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Vienna's Golden Years of Music, 1850-1900

Vienna's Golden Years of Music, 1850-1900
Author: Eduard Hanslick
Publisher: Books for Libraries
Total Pages: 382
Release: 1969
Genre: Music
ISBN:

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"A selection of Eduard Hanslick's reviews and essays."


Vienna Voices

Vienna Voices
Author: Jill Knight Weinberger
Publisher: Parlor Press LLC
Total Pages: 265
Release: 2006-04-19
Genre: Travel
ISBN: 1932559906

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A work of creative nonfiction, VIENNA VOICES: A TRAVELER LISTE01 General/trade TO THE CITY OF DREAMS offers a nuanced portrait of the enigmatic “City of Dreams,” whose intellectual and artistic culture reached its height at the end of the nineteenth century, only to be eclipsed in the twentieth by the collapse of the Habsburg empire and the rise of National Socialism.


The Cambridge History of Nineteenth-Century Music

The Cambridge History of Nineteenth-Century Music
Author: Jim Samson
Publisher: Cambridge University Press
Total Pages: 796
Release: 2001-12-03
Genre: Music
ISBN: 9780521590174

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The most informed reference book on nineteenth-century music currently available, this comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. Essays investigate the intellectual and socio-political history of the time, and examine topics such as nations and nationalism, the emergent concept of an avant garde, and musical styles and languages at the turn of the century. It contains a detailed chronology, and extensive glossaries.


After the Golden Age

After the Golden Age
Author: Kenneth Hamilton
Publisher: OUP USA
Total Pages: 321
Release: 2008
Genre: Music
ISBN: 0195178262

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Hamilton dissects the oft invoked myth of a 'Great Tradition', or Golden Age of pianism. He then goes on to discuss the performance style great pianists, from Liszt to Paderewski, and delves into the far from inevitable development of the piano recital.


Rethinking Hanslick

Rethinking Hanslick
Author: Nicole Grimes
Publisher: University Rochester Press
Total Pages: 378
Release: 2013
Genre: Music
ISBN: 1580464327

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Rethinking Hanslick: Music, Formalism, and Expression is the first extensive English-language study devoted to Eduard Hanslick--a seminal figure in nineteenth-century musical life. Bringing together eminent scholars from several disciplines, this volume examines Hanslick's contribution to the aesthetics and philosophy of music and looks anew at his literary interests. The essays embrace ways of thinking about Hanslick's writings that go beyond the polarities that have long marked discussion of his work such as form/expression, absolute/program music, objectivity/subjectivity, and formalist/hermeneutic criticism. This approach takes into consideration both Hanslick's important On the Musically Beautiful and his critical and autobiographical writings, demonstrating Hanslick's rich insights into the context in which a musical work is composed, performed, and received. Rethinking Hanslick serves as an invaluable companion to Hanslick's prodigious scholarship and criticism, deepening our understanding of the major themes and ideas of one of the most influential music critics of the nineteenth century. Contributors: David Brodbeck, James Deaville, Chantal Frankenbach, Lauren Freede, Marion Gerards, Dana Gooley, Nicole Grimes, David Kasunic, David Larkin, Fred Everett Maus, Timothy R. McKinney, Nina Noeske, Anthony Pryer, Felix Wörner Nicole Grimes is Marie Curie Fellow at University College Dublin (UCD) and the University of California, Irvine. Siobhán Donovan is a college lecturer at the School of Languages and Literatures, UCD. Wolfgang Marx is a senior lecturer at the School of Music, UCD.


The Oboe

The Oboe
Author: Geoffrey Vernon Burgess
Publisher: Yale University Press
Total Pages: 444
Release: 2004-01-01
Genre: Music
ISBN: 9780300093179

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The oboe, including its earlier forms the shawm and the hautboy, is an instrument with a long and rich history. In this book two distinguished oboist-musicologists trace that history from its beginnings to the present time, discussing how and why the oboe evolved, what music was written for it, and which players were prominent. Geoffrey Burgess and Bruce Haynes begin by describing the oboe’s prehistory and subsequent development out of the shawm in the mid-seventeenth century. They then examine later stages of the instrument, from the classical hautboy to the transition to a keyed oboe and eventually the Conservatoire-system oboe. The authors consider the instrument’s place in Romantic and Modernist music and analyze traditional and avant-garde developments after World War II. Noting the oboe’s appearance in paintings and other iconography, as well as in distinctive musical contexts, they examine what this reveals about the instrument’s social function in different eras. Throughout the book they discuss the great performers, from the pioneers of the seventeenth century to the traveling virtuosi of the eighteenth, the masters of the romantic period and the legends of the twentieth century such as Gillet, Goossens, Tabuteau, and Holliger. With its extensive illustrations, useful technical appendices, and discography, this is a comprehensive and authoritative volume that will be the essential companion for every woodwind student and performer.