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| Author | : Richard I. Cohen |
| Publisher | : Oxford University Press |
| Total Pages | : 374 |
| Release | : 2012-12-20 |
| Genre | : Art |
| ISBN | : 019993424X |
"The Avraham Harman Institute of Contemporary Jewry, the Hebrew University of Jerusalem."
| Author | : Ameilia Sharon Holberg |
| Publisher | : |
| Total Pages | : 560 |
| Release | : 2000 |
| Genre | : Holocaust memorials |
| ISBN | : |
| Author | : Chloe Paver |
| Publisher | : Springer |
| Total Pages | : 304 |
| Release | : 2018-08-21 |
| Genre | : History |
| ISBN | : 3319770845 |
This book is the first full-length study of the museum object as a memory medium in history exhibitions about the Nazi era, the Second World War, and the Holocaust. Over recent decades, German and Austrian exhibition-makers have engaged in significant programmes of object collection, often in collaboration with witnesses and descendants. At the same time, exhibition-makers have come to recognise the degree to which the National Socialist era was experienced materially, through the loss, acquisition, imposition, destruction, and re-purposing of objects. In the decades after 1945, encounters with material culture from the Nazi past continued, both within the family and in the public sphere. In analysing how these material engagements are explored in the museum, the book not only illuminates a key aspect of German and Austrian cultural memory but contributes to wider debates about relationships between the human and object worlds.
| Author | : Hannah Ewence |
| Publisher | : Routledge |
| Total Pages | : 516 |
| Release | : 2015-03-24 |
| Genre | : History |
| ISBN | : 1317630270 |
This volume explores literary and material representations of Jews, Jewishness and Judaism from antiquity to the twenty-first century. Gathering leading scholars from within the field of Jewish Studies, it investigates how the debates surrounding literary and material images within Judaism and in Jewish life are part of an on-going strategy of image management - the urge to shape, direct, authorize and contain Jewish literary and material images and encounters with those images - a strategy both consciously and unconsciously undertaken within multifarious arenas of Jewish life from early modern German lands to late twentieth-century North London, late Antique Byzantium to the curation of contemporary Holocaust exhibitions.
| Author | : Jeffrey Abt |
| Publisher | : Berghahn Books |
| Total Pages | : 422 |
| Release | : 2024-02-02 |
| Genre | : Art |
| ISBN | : 1805392786 |
Displays of Jewish ritual objects in public, non-Jewish settings by Jews are a comparatively recent phenomenon. So too is the establishment of Jewish museums. This volume explores the origins of the Jewish Museum of New York and its evolution from collecting and displaying Jewish ritual objects, to Jewish art, to exhibiting avant-garde art devoid of Jewish content, created by non-Jews. Established within a rabbinic seminary, the museum’s formation and development reflect changes in Jewish society over the twentieth century as it grappled with choices between religion and secularism, particularism and universalism, and ethnic pride and assimilation.
| Author | : Simone Lässig |
| Publisher | : Berghahn Books |
| Total Pages | : 339 |
| Release | : 2017-06-01 |
| Genre | : History |
| ISBN | : 1785335545 |
What makes a space Jewish? This wide-ranging volume revisits literal as well as metaphorical spaces in modern German history to examine the ways in which Jewishness has been attributed to them both within and outside of Jewish communities, and what the implications have been across different eras and social contexts. Working from an expansive concept of “the spatial,” these contributions look not only at physical sites but at professional, political, institutional, and imaginative realms, as well as historical Jewish experiences of spacelessness. Together, they encompass spaces as varied as early modern print shops and Weimar cinema, always pointing to the complex intertwining of German and Jewish identity.
| Author | : Daniel J. Walkowitz |
| Publisher | : Rutgers University Press |
| Total Pages | : 305 |
| Release | : 2018-09-05 |
| Genre | : History |
| ISBN | : 0813596068 |
Part travelogue, part social history, and part family saga, this book investigates the politics of heritage tourism and collective memory. Acclaimed historian Daniel J. Walkowitz visits key Jewish heritage sites from Berlin to Belgrade to Warsaw to New York to discover which stories of the Jewish experience get told and which get silenced.
| Author | : Daniela Flesler |
| Publisher | : Indiana University Press |
| Total Pages | : 358 |
| Release | : 2020-12-08 |
| Genre | : History |
| ISBN | : 0253050146 |
The 2015 law granting Spanish nationality to the descendants of Jews expelled in 1492 is the latest example of a widespread phenomenon in contemporary Spain, the "re-discovery" of its Jewish heritage. In The Memory Work of Jewish Spain, Daniela Flesler and Adrián Pérez Melgosa examine the implications of reclaiming this memory through the analysis of a comprehensive range of emerging cultural practices, political initiatives and institutions in the context of the long history of Spain's ambivalence towards its Jewish past. Through oral interviews, analyses of museums, newly reconfigured "Jewish quarters," excavated Jewish sites, popular festivals, tourist brochures, literature and art, The Memory Work of Jewish Spain explores what happens when these initiatives are implemented at the local level in cities and towns throughout Spain, and how they affect Spain's present.
| Author | : K. Hannah Holtschneider |
| Publisher | : Routledge |
| Total Pages | : 231 |
| Release | : 2014-03-21 |
| Genre | : History |
| ISBN | : 1136672060 |
The Holocaust and Representations of Jews examines how prominent national exhibitions in Europe represent the Jewish minority and its cultural and religious self-understandings, historically and today, in particular in the context of the Holocaust. Insights from the New Museology are brought to the field of Jewish Studies through an exploration of the visual representation of Jewish history and Jewish identifications in the display of photographs. Drawing on case studies which focus on the Holocaust Exhibition at the Imperial War Museum in London and the permanent exhibition at the Jewish Museum Berlin, these themes become the prism through which aspects of historiography and the display of the ‘otherness’ of minorities are addressed. Casting new light on the issues surrounding the visual representation of Jews, the work of museum practitioners in relation to historical presentations and to the use of photographs in exhibitions, this book is an important contribution not only to the fields of Jewish Studies, Religion and History, but also to the study of the representation of minority-majority relations and the understanding of exhibition visits as an educational tool.
| Author | : Rotem Rozental |
| Publisher | : Taylor & Francis |
| Total Pages | : 322 |
| Release | : 2023-03-24 |
| Genre | : Art |
| ISBN | : 1000856224 |
By entering and critically re-activating the Zionist photographic archive established by the Division of Journalism and Propaganda of the Jewish National Fund, this research examines its rippling impact on civil landscapes prior to 1948 in Palestine, and its lasting impact on the region to date. This study argues that the Zionist movement makes particular use of the machinery of the photographic archive, aiming to constitute the boundaries of Palestine as a Jewish state, claiming ownership over the land and announcing internationally the success of its enterprise, thus substantiating the image it sought to embed as the “reality” of the land. This archive was not stand-alone, as it was functioning in relation to a vast, complicated network of organizational systems and technologies, in the Middle East and across the world. Crucially, this system functioned as a national archive in future tense, for a nation-state that was not yet in existence, seeking to substantiate its regional authority and shape its cultural repository, outlining parameters for inclusion and exclusion from its civic space. The book will be of interest to scholars working in art history, photography history, visual culture, Jewish studies, Israel studies and Middle East studies.
