Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Wagner And Russia PDF full book. Access full book title Wagner And Russia.
| Author | : Rosamund Bartlett |
| Publisher | : Cambridge University Press |
| Total Pages | : 442 |
| Release | : 1995-02-02 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780521440714 |
This book explores the influence of the composer Richard Wagner on Russian writers, musicians and artists.
| Author | : Seth G. Jones |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 120 |
| Release | : 2021-11-07 |
| Genre | : Political Science |
| ISBN | : 1538140403 |
This report examines Russia’s growing use of private military companies (PMCs) to increase its influence through irregular means. In recent years, Moscow has expanded its overseas use of PMCs to countries such as Ukraine, Syria, Libya, Sudan, the Central African Republic, Madagascar, and Mozambique. Many of the PMCs operating in these countries, such as the Wagner Group, frequently cooperate with the Russian government—including the Kremlin, Ministry of Defense (particularly the Main Intelligence Directorate, or GRU), Foreign Intelligence Service (SVR), and Federal Security Service (FSB)—and perform a variety of combat, paramilitary, security, and intelligence tasks. However, many of these PMCs have a poor track record—including operational failures and human rights abuses—and there are opportunities to exploit PMC vulnerabilities. Although Russian PMCs present only one of a variety of national security threats and challenges facing the United States, this report assesses that they warrant a more substantive and coordinated response from the United States and its partners.
| Author | : Stephen Muir |
| Publisher | : Routledge |
| Total Pages | : 263 |
| Release | : 2016-02-24 |
| Genre | : Music |
| ISBN | : 1317000668 |
Richard Wagner has arguably the greatest and most long-term influence on wider European culture of all nineteenth-century composers. And yet, among the copious English-language literature examining Wagner's works, influence, and character, research into the composer’s impact and role in Russia and Eastern European countries, and perceptions of him from within those countries, is noticeably sparse. Wagner in Russia, Poland and the Czech Lands aims to redress imbalance and stimulate further research in this rich area. The eight essays are divided in three parts - one each on Russia, the Czech lands and Poland - and cover a wide historical span, from the composer’s first contacts with and appearances in these regions, through to his later reception in the Communist era. The contributing authors examine his influences in a wide range of areas such as music, literary and epistolary heritage, politics, and the cultural histories of Russia, the Czech lands, and Poland, in an attempt to establish Wagner’s place in a part of Europe not commonly addressed in studies of the composer.
| Author | : A. F. Chew |
| Publisher | : DIANE Publishing |
| Total Pages | : 56 |
| Release | : 1981 |
| Genre | : Soviet Union |
| ISBN | : 1428915982 |
| Author | : Candace Rondeaux |
| Publisher | : PublicAffairs |
| Total Pages | : 0 |
| Release | : 2025-05-13 |
| Genre | : Political Science |
| ISBN | : 1541703081 |
The astonishing inside story of the Wagner Group, the world’s deadliest militia. In June 2023, the Wagner Group assembled an armed convoy that included tanks and rocket launchers and set out on what seemed like a journey to take control of Moscow. The last person to attempt such a venture was Adolf Hitler. Wagner’s power began from patronage, then grew from international theft and extortion, until it was so great it exposed the weakness of Russia’s conventional military and became a threat to the Russian state, one that was not demonstrably eliminated until a private jet containing Wagner’s core commanders was blown up in midair. That Yevgeny Prigozhin, a local criminal thug, was able to build a private army that was on the threshold of overwhelming the world’s second largest country seems incredible. In fact, it was inevitable following the hollowing out of the Russian military, the creeping use of contract groups for murky foreign missions, power struggles inside the Kremlin, and the ability of the new militias to corner and exploit the black economy. Told with unique inside sourcing and expertise, Putin’s Sledgehammer is a gripping and terrifying account of a superpower that contracted its soul to a pitiless militia.
| Author | : Jack Margolin |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2024-10-14 |
| Genre | : History |
| ISBN | : 9781789149579 |
An eye-opening, terrifying history of this notorious and widely influential mercenary group. This book exposes the history and the future of the Wagner Group, Russia's notorious and secretive mercenary army, revealing details of their operations never documented before. Using extensive leaks, first-hand accounts, and the byzantine paper trail left in the group's wake, Jack Margolin traces the Wagner Group from its roots as a battlefield rumor to a private military enterprise tens of thousands-strong that eventually comes to threaten Putin himself. He follows individual commanders and foot soldiers within the group as they fight in Ukraine, Syria, and Africa, sometimes alongside fellow military contractors from the United Kingdom and the United States. He shows Wagner mercenaries committing atrocities, plundering oil, diamonds, and gold, and changing the course of conflicts from Europe to Africa in the name of the Kremlin's strategic aims. In documenting the Wagner Group's story up to the dramatic demise of its chief director, Evgeniy Prigozhin, Margolin demonstrates what the Wagner Group represents for not only the future of Putin's political system but also the privatization of war.
| Author | : Stephen Muir |
| Publisher | : Routledge |
| Total Pages | : 255 |
| Release | : 2016-02-24 |
| Genre | : Music |
| ISBN | : 1317000676 |
Richard Wagner has arguably the greatest and most long-term influence on wider European culture of all nineteenth-century composers. And yet, among the copious English-language literature examining Wagner's works, influence, and character, research into the composer’s impact and role in Russia and Eastern European countries, and perceptions of him from within those countries, is noticeably sparse. Wagner in Russia, Poland and the Czech Lands aims to redress imbalance and stimulate further research in this rich area. The eight essays are divided in three parts - one each on Russia, the Czech lands and Poland - and cover a wide historical span, from the composer’s first contacts with and appearances in these regions, through to his later reception in the Communist era. The contributing authors examine his influences in a wide range of areas such as music, literary and epistolary heritage, politics, and the cultural histories of Russia, the Czech lands, and Poland, in an attempt to establish Wagner’s place in a part of Europe not commonly addressed in studies of the composer.
| Author | : George E. Blau |
| Publisher | : |
| Total Pages | : 228 |
| Release | : 1955 |
| Genre | : World War, 1939-1945 |
| ISBN | : |
| Author | : Jane Burbank |
| Publisher | : Indiana University Press |
| Total Pages | : 412 |
| Release | : 2004-09-16 |
| Genre | : History |
| ISBN | : 9780253110299 |
"... will challenge (and should transform) existing interpretations of late Imperial Russian governance, peasant studies, and Russian legal history." -- Cathy A. Frierson "... a major contribution to our understanding both of the dynamic of change within the peasantry and of legal development in late Imperial Russia." -- William G. Wagner Russian Peasants Go to Court brings into focus the legal practice of Russian peasants in the township courts of the Russian empire from 1905 through 1917. Contrary to prevailing conceptions of peasants as backward, drunken, and ignorant, and as mistrustful of the state, Jane Burbank's study of court records reveals engaged rural citizens who valued order in their communities and made use of state courts to seek justice and to enforce and protect order. Through narrative studies of individual cases and statistical analysis of a large body of court records, Burbank demonstrates that Russian peasants made effective use of legal opportunities to settle disputes over economic resources, to assert personal dignity, and to address the bane of small crimes in their communities. The text is enhanced by contemporary photographs and lively accounts of individual court cases.
| Author | : Alex Ross |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 784 |
| Release | : 2020-09-15 |
| Genre | : Music |
| ISBN | : 1429944544 |
Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.
