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| Author | : Mike Madrid |
| Publisher | : Exterminating Angel Press |
| Total Pages | : 256 |
| Release | : 2014-09-22 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1935259288 |
A rogue’s gallery of the most glamorous and dastardly villainesses in Golden Age comics.
| Author | : Robert Moses Peaslee |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 402 |
| Release | : 2019-12-30 |
| Genre | : Literary Criticism |
| ISBN | : 1496826485 |
Contributions by Jerold J. Abrams, José Alaniz, John Carey, Maurice Charney, Peter Coogan, Joe Cruz, Phillip Lamarr Cunningham, Stefan Danter, Adam Davidson-Harden, Randy Duncan, Richard Hall, Richard Heldenfels, Alberto Hermida, Víctor Hernández-Santaolalla, A. G. Holdier, Tiffany Hong, Stephen Graham Jones, Siegfried Kracauer, Naja Later, Ryan Litsey, Tara Lomax, Tony Magistrale, Matthew McEniry, Cait Mongrain, Grant Morrison, Robert Moses Peaslee, David D. Perlmutter, W. D. Phillips, Jared Poon, Duncan Prettyman, Vladimir Propp, Noriko T. Reider, Robin S. Rosenberg, Hannah Ryan, Lennart Soberon, J. Richard Stevens, Lars Stoltzfus-Brown, John N. Thompson, Dan Vena, and Robert G. Weiner The Supervillain Reader, featuring both reprinted and original essays, reveals why we are so fascinated with the villain. The obsession with the villain is not a new phenomenon, and, in fact, one finds villains who are “super” going as far back as ancient religious and mythological texts. This innovative collection brings together essays, book excerpts, and original content from a wide variety of scholars and writers, weaving a rich tapestry of thought regarding villains in all their manifestations, including film, literature, television, games, and, of course, comics and sequential art. While The Supervillain Reader focuses on the latter, it moves beyond comics to show how the vital concept of the supervillain is part of our larger consciousness. Editors Robert Moses Peaslee and Robert G. Weiner collect pieces that explore how the villain is a complex part of narratives regardless of the original source. The Joker, Lex Luthor, Harley Quinn, Darth Vader, and Magneto must be compelling, stimulating, and proactive, whereas the superhero (or protagonist) is most often reactive. Indeed, whether in comics, films, novels, religious tomes, or video games, the eternal struggle between villain and hero keeps us coming back to these stories over and over again.
| Author | : Michelle Ann Abate |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 211 |
| Release | : 2018-12-05 |
| Genre | : Literary Criticism |
| ISBN | : 1496820770 |
For several generations, comics were regarded as a boys’ club—created by, for, and about men and boys. In the twenty-first century, however, comics have seen a rise of female creators, characters, and readers. While this sudden presence of women and girls in comics is being regarded as new and noteworthy, the observation is not true for the genre’s entire history. Throughout the first half of the twentieth century, the medium was enjoyed equally by both sexes, and girls were the protagonists of some of the earliest, most successful, and most influential comics. In Funny Girls: Guffaws, Guts, and Gender in Classic American Comics, Michelle Ann Abate examines the important but long-overlooked cadre of young female protagonists in US comics during the first half of the twentieth century. She treats characters ranging from Little Orphan Annie and Nancy to Little Lulu, Little Audrey of the Harvey Girls, and Li’l Tomboy—a group that collectively forms a tradition of Funny Girls in American comics. Abate demonstrates the massive popularity these Funny Girls enjoyed, revealing their unexplored narrative richness, aesthetic complexity, and critical possibility. Much of the humor in these comics arose from questioning gender roles, challenging social manners, and defying the status quo. Further, they embodied powerful points of collection about both the construction and intersection of race, class, gender, and age, as well as popular perceptions about children, representations of girlhood, and changing attitudes regarding youth. Finally, but just as importantly, these strips shed light on another major phenomenon within comics: branding, licensing, and merchandising. Collectively, these comics did far more than provide amusement—they were serious agents for cultural commentary and sociopolitical change.
| Author | : Valerie Estelle Frankel |
| Publisher | : McFarland |
| Total Pages | : 244 |
| Release | : 2020-10-12 |
| Genre | : Literary Criticism |
| ISBN | : 1476641633 |
Wonder Woman, Harley Quinn, Shuri, and Black Widow. These four characters portray very different versions of women: the superheroine, the abuse victim, the fourth wave princess, and the spy, respectively. In this in-depth analysis of female characters in superhero media, the author begins by identifying ten eras of superhero media defined by the way they portray women. Following this, the various archetypes of superheroines are classified into four categories: boundary crossers, good girls, outcasts, and those that reclaim power. From Golden Age comics through today's hottest films, heroines have been surprisingly assertive, diverse, and remarkable in this celebration of all the archetypes.
