussed between this structure and the great hall at Caen. Other essays reconsider Henry III’s palace, St Stephen’s chapel, the king’s great chamber (the ‘Painted Chamber’) and the enigmatic Jewel Tower. The final papers examine the meeting places of Parliament and the living accommodation of the MPs who attended it, the topography of the Palace between the Reformation and the fire of 1834, and the building of the New Palace which is better known today as the Houses of Parliament.

Westminster Part I: The Art, Architecture and Archaeology of the Royal Abbey

Westminster Part I: The Art, Architecture and Archaeology of the Royal Abbey
Author: Warwick Rodwell
Publisher: Routledge
Total Pages: 484
Release: 2020-04-27
Genre: Architecture
ISBN: 1317248031
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The British Archaeological Association’s 2013 conference was devoted to the study of Westminster Abbey and the Palace of Westminster. It also embraced Westminster School, which was founded at the Reformation in the Abbey precinct. Collectively, these institutions occupy a remarkable assemblage of medieval and later buildings, most of which are well documented. Although the Association had held a conference at Westminster in 1902, this was the first time that the internationally important complex of historic buildings was examined holistically, and the papers published here cover a wide range of subject matter. Westminster came into existence in the later Anglo-Saxon period, and by the mid-11th century, when Edward the Confessor’s great new abbey was built, it was a major royal centre two miles south-west of the City of London. Within a century or so, it had become the principal seat of government in England, and this series of twenty-eight papers covers new research on the topography, buildings, art-history, architecture and archaeology of Westminster’s two great establishments — Abbey and Palace. Part I begins with studies of the topography of the area, an account of its Roman-period finds and an historiographical overview of the archaeology of the Abbey. Edward the Confessor’s enigmatic church plan is discussed and the evidence for later Romanesque structures is assembled for the first time. Five papers examine aspects of Henry III’s vast new Abbey church and its decoration. A further four cover aspects of the later medieval period, coronation, and Sir George Gilbert Scott’s impact as the Abbey’s greatest Surveyor of the Fabric. A pair of papers examines the development of the northern precinct of the Abbey, around St Margaret’s Church, and the remarkable buildings of Westminster School, created within the remains of the monastery in the 17th and 18th centuries. Part II part deals with the Palace of Westminster and its wider topography between the late 11th century and the devastating fire of 1834 that largely destroyed the medieval palace. William Rufus’s enormous hall and its famous roofs are completely reassessed, and comparisons discussed between this structure and the great hall at Caen. Other essays reconsider Henry III’s palace, St Stephen’s chapel, the king’s great chamber (the ‘Painted Chamber’) and the enigmatic Jewel Tower. The final papers examine the meeting places of Parliament and the living accommodation of the MPs who attended it, the topography of the Palace between the Reformation and the fire of 1834, and the building of the New Palace which is better known today as the Houses of Parliament.

Westminster

Westminster
Author: British Archaeological Association. Conference
Publisher:
Total Pages: 427
Release: 2017
Genre: Gothic revival (Architecture)
ISBN:
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The British Archaeological Association's 2013 conference was devoted to the study of Westminster Abbey and the Palace of Westminster. It also embraced Westminster School, which was founded at the Reformation in the Abbey precinct. Collectively, these institutions occupy a remarkable assemblage of medieval and later buildings, most of which are well documented. Although the Association had held a conference at Westminster in 1902, this was the first time that the internationally important complex of historic buildings was examined holistically, and the papers published here cover a wide range of subject matter. Westminster came into existence in the later Anglo-Saxon period, and by the mid-11th century, when Edward the Confessor's great new abbey was built, it was a major royal centre two miles south-west of the City of London. Within a century or so, it had become the principal seat of government in England, and this series of twenty-eight papers covers new research on the topography, buildings, art-history, architecture and archaeology of Westminster's two great establishments -- Abbey and Palace. Part I begins with studies of the topography of the area, an account of its Roman-period finds and an historiographical overview of the archaeology of the Abbey. Edward the Confessor's enigmatic church plan is discussed and the evidence for later Romanesque structures is assembled for the first time. Five papers examine aspects of Henry III's vast new Abbey church and its decoration. A further four cover aspects of the later medieval period, coronation, and Sir George Gilbert Scott's impact as the Abbey's greatest Surveyor of the Fabric. A pair of papers examines the development of the northern precinct of the Abbey, around St Margaret's Church, and the remarkable buildings of Westminster School, created within the remains of the monastery in the 17th and 18th centuries. Part II part deals with the Palace of Westminster and its wider topography between the late 11th century and the devastating fire of 1834 that largely destroyed the medieval palace. William Rufus's enormous hall and its famous roofs are completely reassessed, and comparisons discussed between this structure and the great hall at Caen. Other essays reconsider Henry III's palace, St Stephen's chapel, the king's great chamber (the 'Painted Chamber') and the enigmatic Jewel Tower. The final papers examine the meeting places of Parliament and the living accommodation of the MPs who attended it, the topography of the Palace between the Reformation and the fire of 1834, and the building of the New Palace which is better known today as the Houses of Parliament.

