Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Viennese Jewish Modernism Freud Hofmannsthal Beer Hofmann And Schnitzler PDF full book. Access full book title Viennese Jewish Modernism Freud Hofmannsthal Beer Hofmann And Schnitzler.
| Author | : |
| Publisher | : Penn State Press |
| Total Pages | : 248 |
| Release | : |
| Genre | : |
| ISBN | : 9780271047171 |
| Author | : Caroline A Kita |
| Publisher | : Indiana University Press |
| Total Pages | : 226 |
| Release | : 2019-02-14 |
| Genre | : Performing Arts |
| ISBN | : 0253040566 |
During the mid-19th century, the works of Arthur Schopenhauer and Richard Wagner sparked an impulse toward German cultural renewal and social change that drew on religious myth, metaphysics, and spiritualism. The only problem was that their works were deeply antisemitic and entangled with claims that Jews were incapable of creating compassionate art. By looking at the works of Jewish composers and writers who contributed to a lively and robust biblical theatre in fin de siècle Vienna, Caroline A. Kita shows how they reimagined myths of the Old Testament to offer new aesthetic and ethical views of compassion. These Jewish artists, including Gustav Mahler, Siegfried Lipiner, Richard Beer-Hofmann, Stefan Zweig, and Arnold Schoenberg, reimagined biblical stories through the lens of the modern Jewish subject to plead for justice and compassion toward the Jewish community. By tracing responses to antisemitic discourses of compassion, Kita reflects on the explicitly and increasingly troubled political and social dynamics at the end of the Habsburg Empire.
| Author | : Abigail Gillman |
| Publisher | : University of Chicago Press |
| Total Pages | : 357 |
| Release | : 2018-04-27 |
| Genre | : Religion |
| ISBN | : 022647786X |
Between 1780 and 1937, Jews in Germany produced numerous new translations of the Hebrew Bible into German. Intended for Jews who were trilingual, reading Yiddish, Hebrew, and German, they were meant less for religious use than to promote educational and cultural goals. Not only did translations give Jews vernacular access to their scripture without Christian intervention, but they also helped showcase the Hebrew Bible as a work of literature and the foundational text of modern Jewish identity. This book is the first in English to offer a close analysis of German Jewish translations as part of a larger cultural project. Looking at four distinct waves of translations, Abigail Gillman juxtaposes translations within each that sought to achieve similar goals through differing means. As she details the history of successive translations, we gain new insight into the opportunities and problems the Bible posed for different generations and gain a new perspective on modern German Jewish history.
| Author | : Lene Rock |
| Publisher | : Leuven University Press |
| Total Pages | : 371 |
| Release | : 2019-12-10 |
| Genre | : Literary Criticism |
| ISBN | : 9462701784 |
Since the turn of the 21st century, countless literary endeavors by 'new Germans' have entered the spotlight of academic research. Yet 'minority writing', with its distinctive renegotiation of traditional concepts of cultural identity, is far from a recent phenomenon in German literature. A hundred years previously, the intense involvement of German-Jewish intellectuals in cultural and political discourses on Jewish identity put a clear stamp on German modernism. This book is the first to unfold literary parallels between these two riveting periods in German cultural history. Drawing on the philosophical oeuvre of Jean-Luc Nancy, a comparative reading of texts by, amongst others, Beer-Hofmann, Kermani, Özdamar, Roth, Schnitzler, and Zaimoglu examines a variety of literary approaches to the thorny issue of cultural identity, while developing an overarching perspective on the ‘politics of literature’.
| Author | : Shachar M Pinsker |
| Publisher | : NYU Press |
| Total Pages | : 398 |
| Release | : 2018-05-15 |
| Genre | : History |
| ISBN | : 1479820946 |
Finalist, 2018 National Jewish Book Award for Modern Jewish Thought and Experience, presented by the Jewish Book Council Winner, 2019 Jordan Schnitzer Book Award, in the Jewish Literature and Linguistics Category, given by the Association for Jewish Studies A fascinating glimpse into the world of the coffeehouse and its role in shaping modern Jewish culture Unlike the synagogue, the house of study, the community center, or the Jewish deli, the café is rarely considered a Jewish space. Yet, coffeehouses profoundly influenced the creation of modern Jewish culture from the mid-nineteenth to mid-twentieth centuries. With roots stemming from the Ottoman Empire, the coffeehouse and its drinks gained increasing popularity in Europe. The “otherness,” and the mix of the national and transnational characteristics of the coffeehouse perhaps explains why many of these cafés were owned by Jews, why Jews became their most devoted habitués, and how cafés acquired associations with Jewishness. Examining the convergence of cafés, their urban milieu, and Jewish creativity, Shachar M. Pinsker argues that cafés anchored a silk road of modern Jewish culture. He uncovers a network of interconnected cafés that were central to the modern Jewish experience in a time of migration and urbanization, from Odessa, Warsaw, Vienna, and Berlin to New York City and Tel Aviv. A Rich Brew explores the Jewish culture created in these social spaces, drawing on a vivid collection of newspaper articles, memoirs, archival documents, photographs, caricatures, and artwork, as well as stories, novels, and poems in many languages set in cafés. Pinsker shows how Jewish modernity was born in the café, nourished, and sent out into the world by way of print, politics, literature, art, and theater. What was experienced and created in the space of the coffeehouse touched thousands who read, saw, and imbibed a modern culture that redefined what it meant to be a Jew in the world.
