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Writing Visual Histories

Writing Visual Histories
Author: Florence Grant
Publisher: Bloomsbury Publishing
Total Pages: 256
Release: 2020-11-12
Genre: History
ISBN: 1350023469

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What can visual artifacts tell us about the past? How can we interpret them rigorously, weaving their formal and material qualities into rich social contexts to reach wider historical conclusions? Unfolding key historiographical and methodological issues, Writing Visual Histories equips students to answer these questions, showing visual analysis to be a key skill in historical research. A multifaceted structure makes this a practical guide for writing and reflecting on visual histories. A first section includes six case studies -- on topics ranging from medieval heraldry to Life magazine. These examples are followed by an exploration of essential concepts that inform historical thinking about visual matters, a treatment of disciplinary practices, and discussion of the practicalities (such as accessing museum collections and organising permissions) that scholars working with visual sources have to navigate. This book is an invaluable tool kit for opening up a historical understanding of visual phenomena and practices of looking, and for writing that takes an integrated approach to studies of the past.


Writing Visual Histories

Writing Visual Histories
Author: Florence Grant
Publisher: Bloomsbury Publishing
Total Pages: 215
Release: 2020-11-12
Genre: History
ISBN: 1350023477

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What can visual artifacts tell us about the past? How can we interpret them rigorously, weaving their formal and material qualities into rich social contexts to reach wider historical conclusions? Unfolding key historiographical and methodological issues, Writing Visual Histories equips students to answer these questions, showing visual analysis to be a key skill in historical research. A multifaceted structure makes this a practical guide for writing and reflecting on visual histories. A first section includes six case studies -- on topics ranging from medieval heraldry to Life magazine. These examples are followed by an exploration of essential concepts that inform historical thinking about visual matters, a treatment of disciplinary practices, and discussion of the practicalities (such as accessing museum collections and organising permissions) that scholars working with visual sources have to navigate. This book is an invaluable tool kit for opening up a historical understanding of visual phenomena and practices of looking, and for writing that takes an integrated approach to studies of the past.


Visual Histories

Visual Histories
Author: Malavika Karlekar
Publisher: OUP India
Total Pages: 0
Release: 2013-03-28
Genre: History
ISBN: 9780198090267

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Not much is known about how the coming of photography changed visual discourse or affected people's lives. Through a selection of 32 essays, each illustrated with archival photographs, this volume looks at the camera in the colonial era and in post-independent India to reveal both: history through photographs and the history of photographs in India.


Visual Histories of South Asia

Visual Histories of South Asia
Author: Annamaria Motrescu-Mayes
Publisher:
Total Pages: 342
Release: 2018
Genre: History
ISBN: 9789386552440

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Is one of the first comprehensive contributions to the rapidly developing cross disciplinary scholarship that connects visual studies with South Asian historiography. The key purpose of the book is to introduce scholars and students of South Asian and Indian history to the first in-depth evaluation of visual research methods as a valid research framework for new historical studies. The volume identifies and evaluates current developments in visual sociology and digital anthropology relevant to the study of contemporary South Asian constructions of personal and national identities. Owing to its wide-ranging theoretical methodology, from concepts of visual perception to media semiotics, Visual Histories of South Asia covers a rich thematic agenda with contributions ranging from ethnographic research to gender studies, fine arts analyses, theoretical and methodological questions, economic structures, international politics and contemporary cultural patterns. Owing to its wide-ranging theoretical methodology, from concepts of visual perception to media semiotics, Visual Histories of South Asia covers a rich thematic agenda with contributions ranging from ethnographic research to gender studies, fine arts analyses, theoretical and methodological questions, economic structures, international politics and contemporary cultural patterns. In charting the theoretical and historical advances in visual and historical studies dedicated to South Asia, and by addressing issues of private and national memory within regional, national, and contemporary South Asian iconography, from the mid-seventeenth century to the early twenty-first century, and the thirteen contributions selected for this volume are of immediate relevance to visual theorists and historians, sociologists and cultural anthropologists, as well as to students and scholars of South Asian history and culture.


Back to the Future

Back to the Future
Author: Michael Klastorin
Publisher: Harper Design
Total Pages: 0
Release: 2015-10-20
Genre: Performing Arts
ISBN: 9780062419149

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Great Scott! Go Back to the Future with Doc Brown and Marty McFly in this visually stunning look at the creation of one of the most beloved movie trilogies of all time. Few films have made an impact on popular culture like the Back to the Future trilogy. This deluxe, officially licensed book goes behind the scenes to tell the complete story of the making of these hugely popular movies and how the adventures of Marty McFly and Doc Brown became an international phenomenon. Back to the Future: The Ultimate Visual History is a stunning journey into the creation of this beloved time-traveling saga and features hundreds of never-before-seen images from all three movies, along with rare concept art, storyboards, and other visual treasures. The book also features exclusive interviews with key cast and crew members—including Michael J. Fox, Christopher Lloyd, Lea Thompson, Robert Zemeckis, Bob Gale, Steven Spielberg, Frank Marshall, Kathleen Kennedy, and more—and tells the complete story of the production of the movies, from the initial concept to the staging of iconic scenes such as the “Enchantment Under the Sea” dance and the hoverboard sequence. The book also delves into the wider Back to the Future universe, exploring the animated television show and Back to the Future: The Ride. Written by Michael Klastorin—the production publicist on the second and third movies—with Back to the Future expert Randal Atamaniuk, this book delivers a range of surprises from the Universal Pictures archives and also includes a wealth of special removable items. Comprehensive, compelling, and definitive, Back to the Future: The Ultimate Visual History is the book that fans have been waiting for. Removable items include: Hill Valley High School Tardy Slip Back to the Future The Ride security pass Save the Clocktower leaflet Sepia photograph of Marty and Doc from Part III Marty’s note to Doc from the first film with the envelope George McFly’s book Jaws 19 movie poster George and Lorraine’s prom photo Doc’s flux capacitor sketch from the first film Doc’s note to Marty from 1885 Biff one dollar bill from Part II Blast from the Past receipt from Part II Lenticular version of the iconic McFly family photo from the first film


