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Vlaminck

Vlaminck
Author: Pascale Krausz
Publisher:
Total Pages:
Release: 2008
Genre:
ISBN: 9782908063158

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Nineteenth- and Twentieth-century Paintings

Nineteenth- and Twentieth-century Paintings
Author: Richard R. Brettell
Publisher: Metropolitan Museum of Art
Total Pages: 482
Release: 2009
Genre: Painting, Modern
ISBN: 1588393496

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Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.


The Black Art Renaissance

The Black Art Renaissance
Author: Joshua I. Cohen
Publisher: University of California Press
Total Pages: 301
Release: 2020-07-21
Genre: Art
ISBN: 0520309685

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Reading African art’s impact on modernism as an international phenomenon, The “Black Art” Renaissance tracks a series of twentieth-century engagements with canonical African sculpture by European, African American, and sub-Saharan African artists and theorists. Notwithstanding its occurrence during the benighted colonial period, the Paris avant-garde “discovery” of African sculpture—known then as art nègre, or “black art”—eventually came to affect nascent Afro-modernisms, whose artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term. Within this trajectory, “black art” evolved as a framework for asserting control over appropriative practices introduced by Europeans, and it helped forge alliances by redefining concepts of humanism, race, and civilization. From the Fauves and Picasso to the Harlem Renaissance, and from the work of South African artist Ernest Mancoba to the imagery of Negritude and the École de Dakar, African sculpture’s influence proved transcontinental in scope and significance. Through this extensively researched study, Joshua I. Cohen argues that art history’s alleged centers and margins must be conceived as interconnected and mutually informing. The “Black Art” Renaissance reveals just how much modern art has owed to African art on a global scale.


Vlaminck: His Fauve Period

Vlaminck: His Fauve Period
Author: John Rewald
Publisher:
Total Pages: 35
Release: 1968
Genre:
ISBN:

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Vlaminck

Vlaminck
Author: Léon Werth
Publisher:
Total Pages: 68
Release: 1925
Genre:
ISBN:

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Vlaminck

Vlaminck
Author: Maurice de Vlaminck
Publisher:
Total Pages:
Release: 2008
Genre: Fauvism
ISBN:

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Vlaminck

Vlaminck
Author: Maurice de Vlaminck
Publisher: ABRAMS
Total Pages: 128
Release: 1959
Genre:
ISBN: 9780810941069

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Vlaminck

Vlaminck
Author: Maurice de Vlaminck
Publisher:
Total Pages: 96
Release: 1961
Genre: Painting, Modern
ISBN:

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Vlaminck

Vlaminck
Author: Maurice de Vlaminck
Publisher: ABRAMS
Total Pages: 128
Release: 1956
Genre:
ISBN:

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