| Author | : Elana Shapira |
| Publisher | : Brandeis University Press |
| Total Pages | : 342 |
| Release | : 2016-05-22 |
| Genre | : Architecture |
| ISBN | : 1611689694 |
A recent surge of interest in Jewish patronage during the golden years of Vienna has led to the question, Would modernism in Vienna have developed in the same fashion had Jewish patrons not been involved? This book uniquely treats Jewish identification within Viennese modernism as a matter of Jews active fashioning of a new language to convey their aims of emancipation along with their claims of cultural authority. In this provocative reexamination of the roots of Viennese modernism, Elana Shapira analyzes the central role of Jewish businessmen, professionals, and writers in the evolution of the city's architecture and design from the 1860s to the 1910s. According to Shapira, these patrons negotiated their relationship with their non-Jewish surroundings and clarified their position within Viennese society by inscribing Jewish elements into the buildings, interiors, furniture, and design objects that they financed, produced, and co-designed. In the first book to investigate the cultural contributions of the banker Eduard Todesco, the steel tycoon Karl Wittgenstein, the textile industrialist Fritz Waerndorfer, the author Peter Altenberg, the tailor Leopold Goldman, and many others, Shapira reconsiders theories identifying the crisis of Jewish assimilation as a primary creative stimulus for the Jewish contribution to Viennese modernism. Instead, she argues that creative tensions between Jews and non-Jews - patrons and designers who cooperated and arranged well-choreographed social encounters with one another - offer more convincing explanations for the formation of a new semantics of modern Viennese architecture and design than do theories based on assimilation. This thoroughly researched and richly illustrated book will interest scholars and students of Jewish studies, Vienna and Viennese culture, and modernism.
| Author | : Arnold D. Richards, M.D. |
| Publisher | : McFarland |
| Total Pages | : 205 |
| Release | : 2010-03-10 |
| Genre | : Religion |
| ISBN | : 0786455896 |
Though Freud is one of the towering intellectual figures of the twentieth century, too little attention has been paid to the influence of his Jewish identity upon his life and work, particularly the impact of growing up a Jew in turn-of-the-century Vienna. The 14 essays in this volume explore the ways in which Freud and his followers were embedded in the cultural matrix of Jewish Central and Eastern Europe. Topics include general, sociological, historical, and cultural issues and then turn to the personal: Freud's education, his Jewish identity, and his thoughts about Judaism. Though a secular and ambivalent Jew, Freud's emphasis on intellectualism and morality reveal the deep and abiding influence of European Jewish tradition upon his work.
| Author | : Frances Tanzer |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 265 |
| Release | : 2024-06-11 |
| Genre | : History |
| ISBN | : 1512825352 |
In Vanishing Vienna historian Frances Tanzer traces the reconstruction of Viennese culture from the 1938 German annexation through the early 1960s. The book reveals continuity in Vienna’s cultural history across this period and a framework for interpreting Viennese culture that relies on antisemitism, philosemitism, and a related discourse of Jewish presence and absence. This observation demands a new chronology of cultural reconstruction that links the Nazi and postwar years, and a new geography that includes the history of refugees from Nazi Vienna. Rather than presenting the Nazi, exile, and postwar periods as discrete chapters of Vienna’s history, Tanzer argues that they are part of a continuous spectrum of cultural evolution—the result of which was the creation of a coherent Austrian identity and culture that emerged by the 1950s. As she shows, antisemitism and philosemitism were not contradictory forces in post-Nazi Austrian culture. They were deeply interconnected aspirations in a city where nostalgia for the past dominated cultural reconstruction efforts and supported seemingly contradictory impulses. Viennese nostalgia at times concealed the perpetuation of antisemitic fantasies of the city without Jews. At the same time, the postwar desire to return to a pre-Nazi past relied upon notions of Austrian culture that Austrian Jews perfected in exile, as well as on the symbolic remigration of a mostly imagined “Jewish” culture now taxed with redeeming Austria in the aftermath of the Holocaust. From this perspective, philosemitism is much more than a simple inversion of antisemitism—instead, Tanzer argues, philosemitism, problematic as it may be, defines Vienna in the era of postwar reconstruction. In this way, Vanishing Vienna uncovers a rarely discussed phenomenon of the aftermath of the Holocaust—a society that consumes, redefines, and bestows symbolic meaning on the victims in their absence.
| Author | : Elana Shapira |
| Publisher | : Böhlau Wien |
| Total Pages | : 477 |
| Release | : 2018-10-01 |
| Genre | : Art |
| ISBN | : 3205206371 |
The Design Dialogue anthology is a remarkable exploration of the decisive role of Jewish patrons, professionals, architects, designers and authors in shaping modern Viennese architecture, design, and material culture. Leading cultural historians, museum curators, art historians, and architects present cutting edge research examining how famous and less known protagonists created new cultural languages, identifications and networks, engaged in social debates, and contributed to the cultural renewal of Vienna, a major capital in Central Europe, between 1800 and 1938.
| Author | : Marilyn Reizbaum |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 240 |
| Release | : 2019-09-19 |
| Genre | : Social Science |
| ISBN | : 1350098957 |
An obsession with “degeneration” was a central preoccupation of modernist culture at the start of the 20th century. Less attention has been paid to the fact that many of the key thinkers in “degeneration theory” – including Cesare Lombroso, Max Nordau, and Magnus Hirschfeld – were Jewish. Unfit: Jewish Degeneration and Modernism is the first in-depth study of the Jewish cultural roots of this strand of modernist thought and its legacies for modernist and contemporary culture. Marilyn Reizbaum explores how literary works from Bram Stoker's Dracula, through James Joyce's Ulysses to Pat Barker's Regeneration trilogy, the crime movies of Mervyn LeRoy, and the photography of Claude Cahun and Adi Nes manifest engagements with ideas of degeneration across the arts of the 20th century. This is a major new study that sheds new light on modernist thought, art and culture.
