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| Author | : P. Adams Sitney |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 283 |
| Release | : 2013-03-21 |
| Genre | : History |
| ISBN | : 0199862176 |
Examining over twenty key works of the period, Vital Crises in Italian Cinema identifies and explores the major thematic crises at the heart of seminal films produced by the likes of Vittorio De Sica, Luchino Visconti, Michael Antonioni, and Federico Fellini.
| Author | : Gian Piero Brunetta |
| Publisher | : Princeton University Press |
| Total Pages | : 412 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : 9780691119885 |
Discusses renowned masters including Roberto Rossellini and Federico Fellini, as well as directors lesser known outside Italy like Dino Risi and Ettore Scola. The author examines overlooked Italian genre films such as horror movies, comedies, and Westerns, and he also devotes attention to neglected periods like the Fascist era. He illuminates the epic scope of Italian filmmaking, showing it to be a powerful cultural force in Italy and leaving no doubt about its enduring influence abroad. Encompassing the social, political, and technical aspects of the craft, the author recreates the world of Italian cinema.
| Author | : Angelo Restivo |
| Publisher | : Duke University Press |
| Total Pages | : 228 |
| Release | : 2002-02-26 |
| Genre | : Performing Arts |
| ISBN | : 9780822327998 |
DIVA sophisticated theoretical treatment of post-war Italian Cinema./div
| Author | : Peter Bondanella |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 392 |
| Release | : 2019-07-25 |
| Genre | : Performing Arts |
| ISBN | : 1839020253 |
THE ITALIAN CINEMA BOOK is an essential guide to the most important historical, aesthetic and cultural aspects of Italian cinema, from 1895 to the present day. With contributions from 39 leading international scholars, the book is structured around six chronologically organised sections: THE SILENT ERA (1895–22) THE BIRTH OF THE TALKIES AND THE FASCIST ERA (1922–45) POSTWAR CINEMATIC CULTURE (1945–59) THE GOLDEN AGE OF ITALIAN CINEMA (1960–80) AN AGE OF CRISIS, TRANSITION AND CONSOLIDATION (1981 TO THE PRESENT) NEW DIRECTIONS IN CRITICAL APPROACHES TO ITALIAN CINEMA Acutely aware of the contemporary 'rethinking' of Italian cinema history, Peter Bondanella has brought together a diverse range of essays which represent the cutting edge of Italian film theory and criticism. This provocative collection will provide the film student, scholar or enthusiast with a comprehensive understanding of the major developments in what might be called twentieth-century Italy's greatest and most original art form.
| Author | : Ora Gelley |
| Publisher | : Routledge |
| Total Pages | : 206 |
| Release | : 2012-08-21 |
| Genre | : Art |
| ISBN | : 1136323007 |
In this exciting new book, Gelley considers the collaboration between Rossellini and Ingrid Bergman in light of the neorealist aesthetic. This study re-examines the director's postwar works in relation to the contemporary discussion on Italian national identity: rather than marking a radical break with the director's early neorealist successes, Rossellini's films with Bergman in fact extend the boundaries of neorealism and challenge the standard reading of its basic tenets, especially the relationship between character and setting. Gelley reassesses the relationship between European postwar and American cinema, looking at how the image of the Hollywood star was translated and transformed when it was imported into Rossellini's Italy. Rossellini's insertion of the Hollywood star into the native landscape had a significant influence on the director's approach to the neorealist aesthetic. His filming of the encounter between Bergman and the Italian landscape involves not only a re-interpretation and transformation of the Hollywood star persona, but also a challenge to the idealized notion of an authentic Italian national collective free of foreign influence. The disruption of Bergman's character into the Italian landscape became one means whereby the director was able to explore the ambivalence inherent in any attempt to construct a national identity.
| Author | : C. Celli |
| Publisher | : Springer |
| Total Pages | : 234 |
| Release | : 2007-01-08 |
| Genre | : Performing Arts |
| ISBN | : 0230601820 |
This book is a complete reworking and update of Marga Cottino-Jones' popular A Student's Guide to Italian Film (1983, 1993) . This guide retains earlier editions' interest in renowned films and directors but is also attentive to the popular films which achieved box office success among the public.
| Author | : Joseph Luzzi |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 441 |
| Release | : 2020-02-20 |
| Genre | : Performing Arts |
| ISBN | : 144114756X |
In this comprehensive guide, some of the world's leading scholars consider the issues, films, and filmmakers that have given Italian cinema its enduring appeal. Readers will explore the work of such directors as Federico Fellini, Michelangelo Antonioni, and Roberto Rossellini as well as a host of subjects including the Italian silent screen, the political influence of Fascism on the movies, lesser known genres such as the giallo (horror film) and Spaghetti Western, and the role of women in the Italian film industry. Italian Cinema from the Silent Screen to the Digital Image explores recent developments in cinema studies such as digital performance, the role of media and the Internet, neuroscience in film criticism, and the increased role that immigrants are playing in the nation's cinema.
| Author | : Millicent Joy Marcus |
| Publisher | : JHU Press |
| Total Pages | : 398 |
| Release | : 2002-06-05 |
| Genre | : History |
| ISBN | : 9780801868474 |
In this work, Marcus interprets a body of work that managed to transcend the decline of Italian cinema's prominence within the industry during the last two decades of the 20th-century.
| Author | : Mark Shiel |
| Publisher | : Wallflower Press |
| Total Pages | : 156 |
| Release | : 2006 |
| Genre | : Fiction |
| ISBN | : 9781904764489 |
Italian Neorealism: Rebuilding the Cinematic City is a valuable introduction to one of the most influential of film movements. Exploring the roots and causes of neorealism, particularly the effects of the Second World War, as well as its politics and style, Mark Shiel examines the portrayal of the city and the legacy left by filmmakers such as Rossellini, De Sica, and Visconti. Films studied include Rome, Open City (1945), Paisan (1946), The Bicycle Thief (1948), and Umberto D. (1952).
| Author | : Louis Bayman |
| Publisher | : Edinburgh University Press |
| Total Pages | : 240 |
| Release | : 2015-03-05 |
| Genre | : Performing Arts |
| ISBN | : 1474402879 |
Italian cinemas after the war were filled by audiences who had come to watch domestically-produced films of passion and pathos. These highly emotional and consciously theatrical melodramas posed moral questions with stylish flair, redefining popular ways of feeling about romance, family, gender, class, Catholicism, Italy, and feeling itself. The Operatic and the Everyday in Postwar Italian Film Melodrama argues for the centrality of melodrama to Italian culture. It uncovers a wealth of films rarely discussed before including family melodramas, the crime stories of neorealismo popolare and opera films, and provides interpretive frameworks that position them in wider debates on aesthetics and society. The book also considers the well-established topics of realism and arthouse auteurism, and re-thinks film history by investigating the presence of melodrama in neorealism and post-war modernism. It places film within its broader cultural context to trace the connections of canonical melodramatists like Visconti and Matarazzo to traditions of opera, the musical theatre of the sceneggiata, visual arts, and magazines. In so doing it seeks to capture the artistry and emotional experiences found within a truly popular form.
