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| Author | : Flavio De Bernardinis |
| Publisher | : |
| Total Pages | : 288 |
| Release | : 2019 |
| Genre | : Performing Arts |
| ISBN | : 9788898623891 |
| Author | : Bert Cardullo |
| Publisher | : |
| Total Pages | : 224 |
| Release | : 2002 |
| Genre | : Biography & Autobiography |
| ISBN | : |
"Stage acting credits, screen acting credits, a filmography of De Sica's directorial work, selected credits related to De Sica's neorealism films, and a filmography of De Sica's work as a screenwriter are included. Two interviews with the master provide additional insights. A bibliography of works by and about De Sica in the English language completes the book."--BOOK JACKET.
| Author | : Michael Ingham |
| Publisher | : Taylor & Francis |
| Total Pages | : 230 |
| Release | : 2016-12-08 |
| Genre | : Performing Arts |
| ISBN | : 131755521X |
Dialogue between film and theatre studies is frequently hampered by the lack of a shared vocabulary. Stage-Play and Screen-Play sets out to remedy this, mapping out an intermedial space in which both film and theatre might be examined. Each chapter’s evaluation of the processes and products of stage-to-screen and screen-to-stage transfer is grounded in relevant, applied contexts. Michael Ingham draws upon the growing field of adaptation studies to present case studies ranging from Martin McDonagh’s The Cripple of Inishmaan and RSC Live’s simulcast of Richard II to F.W. Murnau’s silent Tartüff, Peter Bogdanovich’s film adaptation of Michael Frayn’s Noises Off, and Akiro Kurosawa’s Ran, highlighting the multiple interfaces between media. Offering a fresh insight into the ways in which film and theatre communicate dramatic performances, this volume is a must-read for students and scholars of stage and screen.
| Author | : Bert Cardullo |
| Publisher | : Peter Lang |
| Total Pages | : 420 |
| Release | : 2006 |
| Genre | : Drama |
| ISBN | : 9783039110292 |
This book examines the historical, cultural, and aesthetic relationships between theater and film. As we enter the 21st century, almost all artists, students, and critics working in theater will have had earlier and greater exposure to film than to theater. In fact, film has become central to the way in which we perceive and formulate stories, images, ideas, and sounds. At the same time, film and video occupy an increasingly significant place in theater study, both for the adaptation of plays and for the documentation and preservation of theatrical performances. Yet far too often theater and film artists, as well as educators, make the jump from one medium to the other without being fully aware of the ways in which the qualities of each medium affect content and artistic expression. This book is intended to fill such a gap by providing a theoretical and practical foundation for understanding the effect that film and drama have had, and continue to have, on each other's development. Moreover, this study provides a history of the relationship between drama and cinema, starting with the pre-cinematic, late 19th-century impulse towards capturing spectacular action on the stage and examining the artistic and commercial interaction between movies and plays, both in popular and experimental work, throughout the 20th century. Important subjects treated in this book include stage versus screen acting, the adaptation process itself, the theatrical as well as the cinematic avant-garde, and the �portability� or adaptability of dramatic character.
| Author | : Stephen Snyder |
| Publisher | : University of Toronto Press |
| Total Pages | : 316 |
| Release | : 2000-01-01 |
| Genre | : Social Science |
| ISBN | : 9780802083814 |
Recognized as a master of Italian cinema, Vittorio De Sica is perhaps best known and most respected for his critically acclaimed neorealist films of the period 1946-55. As this anthology reveals, however, his production was remarkably multifaceted. The essays included here - some newly commissioned, some reprinted, and others in translation - look at De Sica's varied career from many perspecives. Structured chronologically, the volume begins by introducing readers to De Sica's early popularity as an actor and singer during the years of Italian Fascism, and to his initial directorial efforts before the end of World War II. It was not until the postwar era, however, that De Sica made his mark in film history. Special attention is given to this critical phase of his career, which encompasses the neorealist films that made him famous: "Shoeshine", "Bicycle Thieves", "Miracle in Milan", and "Umberto D." When the neorealist movement waned after 1955, De Sica returned to his roots in Neapolitan comedy for a series of commercially successful films starring Sophia Loren and Marcello Mastroianni. Memorable works from this period include "Two Women" and "Marriage Italian Style" as well as "Yesterday, Today, and Tomorrow", which won De Sica an Academy Award in 1965. In one of his final films, "The Garden of the Finzi Continis", he returned to the subject of World War II and to the human tragedy characteristic of his best neorealist productions. This fine anthology offers a comprehensive critical survey that covers the entire scope of De Sica's career, and is an excellent resource for students, critics and film enthusiasts.
