Wayang, Chinese Street Opera in Singapore
| Author | : |
| Publisher | : |
| Total Pages | : 46 |
| Release | : 1984 |
| Genre | : Operas |
| ISBN | : 9789971730949 |
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Wayang Chinese Street Opera In Singapore PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Wayang Chinese Street Opera In Singapore PDF full book. Access full book title Wayang Chinese Street Opera In Singapore.
Wayang
| Author | : Kuan Wah Pitt |
| Publisher | : |
| Total Pages | : 136 |
| Release | : 1988 |
| Genre | : Operas, Chinese |
| ISBN | : |
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Chinese Street Opera in Singapore
| Author | : Tong Soon Lee |
| Publisher | : University of Illinois Press |
| Total Pages | : 234 |
| Release | : 2009 |
| Genre | : Music |
| ISBN | : 0252032462 |
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Fostering national culture in Singapore through Chinese street opera performance
Chinese Street Opera in Singapore
| Author | : Tong Soon Lee |
| Publisher | : University of Illinois Press |
| Total Pages | : 215 |
| Release | : 2024-02-12 |
| Genre | : Music |
| ISBN | : 0252055896 |
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Since Singapore declared independence from Malaysia in 1965, Chinese street opera has played a significant role in defining Singaporean identity. Carefully tracing the history of amateur and professional performances in Singapore, Tong Soon Lee reflects on the role of street performance in fostering cultural nationalism and entrepreneurship. He explains that the government welcomes Chinese street opera performances because they combine tradition and modernism and promote a national culture that brings together Singapore's four main ethnic groups--Eurasian, Malay, Chinese, and South Asian. Chinese Street Opera in Singapore documents the ways in which this politically motivated art form continues to be influenced and transformed by Singaporean politics, ideology, and context in the twenty-first century. By performing Chinese street opera, amateur troupes preserve their rich heritage, underscoring the Confucian mind-set that a learned person engages in the arts for moral and unselfish purposes. Educated performers also control behavior, emotions, and values. They are creative and innovative, and their use of new technologies indicates a modern, entrepreneurial spirit. Their performances bring together diverse ethnic groups to watch and perform, Lee argues, while also encouraging a national attitude focused on both remembering the past and preparing for the future in Singapore.
Wayang
| Author | : |
| Publisher | : |
| Total Pages | : 127 |
| Release | : 1988 |
| Genre | : Operas, Chinese |
| ISBN | : 9789971990848 |
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Wayang Girl
| Author | : Lee-Ling Ho |
| Publisher | : |
| Total Pages | : 62 |
| Release | : 2008 |
| Genre | : Operas, Chinese |
| ISBN | : 9789810594916 |
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Chinese opera in Singapore.
DAXI
| Author | : Paul van der Veer |
| Publisher | : |
| Total Pages | : 172 |
| Release | : 2008 |
| Genre | : Operas, Chinese |
| ISBN | : 9789078213055 |
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Singapore Ethnic Mosaic, The: Many Cultures, One People
| Author | : Mathew Mathews |
| Publisher | : World Scientific |
| Total Pages | : 504 |
| Release | : 2017-10-31 |
| Genre | : Social Science |
| ISBN | : 981323475X |
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Far from being a melting pot, multi-racial Singapore prides itself on the richness of its ethnic communities and cultures. This volume provides an updated account of the heterogeneity within each of the main communities — the Chinese, Malay, Indian, Eurasian and Others. It also documents the ethnic cultures of these communities by discussing their histories, celebrations, cultural symbols, life cycle rituals, cultural icons and attempts to preserve culture. While chapters are written by scholars drawing insight from a variety of sources ranging from academic publications to discussions with community experts, it is written in an accessible way. This volume seeks to increase intercultural understanding through presenting ample insights into the cultural beliefs and practices of the different ethnic communities. While this book is about diversity, a closer examination of the peoples and cultures of Singapore demonstrates the many similarities communities share in this Singaporean space. Contents: Foreword (Janil Puthucheary)AcknowledgementsIntroductory: Ethnic Diversity, Identity and Everyday Multiculturalism in Singapore (Mathew Mathews)Chinese: The Chinese in Singapore (Tong Chee Kiong)Chinese Community and