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| Author | : Luc Pauwels |
| Publisher | : UPNE |
| Total Pages | : 338 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : 9781584655121 |
A new collection explores the complex role of visual representation in science.
| Author | : Klaus Hentschel |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 523 |
| Release | : 2014 |
| Genre | : Science |
| ISBN | : 0198717873 |
What makes a good scientific image? Is science defined by its pictures? The present book offers a broad comparative survey of the history, generation, use and function of images in scientific practice based on an extensive range of historical sources in the natural sciences, technology and medicine, particularly physics, astronomy, and chemistry.
| Author | : Alexis L. Boylan |
| Publisher | : MIT Press |
| Total Pages | : 250 |
| Release | : 2020-08-11 |
| Genre | : Art |
| ISBN | : 0262359723 |
As if John Berger's Ways of Seeing was re-written for the 21st century, Alexis L. Boylan crafts a guide for navigating the complexities of visual culture in this concise introduction. The visual surrounds us, some of it invited, most of it not. In this visual environment, everything we see--art, color, the moon, a skyscraper, a stop sign, a political poster, rising sea levels, a photograph of Kim Kardashian West--somehow becomes legible, normalized, accessible. How does this happen? How do we live and move in our visual environments? This volume offers a guide for navigating the complexities of visual culture, outlining strategies for thinking about what it means to look and see--and what is at stake in doing so.
| Author | : Margarita Dikovitskaya |
| Publisher | : MIT Press |
| Total Pages | : 340 |
| Release | : 2005 |
| Genre | : Art |
| ISBN | : 9780262042246 |
Drawing on interviews, responses to questionnaires, and oral histories by U.S.
| Author | : Henriette Gunkel |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2021-09-14 |
| Genre | : Art |
| ISBN | : 3956795385 |
The notion of time travel marked by both possibility and loss: making the case for cultural research that is oriented toward the future. Visual Cultures as Time Travel makes a case for cultural, aesthetic, and historical research that is oriented toward the future, not the past, actively constructing new categories of assembly that don't yet exist. Ayesha Hameed considers the relationship between climate change and plantation economies, proposing a watery plantationocene that revolves around two islands: a former plantation in St. George's Parish in Barbados, and the port city of Port of Spain in Trinidad. It visits a marine research institute on a third island, Seili in Finland, to consider how notions of temporality and adaptation are produced in the climate emergency we face. Henriette Gunkel introduces the idea of time travel through notions of dizziness, freefall, and of being in vertigo as set out in Octavia Butler's novel Kindred and Kitso Lynn Lelliott's multimedia installation South Atlantic Hauntings, exploring what counts as technology, how it operates in relation to time, including deep space time, and how it interacts with the different types of bodies—human, machine, planetary, spectral, ancestral—that inhabit the terrestrial and extraterrestrial worlds. In conversation, Hameed and Gunkel propose a notion of time travel marked by possibility and loss—in the aftermath of transatlantic slavery and in the moment of mass illegalized migration, of blackness and time, of wildfires and floods, of lost and co-opted futures, of deep geological time, and of falling. Copublished with Goldsmiths, University of London
| Author | : Adnan Madani |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2023-04-04 |
| Genre | : Art |
| ISBN | : 3956795377 |
How the world—and the world of visual culture in particular—creates itself in a creative act that knows no economic return. How does the world form itself? How does it create itself as a world? And how do we understand the role of the visual in this regard? Most responses to these questions within cultural theory and visual culture refer to the rise of globalization, thus highlighting the acceleration of exchanges, the proliferation of information and communication devices, and the multiplication of globally circulated goods and images that characterize the world we live in. Visual Cultures as World Forming takes a different approach by focusing on the taking place of the world, a creative act that knows no economic return. This taking place does not lead to more proliferation of goods, additional financial exchanges, further communications, or an increase in the distribution of visual material, but leads to the continued “worlding” of the world. This approach is predominantly, but not exclusively, inspired by the work of Jean-Luc Nancy. Through a reading of his work and of some of his contemporaries both inside and outside of the Western canon, Madani and Martinon attempt to expose how the world—and the world of visual culture in particular—creates itself and the ways in which each one of us is embodying this creation without economy. Copublished with Goldsmiths, University of London
| Author | : W. J. T. Mitchell |
| Publisher | : University of Chicago Press |
| Total Pages | : 261 |
| Release | : 2018-01-30 |
| Genre | : Art |
| ISBN | : 022656584X |
Almost thirty years ago, W.J.T. Mitchell's 'Iconology' helped launch the interdisciplinary study of visual media, now a central feature of the humanities. Mitchell's now-classic work introduced such ideas as the pictorial turn, the image/picture distinction, the metapicture, and the biopicture. These key concepts imply an approach to images as true objects of investigation-an 'image science.' Continuing with this influential line of thought, 'Image Science' gathers Mitchell's most recent essays on media aesthetics, visual culture, and artistic symbolism. The chapters delve into such topics as the physics and biology of images, digital photography and realism, architecture and new media, and the occupation of space in contemporary popular uprisings.
| Author | : Nicholas Mirzoeff |
| Publisher | : Psychology Press |
| Total Pages | : 566 |
| Release | : 1999 |
| Genre | : Art and society |
| ISBN | : 0415158761 |
The author traces the history and theory of visual culture asking how and why visual media have become so central to contemporary everyday life. He explores a wide range of visual forms, including painting, sculpture, photography, television, cinema, virtual reality, and the Internet while addressing the subjects of race, ethnicity, gender, sexuality, the body, and the international media event that followed the death of Princess Diana.
| Author | : Patrick Fuery |
| Publisher | : |
| Total Pages | : 264 |
| Release | : 2000 |
| Genre | : Education |
| ISBN | : |
The second edition of Cultural Studies and the New Humanities provides a comprehensive overview of issues in the humanities at the turn of the new millennium, providing historical background, defining key terms, and introducing the ideas of key thinkers. This second edition has been thoroughly revised and updated, and new chapters have been added about the rise of visual cultures and the fierce contemporary debate between identity politics and queer theory.
| Author | : Jorella Andrews |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Aesthetics |
| ISBN | : 9783943365382 |
Largely due to the "linguistic turn" that has dominated the humanities since the mid-twentieth century, many contemporary scholars and artists habitually equate works of art with highly coded texts to be deciphered, deconstructed, or otherwise interpreted. Here, meaning, value, and impact have been fundamentally linked to art's capacity to "speak," to represent, to raise questions about representation, to convey a message, or articulate a concept. Much visual culture scholarship has tried to engage with art and the image-world outside of these logics. Within this quest to consider art differently, Jorella Andrews and Simon O'Sullivan pay attention to the asignifying character of art, or simply its affective qualities. Drawing on the work of key thinkers (for O'Sullivan, the writings of Gilles Deleuze, Félix Guattari, and Jean-François Lyotard) and turning to paradigmatic works of art (for Andrews, film and video pieces by Rosalind Nashashibi and Jayne Parker), they contextualize these art-related matters in relation to a significant recent rise in new thinking about objects, objectness, and objectivity within philosophy, critical theory, and ethics. Copublished with Goldsmiths, University of London
