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Watteau at Work

Watteau at Work
Author: Emily A. Beeny
Publisher: Getty Publications
Total Pages: 92
Release: 2021-11-23
Genre: Art
ISBN: 1606067354

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Marking the three hundredth anniversary of Jean Antoine Watteau’s death, this publication takes a close, revealing look at his recently rediscovered painting La Surprise. The painting La Surprise by Jean Antoine Watteau (1684–1721) belongs to a new genre of painting invented by the artist himself—the fête galante. These works, which show graceful open-air gatherings filled with scenes of courtship, music and dance, strolling lovers, and actors, do not so much tell a story as set a mood: one of playful, wistful, nostalgic reverie. Esteemed by collectors in Watteau's day as a work that showed the artist at the height of his skill and success, La Surprise vanished from public view in 1848, not to reemerge for more than a century and a half. Acquired by the Getty Museum in 2017, it has never before been the subject of a dedicated publication. Marking the three hundredth anniversary of Watteau's death, this book considers La Surprise within the context of the artist's oeuvre and discusses the surprising history of collecting Watteau in Los Angeles. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from November 23, 2021, to February 20, 2022.


Antoine Watteau

Antoine Watteau
Author: Mary D. Sheriff
Publisher: University of Delaware Press
Total Pages: 210
Release: 2006
Genre: Art
ISBN: 9780874139341

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The essays in Antoine Watteau: Perspectives on the Artist and the Culture of His Time offer a richly textured portrait of the artist's life, work, and reputation for students, specialists, and the general public. The volume brings together art historians whose research is currently defining the field of Watteau studies with scholars from history and literature who have published widely on the political and cultural trends of Watteau's era. Essays include studies of the artist's drawing practice, his relation to the emerging public sphere, and the changing fortunes of his reputation, as well as considerations of art dealing and fashion in Watteau's time. Other essays take up conversation, dance, seduction, and theatricality as essential themes of Watteau's art. This volume will be an indispensable resource for all those interested in the visual culture of Regency France.


Antoine Watteau

Antoine Watteau
Author: Helmut Borsch-Supan
Publisher: H.F. Ullmann
Total Pages: 0
Release: 2008-02
Genre: Painters
ISBN: 9780841600867

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Drawings of Watteau

Drawings of Watteau
Author: Jean Antoine Watteau
Publisher:
Total Pages: 0
Release: 1908
Genre:
ISBN:

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Antoine Watteau

Antoine Watteau
Author: Donald Posner
Publisher: Cornell University Press
Total Pages: 312
Release: 1984
Genre: Genre painting
ISBN: 0801415713

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Here is the definitive study of the great painter Antoine Watteau (1684-1721), best known for his exquisite fetes galantes--scenes of the pastoral pleasures of elegant society. Until now, critical interpretations of this remarkable artist have been shaped by essentially Romantic views. Donald Posner provides a reassessment of the life and work of Watteau; his account is enriched with reproductions of all of Watteau's paintings and major studies.


Watteau

Watteau
Author: Antoine Watteau
Publisher:
Total Pages: 68
Release: 1902
Genre: Commedia dell'arte
ISBN:

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The Age of Watteau, Chardin, and Fragonard

The Age of Watteau, Chardin, and Fragonard
Author: Musée des beaux-arts du Canada (Ottawa)
Publisher: Yale University Press
Total Pages: 432
Release: 2003-01-01
Genre: Art
ISBN: 0300099460

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Leading scholars shed light on the development of genre painting in this heavily illustrated volume.


Watteau at Work

Watteau at Work
Author: Emily A. Beeny
Publisher: Getty Publications
Total Pages: 88
Release: 2021-12-07
Genre: Art
ISBN: 1606067362

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Marking the three hundredth anniversary of Jean Antoine Watteau’s death, this publication takes a close, revealing look at his recently rediscovered painting La Surprise. The painting La Surprise by Jean Antoine Watteau (1684–1721) belongs to a new genre of painting invented by the artist himself—the fête galante. These works, which show graceful open-air gatherings filled with scenes of courtship, music and dance, strolling lovers, and actors, do not so much tell a story as set a mood: one of playful, wistful, nostalgic reverie. Esteemed by collectors in Watteau’s day as a work that showed the artist at the height of his skill and success, La Surprise vanished from public view in 1848, not to reemerge for more than a century and a half. Acquired by the Getty Museum in 2017, it has never before been the subject of a dedicated publication. Marking the three hundredth anniversary of Watteau’s death, this book considers La Surprise within the context of the artist’s oeuvre and discusses the surprising history of collecting Watteau in Los Angeles. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from November 23, 2021, to February 20, 2022.


Watteau, Music, and Theater

Watteau, Music, and Theater
Author: Antoine Watteau
Publisher: Metropolitan Museum of Art
Total Pages: 162
Release: 2009
Genre: Artists and theater
ISBN: 1588393356

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"Accompanying an exhibition in honor of Philippe de Montebello, Director Emeritus of The Metropolitan Museum of Art, this engaging book examines the influence of music and theater on the art of Jean-Antoine Watteau (1684-1721). Fifteen major paintings and a number of drawings by Watteau that illustrate the connections between painting and the performing arts in Paris are explored. In addition, drawings and prints by other 18th-century artists featuring musical or theatrical subjects and objects and musical instruments are included."--Publisher description.


The Mobile Image from Watteau to Boucher

The Mobile Image from Watteau to Boucher
Author: David Pullins
Publisher: Getty Publications
Total Pages: 212
Release: 2024-08-13
Genre: Art
ISBN: 1606068881

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This book provides a new way of thinking about eighteenth-century French art and visual culture by prioritizing production over reception. Abandoning the ideologically driven discourse that distinguished fine from decorative art between the 1690s and 1770s, The Mobile Image reveals how the two have been inextricably bound from the earliest stages of artistic instruction through the daily life of painters’ workshops. In this study, author David Pullins defines artisanal and artistic means of learning, seeing, and making through a system of “mobile images”: motifs that were effectively engineered for mobility and designed never to be definitive, always awaiting replication and circulation. He examines the careers of Antoine Watteau, Jean-Baptiste Oudry, and François Boucher, situating them against a much broader cast of actors—such as printmakers, publishers, anonymous studio assistants, and architects, among others—to place eighteenth-century painting within a wider context of media and making.