| Author | : Michael Goodrum |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 307 |
| Release | : 2018-10-01 |
| Genre | : Literary Criticism |
| ISBN | : 1496818830 |
Contributions by Dorian L. Alexander, Janine Coleman, Gabriel Gianola, Mel Gibson, Michael Goodrum, Tim Hanley, Vanessa Hemovich, Christina Knopf, Christopher McGunnigle, Samira Nadkarni, Ryan North, Lisa Perdigao, Tara Prescott-Johnson, Philip Smith, and Maite Ucaregui The explosive popularity of San Diego’s Comic-Con, Star Wars: The Force Awakens and Rogue One, and Netflix’s Jessica Jones and Luke Cage all signal the tidal change in superhero narratives and mainstreaming of what were once considered niche interests. Yet just as these areas have become more openly inclusive to an audience beyond heterosexual white men, there has also been an intense backlash, most famously in 2015’s Gamergate controversy, when the tension between feminist bloggers, misogynistic gamers, and internet journalists came to a head. The place for gender in superhero narratives now represents a sort of battleground, with important changes in the industry at stake. These seismic shifts—both in the creation of superhero media and in their critical and reader reception—need reassessment not only of the role of women in comics, but also of how American society conceives of masculinity. Gender and the Superhero Narrative launches ten essays that explore the point where social justice meets the Justice League. Ranging from comics such as Ms. Marvel, Batwoman: Elegy, and Bitch Planet to video games, Netflix, and cosplay, this volume builds a platform for important voices in comics research, engaging with controversy and community to provide deeper insight and thus inspire change.
| Author | : Mike Madrid |
| Publisher | : Exterminating Angel Press |
| Total Pages | : 345 |
| Release | : 2016-09-19 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1935259350 |
"Mike Madrid is doing God's work. . . . mak[ing] accessible a lost, heady land of female adventure." —ComicsAlliance "Sharp and lively . . . [Madrid] clearly loves this stuff. And he's enough of a historian to be able to trace the ways in which the portrayal of sirens and supergirls has echoed society's ever-changing feelings about women and sex."—Entertainment Weekly "A long overdue tribute to [those] fabulous fighting females." —Stan Lee Mike Madrid has become known as a champion of women in comics and as the expert in Golden Age female characters. And now here is where it all began, as informative and entertaining as ever, in a revised and updated edition, including new illustrations and a new introduction, as well as an afterword bringing us up-to-date on what's happening with women in comics now. Mike Madrid is the author of Divas, Dames & Daredevils: Lost Heroines of Golden Age Comics; Vixens, Vamps & Vipers: Lost Villainesses of Golden Age Comics; and the original The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines, an NPR "Best Book To Share With Your Friends" and American Library Association Amelia Bloomer Project Notable Book. A San Francisco native and lifelong fan of comic books and popular culture, Madrid also appears in the documentary Wonder Women! The Untold Story of American Superheroines and is the illustrator of two of The History of Arcadia books: Lily the Silent and The Lizard Princess.
| Author | : Nancy Pedri |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 232 |
| Release | : 2022-03-08 |
| Genre | : Reference |
| ISBN | : 1496838084 |
Written in straightforward, jargon-free language, A Concise Dictionary of Comics guides students, researchers, readers, and educators of all ages and at all levels of comics expertise. It provides them with a dictionary that doubles as a compendium of comics scholarship. A Concise Dictionary of Comics provides clear and informative definitions for each term. It includes twenty-five witty illustrations and pairs most defined terms with references to books, articles, book chapters, and other relevant critical sources. All references are dated and listed in an extensive, up-to-date bibliography of comics scholarship. Each term is also categorized according to type in an index of thematic groupings. This organization serves as a pedagogical aid for teachers and students learning about a specific facet of comics studies and as a research tool for scholars who are unfamiliar with a particular term but know what category it falls into. These features make A Concise Dictionary of Comics especially useful for critics, students, teachers, and researchers, and a vital reference to anyone else who wants to learn more about comics.
| Author | : Matthew Smith |
| Publisher | : Routledge |
| Total Pages | : 302 |
| Release | : 2017-09-19 |
| Genre | : Social Science |
| ISBN | : 1317505786 |
In The Secret Origins of Comics Studies, today’s leading comics scholars turn back a page to reveal the founding figures dedicated to understanding comics art. Edited by comics scholars Matthew J. Smith and Randy Duncan, this collection provides an in-depth study of the individuals and institutions that have created and shaped the field of Comics Studies over the past 75 years. From Coulton Waugh to Wolfgang Fuchs, these influential historians, educators, and theorists produced the foundational work and built the institutions that inspired the recent surge in scholarly work in this dynamic, interdisciplinary field. Sometimes scorned, often underappreciated, these visionaries established a path followed by subsequent generations of scholars in literary studies, communication, art history, the social sciences, and more. Giving not only credit where credit is due, this volume both offers an authoritative account of the history of Comics Studies and also helps move the field forward by being a valuable resource for creating graduate student reading lists and the first stop for anyone writing a comics-related literature review.