Westminster

Westminster
Author: British Archaeological Association. Conference
Publisher: Routledge
Total Pages: 0
Release: 2015
Genre: Architecture
ISBN: 9781910887240
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Part I begins with studies of the topography of the area, an account of its Roman-period finds and an historiographical overview of the archaeology of the Abbey.

The Cosmatesque Mosaics of Westminster Abbey

The Cosmatesque Mosaics of Westminster Abbey
Author: Warwick Rodwell
Publisher: Oxbow Books
Total Pages: 560
Release: 2019-11-30
Genre: History
ISBN: 1789252377
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Westminster Abbey contains the only surviving medieval Cosmatesque mosaics outside Italy. They comprise: the ‘Great Pavement’ in the sanctuary; the pavement around the shrine of Edward the Confessor; the saint’s tomb and shrine; Henry III’s tomb; the tomb of a royal child, and some other pieces. Surprisingly, the mosaics have never before received detailed recording and analysis, either individually or as an assemblage. The proposed publication, in two volumes, will present a holistic study of this outstanding group of monuments in their historical architectural and archaeological context. The shrine of St Edward is a remarkable survival, having been dismantled at the Dissolution and re-erected (incorrectly) in 1557 under Queen Mary. Large areas of missing mosaic were replaced with plaster on to which mosaic designs were carefully painted. This 16th-century fictive mosaic is unique in Britain. Conservation of the sanctuary pavement was accompanied by full archaeological recording with every piece of mosaic decoration drawn and colored by David Neal, phase plans have been prepared, and stone-by-stone examination undertaken, petrologically identifying and recording the locations of all the materials present. It has revealed that both the pavements and tombs include a range of exotic stone types. The Cosmati study has shed fresh light on every aspect of the unique series of monuments in Westminster Abbey; this work will fill a major lacuna in our knowledge of 13th-century English art of the first rank, and will command international interest.

William the Conqueror

William the Conqueror
Author: David Bates
Publisher: Yale University Press
Total Pages: 633
Release: 2016-11-01
Genre: Biography & Autobiography
ISBN: 0300183836
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Fifteen years in the making, a landmark reinterpretation of the life of a pivotal figure in British and European history In this magisterial addition to the Yale English Monarchs series, David Bates combines biography and a multidisciplinary approach to examine the life of a major figure in British and European history. Using a framework derived from studies of early medieval kingship, he assesses each phase of William’s life to establish why so many trusted William to invade England in 1066 and the consequences of this on the history of the so-called Norman Conquest after the Battle of Hastings and for generations to come. A leading historian of the period, Bates is notable for having worked extensively in the archives of northern France and discovered many eleventh- and twelfth-century charters largely unnoticed by English-language scholars. Taking an innovative approach, he argues for a move away from old perceptions and controversies associated with William’s life and the Norman Conquest. This deeply researched volume is the scholarly biography for our generation.

England and Bohemia in the Age of Chaucer

England and Bohemia in the Age of Chaucer
Author: Peter Brown
Publisher: Boydell & Brewer
Total Pages: 303
Release: 2023-09-05
Genre: History
ISBN: 1843845792
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New essays examining Bohemia as a key European context for understanding Chaucer's poetry. Chaucer never went to Bohemia but Bohemia came to him when, in 1382, King Richard II of England married Anne, daughter of the Holy Roman Emperor, Charles IV. Charles's splendid court in Prague was renowned across Europe for its patronage of literature, art and architecture, and Anne and her entourage brought with them some of its glamour and allure - their fashions, extravagance and behaviour provoking comment from English chroniclers. For Chaucer, a poet and diplomat affiliated to Richard's court, Anne was more muse than patron, her influence embedded in a range of his works, including the Parliament of Fowls, Troilus and Criseyde, the Legend of Good Women and Canterbury Tales. This volume shows Bohemia to be a key European context, alongside France and Italy, for understanding Chaucer's poetry, providing a wide perspective on the nature of cultural exchange between England and Bohemia in the later fourteenth century. The contributors consider such matters as court culture and politics, the writings of Richard Rolle, artistic style, Troy stories, historiographic writing and travel narrative; they highlight the debt Chaucer owed to Bohemian culture, and the affinities between English and Bohemian literary production, whether in the use of Petrarch's tale of Griselde, the iconography of the tapster figure, or satires on the Passion of Christ. The contributors consider such matters as court culture and politics, the writings of Richard Rolle, artistic style, Troy stories, historiographic writing and travel narrative; they highlight the debt Chaucer owed to Bohemian culture, and the affinities between English and Bohemian literary production, whether in the use of Petrarch's tale of Griselde, the iconography of the tapster figure, or satires on the Passion of Christ. The contributors consider such matters as court culture and politics, the writings of Richard Rolle, artistic style, Troy stories, historiographic writing and travel narrative; they highlight the debt Chaucer owed to Bohemian culture, and the affinities between English and Bohemian literary production, whether in the use of Petrarch's tale of Griselde, the iconography of the tapster figure, or satires on the Passion of Christ. The contributors consider such matters as court culture and politics, the writings of Richard Rolle, artistic style, Troy stories, historiographic writing and travel narrative; they highlight the debt Chaucer owed to Bohemian culture, and the affinities between English and Bohemian literary production, whether in the use of Petrarch's tale of Griselde, the iconography of the tapster figure, or satires on the Passion of Christ.