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| Author | : Alina Alexandra Payne |
| Publisher | : Penn State University Press |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Art |
| ISBN | : 9780271063898 |
A collection of essays investigating the early modern debates on the nature of sight and its epistemic value.
| Author | : G. Bingham Powell |
| Publisher | : Yale University Press |
| Total Pages | : 320 |
| Release | : 2000-01-01 |
| Genre | : Political Science |
| ISBN | : 9780300080162 |
This text explores elections as instruments of democracy. Focusing on elections in 20 democracies over the last 25 years, it examines the differences between two visions of democracy - the majoritarian vision and the proportional influence vision.
| Author | : Jonathan Crary |
| Publisher | : MIT Press |
| Total Pages | : 190 |
| Release | : 1992-02-25 |
| Genre | : Design |
| ISBN | : 9780262531078 |
Jonathan Crary's Techniques of the Observer provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. This analysis of the historical formation of the observer is a compelling account of the prehistory of the society of the spectacle. In Techniques of the Observer Jonathan Crary provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. Inverting conventional approaches, Crary considers the problem of visuality not through the study of art works and images, but by analyzing the historical construction of the observer. He insists that the problems of vision are inseparable from the operation of social power and examines how, beginning in the 1820s, the observer became the site of new discourses and practices that situated vision within the body as a physiological event. Alongside the sudden appearance of physiological optics, Crary points out, theories and models of "subjective vision" were developed that gave the observer a new autonomy and productivity while simultaneously allowing new forms of control and standardization of vision. Crary examines a range of diverse work in philosophy, in the empirical sciences, and in the elements of an emerging mass visual culture. He discusses at length the significance of optical apparatuses such as the stereoscope and of precinematic devices, detailing how they were the product of new physiological knowledge. He also shows how these forms of mass culture, usually labeled as "realist," were in fact based on abstract models of vision, and he suggests that mimetic or perspectival notions of vision and representation were initially abandoned in the first half of the nineteenth century within a variety of powerful institutions and discourses, well before the modernist painting of the 1870s and 1880s.
| Author | : John Fry HEATHER |
| Publisher | : |
| Total Pages | : 208 |
| Release | : 1849 |
| Genre | : Mathematical instruments |
| ISBN | : |
| Author | : Thomas L. Hankins |
| Publisher | : Princeton University Press |
| Total Pages | : 352 |
| Release | : 2014-07-14 |
| Genre | : Science |
| ISBN | : 1400864119 |
Thomas Hankins and Robert Silverman investigate an array of instruments from the seventeenth through the nineteenth century that seem at first to be marginal to science--magnetic clocks that were said to operate by the movements of sunflower seeds, magic lanterns, ocular harpsichords (machines that played different colored lights in harmonious mixtures), Aeolian harps (a form of wind chime), and other instruments of "natural magic" designed to produce wondrous effects. By looking at these and the first recording instruments, the stereoscope, and speaking machines, the authors show that "scientific instruments" first made their appearance as devices used to evoke wonder in the beholder, as in works of magic and the theater. The authors also demonstrate that these instruments, even though they were often "tricks," were seen by their inventors as more than trickery. In the view of Athanasius Kircher, for instance, the sunflower clock was not merely a hoax, but an effort to demonstrate, however fraudulently, his truly held belief that the ability of a flower to follow the sun was due to the same cosmic magnetic influence as that which moved the planets and caused the rotation of the earth. The marvels revealed in this work raise and answer questions about the connections between natural science and natural magic, the meaning of demonstration, the role of language and the senses in science, and the connections among art, music, literature, and natural science. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
| Author | : A. Joan Saab |
| Publisher | : Penn State Press |
| Total Pages | : 167 |
| Release | : 2021-02-26 |
| Genre | : History |
| ISBN | : 0271088702 |
Advances in technology allow us to see the invisible: fetal heartbeats, seismic activity, cell mutations, virtual space. Yet in an age when experience is so intensely mediated by visual records, the centuries-old realization that knowledge gained through sight is inherently fallible takes on troubling new dimensions. This book considers the ways in which seeing, over time, has become the foundation for knowing (or at least for what we think we know). A. Joan Saab examines the scientific and socially constructed aspects of seeing in order to delineate a genealogy of visuality from the Renaissance to the present, demonstrating that what we see and how we see it are often historically situated and culturally constructed. Through a series of linked case studies that highlight moments of seeming disconnect between seeing and believing—hoaxes, miracles, spirit paintings, manipulated photographs, and holograms, to name just a few—she interrogates the relationship between “visions” and visuality. This focus on the strange and the wonderful in understanding changing notions of visions and visual culture is a compelling entry point into the increasingly urgent topic of technologically enhanced representations of reality. Accessibly written and thoroughly enlightening, Objects of Vision is a concise history of the connections between seeing and knowing that will appeal to students and teachers of visual studies and sensory, social, and cultural history.
| Author | : John Fry Heather |
| Publisher | : |
| Total Pages | : 198 |
| Release | : 1859 |
| Genre | : Angles (Geometry) |
| ISBN | : |
| Author | : Martin Willis |
| Publisher | : Routledge |
| Total Pages | : 399 |
| Release | : 2015-10-06 |
| Genre | : Science |
| ISBN | : 1317321847 |
This book explores the Victorian concept of vision across scientific and cultural forms. Willis charts the characterization of vision through four organizing principles – small, large, past and future – to arrive at a Victorian conception of what vision was. Willis then explores how this Victorian vision influenced twentieth-century ways of seeing.
| Author | : Benjamin King Johnson |
| Publisher | : Courier Corporation |
| Total Pages | : 260 |
| Release | : 1960-01-01 |
| Genre | : Science |
| ISBN | : 9780486606422 |
A young soldier in training for the special forces in Vietnam learns how to rid himself of anxieties under stress and other emotional factors that may hinder his effectiveness in combat.
| Author | : William Pearson |
| Publisher | : |
| Total Pages | : 760 |
| Release | : 1829 |
| Genre | : Astronomical instruments |
| ISBN | : |
