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Voices for Change in the Classical Music Profession

Voices for Change in the Classical Music Profession
Author: Anna Bull
Publisher: Oxford University Press
Total Pages: 369
Release: 2023
Genre: Music
ISBN: 0197601219
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"This volume advances understanding of the nature of current inequalities in the field of classical music production in the Global North, exploring why inequalities continue to exist, and asking what can be done to tackle ongoing exclusions. It constitutes an urgent intervention into these contemporary debates, drawing together ongoing and emergent analyses from scholars, activists and musicians in a variety of countries across Europe and North America to foreground both scholarly examination of these inequalities, alongside discussion of strategies and catalysts for change. Academic accounts investigate inequalities in higher education and the classical music industry, exploring racial, class and gender inequalities, 'authenticity', disability representation, changing the canon, and neoliberalism. The book also includes interviews with those working in the classical music industry where they reflect on issues of diversity and share insights and inspiration as well as good practice, putting into dialogue scholarly and industry-based accounts. Themes of the book include institutional legacies and possibilities for change; racial, gender and class inequalities and marginalised voices; and strategies for activism whether reflective practices, informal networks, or larger organisations leading change"--

Voices for Change in the Classical Music Profession

Voices for Change in the Classical Music Profession
Author: Anna Bull
Publisher:
Total Pages: 0
Release: 2023
Genre: Discrimination in the music trade
ISBN: 9780197601242
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"This volume advances understanding of the nature of current inequalities in the field of classical music production in the Global North, exploring why inequalities continue to exist, and asking what can be done to tackle ongoing exclusions. It constitutes an urgent intervention into these contemporary debates, drawing together ongoing and emergent analyses from scholars, activists and musicians in a variety of countries across Europe and North America to foreground both scholarly examination of these inequalities, alongside discussion of strategies and catalysts for change. Academic accounts investigate inequalities in higher education and the classical music industry, exploring racial, class and gender inequalities, 'authenticity', disability representation, changing the canon, and neoliberalism. The book also includes interviews with those working in the classical music industry where they reflect on issues of diversity and share insights and inspiration as well as good practice, putting into dialogue scholarly and industry-based accounts. Themes of the book include institutional legacies and possibilities for change; racial, gender and class inequalities and marginalised voices; and strategies for activism whether reflective practices, informal networks, or larger organisations leading change"--

Gender, Subjectivity, and Cultural Work

Gender, Subjectivity, and Cultural Work
Author: Christina Scharff
Publisher: Routledge
Total Pages: 185
Release: 2017-09-27
Genre: Social Science
ISBN: 1317375092
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What is it like to work as a classical musician today? How can we explain ongoing gender, racial, and class inequalities in the classical music profession? What happens when musicians become entrepreneurial and think of themselves as a product that needs to be sold and marketed? Gender, Subjectivity, and Cultural Work explores these and other questions by drawing on innovative, empirical research on the working lives of classical musicians in Germany and the UK. Indeed, Scharff examines a range of timely issues such as the gender, racial, and class inequalities that characterise the cultural and creative industries; the ways in which entrepreneurialism – as an ethos to work on and improve the self – is lived out; and the subjective experiences of precarious work in so-called ‘creative cities’. Thus, this book not only adds to our understanding of the working lives of artists and creatives, but also makes broader contributions by exploring how precarity, neoliberalism, and inequalities shape subjective experiences. Contributing to a range of contemporary debates around cultural work, Gender, Subjectivity, and Cultural Work will be of interest to scholars and students in the fields of Sociology, Gender and Cultural Studies.

Classical Music Futures

Classical Music Futures
Author: Neil Thomas Smith
Publisher: Open Book Publishers
Total Pages: 383
Release: 2024-01-30
Genre: Music
ISBN: 1805110764
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This volume brings together contributions from a wide range of international academics and practitioners. It traces innovations within classical music practice, showing how these offer divergent visions for its future. The interdisciplinary contributions to the volume highlight the way contrasting ideas of the future can effect change in the present. A rich balance of theoretical and practical discussion brings authority to this collection, which lays the foundations for timely responses to challenges ranging from the concept of the musical work, and the colonial values within Western musical culture, to unsustainable models of orchestral touring. The authors highlight how labour to meet the demands of particular futures for classical music might impact its creation and consumption, presenting case studies to capture the mediating roles of technology and community engagement. This book will be of interest to scholars and students in the fields of musicology and the sociology of music, as well as a general audience of practitioners, freelance musicians, music administrators and educators.

