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Warm-Up And Flexibility For Trumpet N-2

Warm-Up And Flexibility For Trumpet N-2
Author: Jose Lopez Perez Pardal
Publisher:
Total Pages: 118
Release: 2020-10-21
Genre:
ISBN:

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Warm-Up And Lip-Flexibilities For Trumpet N-2 is a method of daily routines and technical maintenance to be in the best conditions to play trumpet in different styles, jazz, classical, contemporary music, etc. Jose Pardal


Warm-Up And Flexibility For Trumpet N-1

Warm-Up And Flexibility For Trumpet N-1
Author: Jose Pardal Merza Pardal
Publisher:
Total Pages: 260
Release: 2020-09-11
Genre:
ISBN:

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The good execution of an instrumentmusical, depends on cardiorespiratory capacity and correct practice of warm-up exercises.Studying avoiding fatigue and muscle pain by practicing flexibility correctly generates great resistance and comfort level, avoiding the effort and pain of future injuries. The fluency and comfort for correct performance can be developed with this method which is the first in a series of books. It is progessive and is focused on the needs of modern classical jazz music to avoid discomfort due to incorrect musical practices.


Lip Flexibilities

Lip Flexibilities
Author: Bai Lin
Publisher: Balquhidder Music/Glen Lyon
Total Pages: 57
Release: 2012-12-13
Genre: Music
ISBN: 0985903910

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Warm-Up And Flexibility For Trombone N-2

Warm-Up And Flexibility For Trombone N-2
Author: Jose Pardal Merza
Publisher:
Total Pages: 114
Release: 2020-10-21
Genre:
ISBN:

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Warm-Up And Lip-Flexibilities for trombone n-2 is a method of daily routines and technical maintenance to be in the best conditions to play flugelhorn in different styles jazz, classical, contemporary music etc. Jose Pardal


Trumpet Range, Endurance, and Flexibility

Trumpet Range, Endurance, and Flexibility
Author: Ralph P Davella
Publisher: Independently Published
Total Pages: 142
Release: 2022-02-16
Genre:
ISBN:

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My name is Ralph Davella, a lifetime Carmine Caruso student. The foundation of this book is based on the years of lessons i had with the legendary brass teacher Carmine Caruso. Carmine taught at his studio on West 64th Street in New York City. After my lessons Carmine would allow me to sit and watch him teach. An annual event in Manhattan was the international Brass conference. Renowned brass players from all around the world would fly in for this event. Many of these professional brass players would schedule a lesson with Carmine Caruso months ahead of time. Some of these famous musicians were having trouble with their embouchure for various reasons. Sometimes because of there demanding playing schedule and many because they were lead players and the demands of playing lead with all the upper register work would take its toll on the embouchure. I watched him calmly have a conversation with these players. Carmine would give them a simple exercise and explain to them how to do the exercise. I would see these players come back and say they are playing as if they never had a problem with their embouchure to begin with. Studies in this book such as the exercise called The Fourths Down and The Fourths up along with other studies should bring you similar positive results. Everyone is different as far as the amount of time it takes to warm up. The lessons in this book are designed to take you from the warm up and on through the lesson in a timely fashion. This is why the subtitle for the book is called the 25 minute workout.


Finger Gymnastics: Warm-up, Flexibility, Speed & Strength

Finger Gymnastics: Warm-up, Flexibility, Speed & Strength
Author: Charles Chapman
Publisher: Mel Bay Publications
Total Pages: 33
Release: 2016-05-24
Genre: Music
ISBN: 1619116014

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This book is for all levels and styles of guitarists. Finger Gymnastics is a term used for warm-ups, stretching, and any type of practice exercise that develops technique and stamina while preventing technique related injuries. The exercisesin this book are time-tested and will keep your technique at its optimum while helping to ensure injury-free performance. The online audio recording presents three versions of the exercises in chapters I and II, each version more advancedthan the preceding one. In chapter III, bass and rhythm accompaniments are included for many of the examples. Matching the pitch and articulation with a rhythm background will not only assist in warming up, stretching, and building stamina, but will make your practice a more pleasurable experience. Includes access to online audio


Foundations for Superior Performance

Foundations for Superior Performance
Author: Richard S. Williams
Publisher:
Total Pages: 410
Release: 1998
Genre: Music
ISBN:

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"Foundations for Superior Performance" is designed to help structure the daily rehearsal and advance the performance level of the ensemble. The primary goal is to offer a framework of exercises and routine drills that will facilitate the mastery of essential playing fundamentals. Different skill levels have been integrated into this book to meet the needs of the inexperienced player, and, at the same time, challenge the most advanced.


Technical Studies for the Cornet

Technical Studies for the Cornet
Author: Herbert L. Clarke
Publisher: Colchis Books
Total Pages: 55
Release:
Genre: Music
ISBN:

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There are many books written for the Piano, Violin, etc., entirely devoted to Technic. This Work is especially written to enable the Student, by practice and application, to overcome any obstacle which may occur in musical passages written for the Cornet. By controlling the Wind Power to play these Exercises as written, in one breath, the Student will acquire ENDURANCE without strain or injury. Train the Muscles which control the Lips, to make them elastic and strong, as only a slight pressure is necessary, and not brute force. The highest as well as the lowest notes can be played with equal tone quality if practiced according to the instructions that precede each Study. Every Cornet Player should have reached a degree of excellence before attempting to play these Exercises. To become an Expert on the Cornet, one should be familiar with as many Cornet Methods as possible, and so gain the experience of each. Every Exercise in this Book is possible, and not so very difficult if practiced slowly at first, and not too long at a time. I have used them for my daily practice for years, and they have been the means of my reaching the highest notes after playing a two-hour Concert, also of preserving my lips so that they never tire, and what has been a help to me is surely good for other Cornet Players. You cannot expect to attain the highest point of excellence without hard work and perseverance. Never be perfectly satisfied with yourself. Try to make some improvement each day, feeling that it is a pleasure to have conquered that which seemed an impossibility at first. Do not neglect to correct immediately the least fault you make. Bad habits are easily formed, but are difficult to remedy. There are few Celebrated Cornet Soloists, although thousands play the instrument. Most players abuse their practicing by not knowing the proper way, and neglecting to pay more attention to the elementary work. These Studies have been found to be excellent for Clarinet Players as well as Cornet Players. The Clarinet being a Wind Instrument also, all these Exercises will appeal to the Player of that Instrument by following the same instructions.