| Author | : Tod Davies |
| Publisher | : Exterminating Angel Press |
| Total Pages | : 304 |
| Release | : 2015-10-19 |
| Genre | : Fiction |
| ISBN | : 193525930X |
“Complex and gripping. . . . Newcomers to Arcadia will be captivated by the rich history, while those familiar with it will find that Sophia’s legend grants them a new perspective on the earlier tales.” —Publishers Weekly (starred review) “[The Lizard Princess] encourages big-picture thinking. . . . The combination of a straightforward quest complicated by hindsight, with magic, science, and meditations on the building of myths and the role of stories, makes for a book not like much else out there. . . . Gorgeously written and complex.” —New York Journal of Books “This fantasy quest lends a hand toward making our contemporary world a little better.”—Foreword Reviews “The impressive The Lizard Princess continues Tod Davies' imaginative History of Arcadia series with her trademark brilliant storytelling.”—Largehearted Boy "Look inside this world and find wonder."—Kate Bernheimer, editor of Fairy Tale Review "Blending the magic of fairy tales with the great existential mysteries, Tod Davies leads us into a phantasmagorical world that resurrects the complex lore of times past with vibrant narrative energy."—Maria Tatar, editor of The Cambridge Companion to Fairy Tales "Imaginative."—Jack Zipes, author of The Irresistible Fairy Tale "Innovative form and spellbinding content . . . Stories, as Tod Davies's History of Arcadia novels ultimately suggest, serve as a civilization's backbone, and it is therefore in stories too that we can discover the potential for fundamental change and a better society."—Marvels & Tales Bittersweet. Lush. Human. The Lizard Princess crosses mountains, oceans, deserts, and the Moon Itself to meet her fate and the fate of Arcadia on the Road of the Dead. Her reward is the Key that opens the door to the Domain of Life where wisdom trumps knowledge, as it should in all good tales about the world, whether Arcadia's, or our own. Tod Davies is the author of Snotty Saves the Day and Lily the Silent, the first two books in The History of Arcadia series, as well as the cooking memoirs Jam Today: A Diary of Cooking With What You've Got and Jam Today Too: The Revolution Will Not Be Catered. Unsurprisingly, her attitude toward literature is the same as her attitude toward cooking—it's all about working with what you have to find new ways of looking and new ways of being.
| Author | : Lauren Smith |
| Publisher | : Lauren Smith |
| Total Pages | : 450 |
| Release | : 2020-01-27 |
| Genre | : Fiction |
| ISBN | : 1947206834 |
Sink your teeth the dark side with these two delicious paranormal romances by USA Today Bestseller Lauren Smith. The Bite of Winter: Zoey Blake is about as far down on her luck as she can get. A car crash took her parents, leaving her destitute and on the street. When she’s attacked by another homeless person, her lifeblood drains away as her fading vision is filled with the face of a handsome stranger. Ian Kennedy, a century old Irish vampire, never could resist rescuing a stray. As a few drops of his blood heals Zoey’s wounds, he realizes she’s a sweet, tempting, flesh-and-blood woman. But there’s one problem. Connor, who made Ian promise decades ago: no more mortal lovers. After another vampire murdered his soulmate, Connor O’Shea swore never to let a mortal woman pay the price for loving him. Until he feels Zoey’s skin and tastes her lips. She makes him want to break that vow. Zoey finds herself caught in their web of seduction. But as Christmas draws near and her grief deepens, happiness seems far out of reach. And Ian and Connor join forces to prove their love is sacred, special...and forever. His Little Vixen: Sadie Harris doesn’t like immortals. After vampires leave her an orphan, she’s raised by her grandmother at the edge of a werewolf pack’s territory. As a fox shifter, she knows the rules about werewolves: Stay clear of the boundaries, never go out after dark during the full moon and take a vacation far, far away when she goes into her shifter mating heat or else she’ll attract literal “big bad wolves.” But when her flight gets cancelled and her mating heat is coming - so are the wolves. The last thing she expects is to get rescued by a tall, dark and gorgeous man...er...vampire. What’s a vixen to do? Seamus Gallagher might be immortal but his life is full of mortal problems: he’s been framed for the murder of the woman his two best friends loved; he's on a mission to find and kill his sire; and, he has no idea what to do with the feisty red-headed vixen he just rescued from a vicious werewolf pack. He doesn't have time to babysit a skittish shifter who hates vampires, but when he looks at her, Seamus sees trouble. Sexy, sweet, and irresistible trouble. The last thing this vamp needs is to fall in love.