| Author | : Flavio De Bernardinis |
| Publisher | : |
| Total Pages | : 288 |
| Release | : 2018 |
| Genre | : Performing Arts |
| ISBN | : 9788898623853 |
| Author | : Passerino Editore |
| Publisher | : Passerino Editore |
| Total Pages | : 8 |
| Release | : 2018-08-10 |
| Genre | : Biography & Autobiography |
| ISBN | : 8893456001 |
Vittorio De Sica has been one of the greatest directors of the Italian cinema. He was the author of real masterpieces like Sciuscià, Ladri di biciclette and Umberto D. He was one of the fathers of Neorealism, a movement born spontaneously and not encoded. The mini-books of Passerino publisher are easy, essential and complete guides to navigate in the world’s history.
| Author | : Virginia Forte |
| Publisher | : Encyclopaedia Britannica |
| Total Pages | : 224 |
| Release | : 2016-07-15 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 1508100438 |
This book presents biographies of 100 of the most influential entertainers of all time. It includes the best-known actors, comedians, directors, and musicians who have kept audiences tuned in and have constantly pushed the limits of entertainment.
| Author | : Cynthia Baron |
| Publisher | : University of Michigan Press |
| Total Pages | : 311 |
| Release | : 2010-02-11 |
| Genre | : Performing Arts |
| ISBN | : 0472025414 |
"A significant contribution to the literature on screen performance studies, Reframing Screen Performance brings the study of film acting up to date. It should be of interest to those within cinema studies as well as general readers." ---Frank P. Tomasulo, Florida State University Reframing Screen Performance is a groundbreaking study of film acting that challenges the long held belief that great cinematic performances are created in the editing room. Surveying the changing attitudes and practices of film acting---from the silent films of Charlie Chaplin to the rise of Lee Strasberg's Actor's Studio in the 1950s to the eclecticism found in contemporary cinema---this volume argues that screen acting is a vital component of film and that it can be understood in the same way as theatrical performance. This richly illustrated volume shows how and why the evocative details of actors' voices, gestures, expressions, and actions are as significant as filmic narrative and audiovisual design. The book features in-depth studies of performances by Anjelica Huston, John Cusack, and Julianne Moore (among others) alongside subtle analyses of directors like Robert Altman and Akira Kurosawa, Sally Potter and Orson Welles. The book bridges the disparate fields of cinema studies and theater studies as it persuasively demonstrates the how theater theory can be illuminate the screen actor's craft. Reframing Screen Performance brings the study of film acting into the twenty-first century and is an essential text for actors, directors, cinema studies scholars, and cinephiles eager to know more about the building blocks of memorable screen performance. Cynthia Baron is Associate Professor of Film Studies at Bowling Green State University and co-editor of More Than a Method: Trends and Traditions in Contemporary Film Performance. Sharon Carnicke is Professor of Theater and Slavic Studies and Associate Dean of Theater at the University of Southern California and author of Stanislavsky in Focus.
| Author | : Donatella Spinelli Coleman |
| Publisher | : Routledge |
| Total Pages | : 242 |
| Release | : 2012-12-06 |
| Genre | : Psychology |
| ISBN | : 1135718113 |
Italian neo-realism has inspired film audiences and fascinated critics and film scholars for decades. This book offers an original analysis of the movement and its defining films from the perspective of the cultural unconscious. Combining a Jungian reading with traditional theorizations of film and national identity, Filming the Nation reinterprets familiar images of well-known masterpieces by Roberto Rossellini, Vittorio de Sica and Luchino Visconti and introduces some of their less renowned yet equally significant films. Providing an illuminating analysis of film images across a particularly traumatic and complex historical period, Filming the Nation revisits the concept of national identity and its ‘construction’ from a perspective that combines cultural, psychoanalytic and post-Jungian theories. As such this book will be essential reading for all students and scholars of film and psychoanalysis.
