Werner's Readings and Recitations: Girl impersonations (c1912)
Author | : |
Publisher | : |
Total Pages | : 200 |
Release | : 1912 |
Genre | : Readers |
ISBN | : |
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Author | : |
Publisher | : |
Total Pages | : 200 |
Release | : 1912 |
Genre | : Readers |
ISBN | : |
Author | : St. Louis Public Library |
Publisher | : |
Total Pages | : 438 |
Release | : 1915 |
Genre | : |
ISBN | : |
"Teachers' bulletin", vol. 4- issued as part of v. 23, no. 9-
Author | : St. Louis Public Library |
Publisher | : |
Total Pages | : 434 |
Release | : 1915 |
Genre | : |
ISBN | : |
Author | : Riva Castleman |
Publisher | : ABRAMS |
Total Pages | : 0 |
Release | : 1997-09 |
Genre | : |
ISBN | : 9780810961814 |
Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.
Author | : |
Publisher | : |
Total Pages | : 1584 |
Release | : 1912 |
Genre | : American literature |
ISBN | : |
Author | : Magdalena Dabrowski |
Publisher | : |
Total Pages | : 134 |
Release | : 1995 |
Genre | : Art |
ISBN | : |
Essay by Magdalena Dabrowski. Foreword by Richard E. Oldenburg.
Author | : Ruth Hemus |
Publisher | : |
Total Pages | : 266 |
Release | : 2009 |
Genre | : Art |
ISBN | : |
The European Dada movement of the early 20th century has long been regarded as a male preserve, one in which women have been relegated to footnotes or mentioned only as the wives, girlfriends, or sisters of Dada men. This fascinating book challenges that assumption, focusing on the creative contributions made to Dada by five pivotal European women. Ruth Hemus establishes the ways in which Emmy Hennings and Sophie Taeuber in Zurich, Hannah Höch in Berlin, and Suzanne Duchamp and Céline Arnauld in Paris made important interventions across fine art, literature, and performance. Hemus highlights how their techniques and approaches were characteristic of Dada's rebellion against aesthetic and cultural conventions, analyzes the impact of gender on each woman's work, and shows convincingly that they were innovators and not imitators. In its new and original perspective on Dada, the book broadens our appreciation and challenges accepted understandings of this revolutionary avant-garde movement.
Author | : Anne Thackeray Ritchie |
Publisher | : Ohio State University Press |
Total Pages | : 406 |
Release | : 1994 |
Genre | : Novelists, English |
ISBN | : 0814206387 |
Peopled with literary figures such as Tennyson, Trollope, Browning, George Eliot, Henry James and Virginia Woolf, this book provides Anne Thackeray Ritchie's complete journals written in 1864-65 and 1878, an ample selection of her most interesting letters and a number of significant letters written to her. Because only a third of each journal has been previously published, this collection presents a valuable document of Ritchie's inner life, especially the account of her response to her father's death.
Author | : Laura Bieger |
Publisher | : transcript Verlag |
Total Pages | : 183 |
Release | : 2018-11-30 |
Genre | : Literary Criticism |
ISBN | : 3839446007 |
Why did the novel become so popular in the past three centuries, and how did the American novel contribute to this trend? As a key provider of the narrative frames and formulas needed by modern individuals to give meaning and mooring to their lives. Drawing on phenomenological hermeneutics, human geography and social psychology, Laura Bieger contends that belonging is not a given; it is continuously produced by narrative. Against the current emphasis on metaphors of movement and destabilization, she explores the salience and significance of home. Challenging views of narrative as a mechanism of ideology, she approaches narrative as a practical component of dwelling in the world - and the novel a primary place-making agent.
Author | : A.L. Rees |
Publisher | : Bloomsbury Publishing |
Total Pages | : 208 |
Release | : 2019-07-25 |
Genre | : Performing Arts |
ISBN | : 1838714197 |
Avant-garde film is almost indefinable. It is in a constant state of change and redefinition. In his highly-acclaimed history of experimental film, A.L. Rees tracks the movement of the film avant-garde between the cinema and modern art (with its postmodern coda). But he also reconstitutes the film avant-garde as an independent form of art practice with its own internal logic and aesthetic discourse. In this revised and updated edition, Rees introduces experimental film and video to new readers interested in the wider cinema, as well as offering a guide to enthusiasts of avant-garde film and new media arts. Ranging from Cézanne and Dada, via Cocteau, Brakhage and Le Grice, to the new wave of British film and video artists from the 1990s to the present day, this expansive study situates avant-garde film between the cinema and the gallery, with many links to sonic as well as visual arts. The new edition includes a review of current scholarship in avant-garde film history and includes updated reading and viewing lists. It also features a new introduction and concluding chapter, which assess the rise of video projection in the gallery since the millennium, and describe new work by the latest generation of experimental film-makers. The new edition is richly illustrated with images of the art works discussed.