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Walt Whitman and the Persian Poets

Walt Whitman and the Persian Poets
Author: J. R. LeMaster
Publisher:
Total Pages: 240
Release: 2009
Genre: Literary Criticism
ISBN:

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Where did Walt Whitman get his religious ideas? This book follows in detail the similarities of the religious beliefs of the American writer/humanist and two major classical Persian poets, Hafez and Rumi. Other books have tried to explain Whitman's religion, but none so far has done justice to the topic. Some critics have labelled Whitman a pantheist and let it go at that. Others have dismissed the topic of religion in Whitman's poems as posturing to gain a readership. This work contends that Whitman took religion very seriously. His poems are full of religious references. He knew the Bible well. He also had read Emerson on the poets of the East as well as some of the same poets in translation. This book postulates that the counterparts of Whitman's ideas about religion are best found in the Orient and that his ideas on religion have much in common with those of the Sufis. The book focuses on the works of the three poets. Lines from Whitman are quoted and compared with lines from Rumi and Hafez to illustrate that the three poets conveyed their message through very human actions and emotions. Their message, which is mystical, is conveyed through a secular language, and their symbolism is unconventional. They attract the reader through their humanness and in doing so attempt to lead the reader to recognition of the divine existing both inside and outside of themselves. Like Whitman, Rumi and Hafez realise that God is both transcendent and immanent and as a result encourage their readers to seek the Divine everywhere, especially within themselves. Man's "true home", they contend, is his Divine origin. Man is infinitely bound up with God, is never separate from God. Whitman's long poem titled "Song of Myself" has created much controversy over the years, and Whitman has often been labelled an extreme egotist. Walt Whitman and the Persian Poets illustrates that all three poets see their egotism as a result of their complete faith in God's omnipresence and their ability to recognise Him in every aspect of creation. As did Emerson, all three hold a belief in the simultaneous transcendence and immanence of God. In short, they see themselves as God-intoxicated, as reflections of God in the phenomenal world. Therefore, as do the Sufi poets, Whitman sees man and God as one.


The Persian Whitman

The Persian Whitman
Author: Behnam M. Fomeshi
Publisher: Leiden University Press
Total Pages: 0
Release: 2019
Genre: Literary Criticism
ISBN: 9789087283353

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Walt Whitman, a world poet and the father of American free verse, has been read by diverse audiences from around the world. Literary and cultural scholars have studied Whitman's interaction with social, political and literary movements of different countries. Despite his continuing presence in Iran, Whitman's reception in this country has remained unexplored. Additionally, Iranian reception of Western literature is a field still in its infancy and under-researched, particularly due to contemporary political circumstances. The Persian Whitman examines Whitman's heretofore unexplored reception in Iran. It is primarily involved with the "Persian Whitman," a new phenomenon born in diachronic and synchronic dialogue between the Persian culture and an American poet.


Hearing Echoes

Hearing Echoes
Author: Sabahat Jahan
Publisher:
Total Pages: 338
Release: 2003
Genre:
ISBN:

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The Persian Poets

The Persian Poets
Author: Nathan Haskell Dole
Publisher:
Total Pages: 606
Release: 1901
Genre: English poetry
ISBN:

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The Mirror of My Heart: A Thousand Years of Persian Poetry by Women

The Mirror of My Heart: A Thousand Years of Persian Poetry by Women
Author: Rabe`eh Balkhi
Publisher: Mage Publishers
Total Pages: 600
Release: 2023-05-09
Genre: Poetry
ISBN: 1949445607

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One of the very first Persian poets was a woman (Rabe’eh, who lived over a thousand years ago) and there have been women poets writing in Persian in virtually every generation since that time until the present. Before the twentieth century they tended to come from society’s social extremes. Many were princesses, a good number were hired entertainers of one kind or another, and they were active in many different countries – Iran of course, but also India, Afghanistan, and areas of central Asia that are now Uzbekistan, Turkmenistan, and Tajikistan. Not surprisingly, a lot of their poetry sounds like that of their male counterparts, but a lot doesn’t; there are distinctively bawdy and flirtatious poems by medieval women poets, poems from virtually every era in which the poet complains about her husband (sometimes light-heartedly, sometimes with poignant seriousness), touching poems on the death of a child, and many epigrams centered on little details that bring a life from hundreds of years ago vividly before our eyes. This new bilingual edition of The Mirror of My Heart – the poems in Persian and English on facing pages – is a unique and captivating collection introduced and translated by Dick Davis, an acclaimed scholar and translator of Persian literature as well as a gifted poet in his own right. In his introduction he provides fascinating background detail on Persian poetry written by women through the ages, including common themes and motifs and a brief overview of Iranian history showing how women poets have been affected by the changing dynasties. From Rabe’eh in the tenth century to Fatemeh Ekhtesari in the twenty-first, each of the eighty-four poets in this volume is introduced in a short biographical note, while explanatory notes give further insight into the poems themselves.