Culture in Singapore (Soon Su-Chuin, Elvin Xing Yifu and Tong Chee Kiong)Malay: The Malays in Singapore (Suriani Suratman)Malay Community and Culture in Singapore (Suriani Suratman and Siti Hajar Esa)Indian: The Indians in Singapore (Vineeta Sinha)Tamil Community and Culture in Singapore (A Mani, Pravin Prakash and Shanthini Selvarajan)Malayalee Community and Culture in Singapore (Anitha Devi Pillai)Punjabi Sikh Community and Culture in Singapore (Amrit Kaur and Bhajan Singh)Gujerati Community and Culture in Singapore (Rizwana Abdul Azeez)Minority Indian communities in Singapore (Nilanjan Raghunath)Eurasians and Others: The Eurasians and Others in Singapore (Mathew Mathews)Eurasian Community and Culture in Singapore (Alexius Pereira)Filipino Community and Culture in Singapore (Lou Antolihao and Clement Mesenas)Myanmar Community and Culture in Singapore (Moe Thuzar and Christine Lim Li Ping) Readership: Student and researchers of Singapore society and general readers interested in Singapore and its ethnic culture. Keywords: Ethnic Diversity;Culture;Customs;Traditions;Heritage;Singaporean Chinese;Singaporean Malays;Singaporean Indians;Singaporean EurasiansReview:0
Lion City Narratives: Singapore Through Western Eyes
| Author | : Victor R Savage |
| Publisher | : World Scientific |
| Total Pages | : 454 |
| Release | : 2021-11-18 |
| Genre | : History |
| ISBN | : 9811229171 |
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Lion City Narratives: Singapore Through Western Eyes fulfils four aims. First, it is a study of subjective Western impressions of Singapore's 145 years (1819-1963) of colonial history. The study is not meant to be an in-depth historical analysis of Singapore, but rather to give the reader an impressionistic account of how Western residents viewed Singapore over the decades. Second, this study could be seen as a short biography of Singapore's evolution as a city. The chapters on the imageability of Singapore and its urban morphology provide a holistic perspective of Singapore's urban dynamics. Third, this book provides a cultural insight into Singapore's population, both White residents and transient visitors, as well as the locals or Asians. Fourth, it opens a window into Singapore's development at a time when the West was at its cultural zenith and when Great Britain was the principal superpower of the 19th century. Hence Singapore carried twin colonial legacies — it was the archetype trading emporium between East and West, and it became, for the British, the major point d'appui for defence. Finally, the Singapore colonial narrative is set in a broader academic discourse that allows the reader to see a wider picture of Singapore's colonial development.The book does not attempt to make a definitive statement about the Western involvement in Singapore; it deals more with an association of many subjective Western perspectives that add colour to the liveability of the tropics, perceptions of the exotic Orient, and the myriad views of ethnic groups. Without the Western writings, paintings, and maps, academia would have minimal records of Singapore's development. As a new colony in the early 19th century however, Singapore's growth has been extremely well documented.This book will appeal to Singaporeans interested in understanding Singapore's colonial past, Westerners interested in the Western cultural persona in the development of Singapore, researchers dealing with the urban development of less-developed countries and colonial development in the tropical world, and lastly, academics who are interested in Singapore and the region's political and economic development as a case study.
Common Ground?
| Author | : Anthony M. Orum |
| Publisher | : Routledge |
| Total Pages | : 238 |
| Release | : 2009-09-10 |
| Genre | : Architecture |
| ISBN | : 1135257558 |
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Public spaces have long been the focus of urban social activity, but investigations of how public space works often adopt only one of several possible perspectives, which restricts the questions that can be asked and the answers that can be considered. In this volume, Anthony Orum and Zachary Neal explore how public space can be a facilitator of civil order, a site for power and resistance, and a stage for art, theatre, and performance. They bring together these frequently unconnected models for understanding public space, collecting classic and contemporary readings that illustrate each, and synthesizing them in a series of original essays. Throughout, they offer questions to provoke discussion, and conclude with thoughts on how these models can be combined by future scholars of public space to yield more comprehensive understanding of how public space works.