The sound of difference

The sound of difference
Author: Kristina Kolbe
Publisher: Manchester University Press
Total Pages: 351
Release: 2024-06-18
Genre: Social Science
ISBN: 1526165481
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What happens when the elitist space of ‘Western’ classical music seeks to diversify itself? And what are the social effects worked through diversity discourses in classical music institutions? The sound of difference addresses these concerns by critically examining how diversity work takes shape in a cultural sector so deeply implicated in hierarchies of class, structures of whiteness, and legacies of imperialism. The book draws from ethnographic and interview data to analyse how diversity discourses become constructed in the organisational and creative processes of music production. From rehearsal and performance practices to the impact of the Covid-19 pandemic on the sector’s commitment to change, Kolbe reveals the institutional constraints and precarious labour relations that form around diversity work in classical music and skilfully considers what these processes can tell us about the remaking of class, race, and racism today.

The Rest Is Noise

The Rest Is Noise
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
Total Pages: 640
Release: 2007-10-16
Genre: Music
ISBN: 1429932880
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Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

Understanding the Classical Music Profession

Understanding the Classical Music Profession
Author: Dawn Elizabeth Bennett
Publisher: Routledge
Total Pages: 187
Release: 2016-02-24
Genre: Music
ISBN: 1317004639
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Understanding the Classical Music Profession is an essential resource for educators, practitioners and researchers who seek to understand the careers of classically-trained musicians, and the extent to which professional practice is reflected within existing classical performance-based music education and training. Taking Australia as a case-study, Dawn Bennett outlines how Australia is now a service economy, and an important component of service provision is in the culture and recreation industries. Despite this, employment in culture and recreation is poorly understood and a lack of cultural intelligence contributes to a less than satisfactory environment that inhibits the creative potential of cultural practitioners. Musicians in the twenty-first century require a broad and evolving base of skills and knowledge to sustain their careers as cultural practitioners. Bennett maintains that a musician cannot be simply defined as a performer, but that a musician is someone who works within the profession of music in one or more specialist fields. The perception of a musician as a multi-skilled professional working within a portfolio career has significant implications for policy, funding, education and training, and for practitioners and students seeking to achieve sustainable careers. This indispensable book provides a comprehensive analysis of life as a musician, from education and training to professional practice as well as revealing the structure of the Australian cultural industries. Although Australia is the focus of the book, the basis of the research originates from many different places and most of the issues discussed relate directly to other countries throughout the world.

The Crisis of Classical Music in America

The Crisis of Classical Music in America
Author: Robert Freeman
Publisher: Rowman & Littlefield
Total Pages: 271
Release: 2014-08-14
Genre: Music
ISBN: 1442233036
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The Crisis of Classical Music in America by Robert Freeman focuses on solutions for the oversupply of classically trained musicians in America, problem that grows ever more chronic as opportunities for classical musicians to gain full-time professional employment diminishes year upon year. An acute observer of the professional music scene, Freeman argues that music schools that train our future instrumentalists, composers, conductors, and singers need to equip their students with the communications and analytical skills they need to succeed in the rapidly changing music scene. This book maps a broad range of reforms required in the field of advanced music education and the organizations responsible for that education. Featuring a foreword by Leonard Slatkin, music director of the Detroit Symphony Orchestra, The Crisis of Classical Music in America speaks to parents, prospective and current music students, music teachers and professors, department deans, university presidents and provosts, and even foundations and public organizations that fund such music programs. This book reaches out to all of these stakeholders and argues for meaningful change though wide-spread collaboration.