Antiquarianism and the Visual Histories of Louis XIV

Antiquarianism and the Visual Histories of Louis XIV
Author: Robert Wellington
Publisher: Routledge
Total Pages: 287
Release: 2017-07-05
Genre: Art
ISBN: 1351576402

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Antiquarianism and the Visual Histories of Louis XIV: Artifacts for a Future Past provides a new interpretation of objects and images commissioned by Louis XIV (1638-1715) to document his reign for posterity. The Sun King's image-makers based their prediction of how future historians would interpret the material remains of their culture on contemporary antiquarian methods, creating new works of art as artifacts for a future time. The need for such items to function as historical evidence led to many pictorial developments, and medals played a central role in this. Coin-like in form but not currency, the medal was the consummate antiquarian object, made in imitation of ancient coins used to study the past. Yet medals are often elided from the narrative of the arts of ancient r?me France, their neglect wholly disproportionate to the cultural status that they once held. This revisionary study uncovers a numismatic sensibility throughout the iconography of Louis XIV, and in the defining monuments of his age. It looks beyond the standard political reading of the works of art made to document Louis XIV's history, to argue that they are the results of a creative process wedded to antiquarianism, an intellectual culture that provided a model for the production of history in the grand si?e.


Transformers: A Visual History

Transformers: A Visual History
Author: Jim Sorenson
Publisher: VIZ Media LLC
Total Pages: 0
Release: 2019-11-12
Genre: Performing Arts
ISBN: 9781974710584

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Celebrating 35 years of rare and iconic TRANSFORMERS imagery, this deluxe art book will delight fans of all ages! One of the world’s most popular franchises, TRANSFORMERS has been delighting fans since 1984. Now, Hasbro reveals behind-the-scenes production sketches, beautifully polished final art, classic posters, and everything in-between. From the obscure to the iconic, Transformers: A Visual History features packaging artwork, animation models, video game designs, comic pages, and production artwork from all six Paramount live-action films! Curated by Transformers archivist Jim Sorenson, this is the most comprehensive collection of Transformers imagery ever assembled. © 2019 Hasbro. All Rights Reserved.


The Visual History of Type

The Visual History of Type
Author: Paul McNeil
Publisher: Laurence King Publishing
Total Pages: 0
Release: 2017-09-26
Genre: Design
ISBN: 9781780679761

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The Visual History of Type is a comprehensive, detailed survey of the major typefaces produced since the advent of printing with movable type in the mid–fifteenth century to the present day. Arranged chronologically to provide context, more than 320 typefaces are displayed in the form of their original type specimens or earliest printing. Each entry is supported by a brief history and description of key characteristics of the typeface. This book will be the definitive publication in its field, appealing to graphic designers, educators, historians and design students. It will also be a significant resource for professional type designers and students of type. Reviews "A mind–blowing catalogue of typefaces and type history… a fantastic, heavyweight compendium of letterforms that's a firm WIRED art department favourite." – WIRED magazine "The Visual History of Type is a comprehensive, detailed survey of the major typefaces produced since the advent of printing…This book will be the definitive publication in its field, appealing to graphic designers, educators, historians and design students." – Against The Grain "Accessible, highly readable and, moreover, a type book to pore over and simply enjoy as the history of the medium evolves chronologically from page to page." – Creative Review "This exquisitely produced, extensively researched and extraordinarily comprehensive work is a definitive study of the history of type." – New Design "The Visual History of Type is a beautiful book. Its arranged into hundreds of short chapters invites one to peruse it haphazardly for pleasure. Beneath its coffee–table appearance lies a genuine reference work." – The Times Literary Supplement


Visual Time

Visual Time
Author: Keith Moxey
Publisher: Duke University Press
Total Pages: 222
Release: 2013-06-17
Genre: Art
ISBN: 0822395932

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Visual Time offers a rare consideration of the idea of time in art history. Non-Western art histories currently have an unprecedented prominence in the discipline. To what extent are their artistic narratives commensurate with those told about Western art? Does time run at the same speed in all places? Keith Moxey argues that the discipline of art history has been too attached to interpreting works of art based on a teleological categorization—demonstrating how each work influences the next as part of a linear sequence—which he sees as tied to Western notions of modernity. In contrast, he emphasizes how the experience of viewing art creates its own aesthetic time, where the viewer is entranced by the work itself rather than what it represents about the historical moment when it was created. Moxey discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Dürer, Matthias Grünewald, and Hans Holbein. In the process, he addresses the phenomenological turn in the study of the image, its application to the understanding of particular artists, the ways verisimilitude eludes time in both the past and the present, and the role of time in nationalist accounts of the past.