Song of Myself

Song of Myself
Author: Walt Whitman
Publisher: Gildan Media LLC aka G&D Media
Total Pages: 68
Release: 2024-03-20
Genre: Philosophy
ISBN: 1722525053

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One of the Greatest Poems in American Literature Walt Whitman (1819-1892) was considered by many to be one of the most important American poets of all time. He had a profound influence on all those who came after him. “Song of Myself”, a portion of Whitman’s monumental poetry collection “Leaves of Grass”, is one of his most beloved poems. It was through this moving piece that Whitman first made himself known to the world. One of the most acclaimed of all American poems, it is written in Whitman’s signature free verse style, without a regular form, meter, or rhythm. His lines have a mesmerizing chant-like quality, as he sought to make poetry more appealing. Few poems are as fun to read aloud as this one. Considered to be the core of his poetic vision, this poem is an optimistic and inspirational look at the world in 1855. It is exhilarating, epic, and fresh in its brilliant and fascinating diction and wordplay as it tries to capture the unique meaning of words of the day, while also embracing the rapidly evolving vocabularies of the sciences and the streets. Far ahead of its time, it was considered by many social conservatives to be scandalous and obscene for its depiction of sexuality and desire, while at the same time, critics hailed the poem as a modern masterpiece. This first version of “Song of Myself” is far superior to the later versions and will delight readers with the playfulness of its diction as it glorifies the self, body, and soul. “I am large, I contain multitudes,”


Emerson in Iran

Emerson in Iran
Author: Roger Sedarat
Publisher: SUNY Press
Total Pages: 232
Release: 2019-06-01
Genre: Literary Criticism
ISBN: 1438474857

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Examines the impact of Persian poetry in the work of Ralph Waldo Emerson. Emerson in Iran is the first full-length study of Persian influence in the work of the seminal American poet, philosopher, and translator, Ralph Waldo Emerson. Extending the current trend in transnational studies back to the figural origins of both the United States and Iran, Roger Sedarat’s insightful comparative readings of Platonism and Sufi mysticism reveal how Emerson managed to reconcile through verse two countries so seemingly different in religion and philosophy. By tracking various rhetorical strategies through a close interrogation of Emerson’s own writings on language and literary appropriation, Sedarat exposes the development of a latent but considerable translation theory in the American literary tradition. He further shows how generative Persian poetry becomes during Emerson’s nineteenth century, and how such formative effects continue to influence contemporary American poetry and verse translation. “This is the book, on this subject, I have been waiting for. Indeed, Sedarat goes further than satisfying curiosity about familiar but undertheorized figures, texts, and traditions, he also reveals ones that I didn’t know I should know and care about. His prose is at once lucid and learned. He manages, with great tact and insight, to move from poet to poet, poem to poem, line to line, across time and tradition, so that the reader remains oriented to the idea at hand, and, moreover, capable of grasping its relevance to the project and its broader significance for our thinking about the legacy of Emerson’s writing and thought.” — David LaRocca, author of Emerson’s English Traits and the Natural History of Metaphor


Persian Poetry in England and America

Persian Poetry in England and America
Author: John D. Yohannan
Publisher: Academic Resources Corp
Total Pages: 400
Release: 1977
Genre: Foreign Language Study
ISBN:

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Comprehensive treatment of the influence of Persian poetry upon English & American literature. Contains a definitive bibliography.


A Reader's Guide to Walt Whitman

A Reader's Guide to Walt Whitman
Author: Gay Wilson Allen
Publisher: Syracuse University Press
Total Pages: 252
Release: 1997
Genre: Literary Criticism
ISBN: 9780815604884

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Author of the biography of Whitman and several other books about the poet, general coeditor of The Collected Writings, and for 25 years the leading scholar of Leaves of Grass, Allen has now produced a critical guide for an intelligent reader's analysis and evaluation of current interpretations and approaches to Whitman's poetry. Its five sections are concerned with: a) the Whitman man-or-beast myth; 2) the 'long foreground' to the Leaves; 3) the nine editions, 1855-1892, of Whitman's book...; 4) the central themes or subject matter that give it unity, and the views of critics...; and 5) its form and structure as seen in a dozen individual lyrics. The result is a useful, valuable, and even remarkable capstone to a long career devoted to the study of 'A Bible for Democracy' (Whitman's phrase for Leaves of Grass).


Elements of Sufism in the Poetry of Rumi and Whitman

Elements of Sufism in the Poetry of Rumi and Whitman
Author: Gn Memon
Publisher: Independently Published
Total Pages: 270
Release: 2021-08-24
Genre:
ISBN:

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This research work is a comparative study of the Persian poet Jalal ad-Din Rumi and the American poet Walt Whitman. The first question which arises here is how far it is feasible to study these two poets, remote not only in time and space but also in culture, tradition, language, and nationality. The key phrase in this topic is 'Comparative Study.' Comparative Literary Study can be defined as an academic field dealing with the study of literature and cultural expressions across linguistic, national, and disciplinary boundaries. It "performs a role similar to that of the study of international relations, but work with languages and artistic traditions, to understand cultures from the inside." In short, Comparative Literature is "literature without borders." The present comparative study tries to investigate the common Sufi and transcendental elements in Rumi and Whitman and also the former's influence on the latter. Despite geographical, linguistic, and historical differences, certain common ideas seem to exist between the two poets and this makes this research on comparative study an interesting one. To compare and examine the Sufi notions Rumi's Mathnavi Manavi and Divan Shams and Whitman's Leaves of Grass have been considered in this research work. A glance at the previous studies of Rumi and Whitman reveals that the elements of 'Sufism' have been ignored in the poetry of Whitman. In the present study, the following questions have been enquired: What is 'Sufism'? How did it arise? What are its essential features? What is classical Persian Sufi poetry? Who are the masters of classical Persian Sufi poetry and how they have influenced Rumi? How has 'Sufism' influenced both Rumi and Whitman? Has Rumi influenced Whitman? What are the common Sufi elements in Rumi and Whitman? All in all, the mystical thoughts of both poets are so close, and because Rumi's mystical thoughts are interpreted in the field of 'Islamic mysticism' which is 'Sufism', hence, the strong affinity between the two poets has been investigated in terms of Sufi aspect. Evidence represented that Whitman was familiar with Persian poetry and Islamic mysticism, and he was inspired by the beauty of Sufi poetry. Both poets considered self-knowledge as the only way for salvation. Rumi and Whitman emphasized the soul of man, which is mixed with the Nature of immortality. They believed human eternal love is widespread in all creations. In their idea, annihilation can be achieved by love, which is the most important element of creation.