Nationalist and Populist Composers

Nationalist and Populist Composers
Author: Steve Schwartz
Publisher: Rowman & Littlefield
Total Pages: 439
Release: 2017-12-22
Genre: Music
ISBN: 1442257679
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Populism and nationalism in classical music held a significant place between the world wars with composers such as George Gershwin, Aaron Copland, and Leonard Bernstein creating a soundtrack to the lives of everyday Americans. While biographies of these individual composers exist, no single book has taken on this period as a direct contradiction to the modernist dichotomy between the music of Stravinsky and Schoenberg. In Nationalist and Populist Composers: Voices of the American People, Steve Schwartz offers an overdue correction to this distortion of the American classical music tradition by showing that not all composers of this era fall into either the Stravinsky or Schoenberg camps. Exploring the rise and decline of musical populism in the United States, Schwartz examines the major works of George Gershwin, Randall Thompson, Virgil Thomson, Aaron Copland, Roy Harris, Kurt Weill, Morton Gould, and Leonard Bernstein. Organized chronologically, chapters cover each composer’s life and career and then reveal how key works participated in populist and nationalist themes. Written for the both the scholar and amateur enthusiast interested in modern classical music and American social history, Nationalist and Populist Composers creates a contextual frame through which all audiences can better understand such works as Rhapsody in Blue, Appalachian Spring, and West Side Story.

Contemporary Art Music in Texas

Contemporary Art Music in Texas
Author: Stephen Lias
Publisher: Stephen F. Austin University Press
Total Pages: 64
Release: 2011
Genre: Art
ISBN:
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With a population of close to 25 million and a size greater than many independent countries, Texas is home to an incredible variety of vibrant musical communities. Contemporary art music flourishes in disciplines ranging from experimentalism to concert music to film-scoring. While cataloguing the full extent of composing and performing in this diverse landscape would be a near-impossible task, it is our hope that this volume (and others that will follow) will begin to fill the conspicuous gap in the materials currently available. Our decision to focus this first edition on thirty representative composers, along with some organizations and academic degree programs, was simply a result of needing a practical and achievable place to start. Texas is home to world-class symphonies, opera and ballet companies, performing venues, and countless other performers and ensembles that regularly feature new works. We hope that future editions will allow us to expand to include these things, as well as additional information such as recordings available and competitions within the state. Featured in this book: Karin Al-Zand, Mary Jeanne van Appledorn, Larry Austin David Bithell Martin Blessinger Anthony K. Brandt BJ Brooks Peter Fischer Arthur Gottschalk Donald Grantham David Heuser Michael Horbit Pierre Jalbert Richard Lavenda Stephen Lias Peter Lieuwen John Mackey Marcus Karl Maroney Robert Nelson William Owens Russell Pinkston Wieslaw Rentowski Robert Xavier Rodriguez Yevgeniy Sharlat Rob Smith Kurt Stallmann Dan Welcher David Ashley White Steve Wiest Stephen Yip Contents on CD Cadence - Fantasy on Rhythms on Nick Angelis (2009) by BJ Brooks. Performed by West Texas A&M University Symphonic Band, Don LeFevre, conductor. Available from Octatone. 8:54*Whack! (1994) by Arthur Gottschalk. Performed by The Shepherd Percussion Ensemble, Richard Brown, director. 4:50Symphony for Winds and Percussion: Movement III, "Stomp" (2009) by Donald Grantham. Performed by the University of Texas Wind Ensemble, Jerry F. Junkin, conductor. Available from Piquant Press. 7:14Turbulent Blue (2009) by Jon Christopher Nelson. 9:27Four Observations for Saxophone Quartet: Movement 2, "Learning" (2008) by Walter Nichols. Performed by Walter Nichols. 3:26Concerto for Orchestra (2006) by Rob Smith. Performed by the Texas Music Festival Orchestra, Giuliano Silveri, conductor. 21:43Take This Hammer (2008) by Steven Snowden. Performed by Travis Pruitt and Kyle Rightly (euphoniums), and Mike Musick and Tony Rossi (tubas). Available from Talking Rocks Press. 5:47Ice-Nine (2009) by Steve Wiest. Performed by the North Texas One O'Clock Lab Band, Steve Wiest, director. Available from Walrus Music. 6:01* * Works selected to be presented at the 2011 ISCM World New Music Days in Zagreb, Croatia.