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| Author | : Douglas G. Greene |
| Publisher | : Courier Corporation |
| Total Pages | : 299 |
| Release | : 2012-05-04 |
| Genre | : Fiction |
| ISBN | : 0486114120 |
Fourteen extraordinary Victorian and Edwardian crime stories by Rudyard Kipling, Arthur Conan Doyle, Jacques Futrelle, G. K. Chesterton, and others — many never before published in book form.
| Author | : Michael Sims |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 608 |
| Release | : 2011-12-20 |
| Genre | : Fiction |
| ISBN | : 080277962X |
The Dead Witness gathers the finest adventures among private and police detectives from the nineteenth century and into the early twentieth--including a wide range of overlooked gems creating the finest ever anthology of Victorian detective stories. "The Dead Witness," the 1866 title story by Australian writer Mary Fortune, is the first known detective story by a woman, a suspenseful clue-strewn manhunt in the Outback. This forgotten treasure sets the tone for the whole anthology-surprises from every direction, including more female detectives and authors than you can find in any other anthology of its kind. Pioneer women writers such as Anna Katharine Green, Mary E. Wilkins, and C. L. Pirkis will take you from rural America to bustling London. Female detectives range from Loveday Brooke to Dorcas Dene and Madelyn Mack. In other stories, you will meet November Joe, the Canadian half-Native backwoods detective who stars in "The Crime at Big Tree Portage" and demonstrates that Sherlockian attention to detail works as well in the woods as in the city. Holmes himself is here, too, of course-not in another reprint of an already well-known story, but in the first two chapters of A Study in Scarlet, the first Holmes case, in which the great man meets and dazzles Watson. Authors range the gamut from luminaries such as Charles Dickens to the forgotten author who helped inspire Edgar Allan Poe's "The Murders in the Rue Morgue," the first real detective story. Bret Harte is here and so is E. W. Hornung, creator of master thief Raffles. Naturally Wilkie Collins couldn't be left behind. Michael Sims's new collection unfolds the fascinating and entertaining youth of what would mature into the most popular genre of the twentieth century.
| Author | : Robin Stevens |
| Publisher | : Simon and Schuster |
| Total Pages | : 336 |
| Release | : 2017-04-04 |
| Genre | : Juvenile Fiction |
| ISBN | : 1481422200 |
A murdered heiress, a missing necklace, and a train full of shifty, unusual, and suspicious characters leaves Daisy and Hazel with a new mystery to solve in this third novel of the Wells & Wong Mystery series. Hazel Wong and Daisy Wells are taking a vacation across Europe on world-famous passenger train, the Orient Express—and it’s clear that each of their fellow first-class travelers has something to hide. Even more intriguing: There’s rumor of a spy in their midst. Then, during dinner, a bloodcurdling scream comes from inside one of the cabins. When the door is broken down, a passenger is found murdered—her stunning ruby necklace gone. But the killer has vanished, as if into thin air. The Wells & Wong Detective Society is ready to crack the case—but this time, they’ve got competition.
| Author | : Dr Christopher Pittard |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 280 |
| Release | : 2013-05-28 |
| Genre | : Literary Criticism |
| ISBN | : 1409478823 |
Concentrating on works by authors such as Fergus Hume, Arthur Conan Doyle, Grant Allen, L.T. Meade, and Marie Belloc Lowndes, Christopher Pittard explores the complex relation between the emergence of detective fictions in the 1880s and 1890s and the concept of purity. The centrality of material and moral purity as a theme of the genre, Pittard argues, both reflected and satirised a contemporary discourse of degeneration in which criminality was equated with dirt and disease and where national boundaries were guarded against the threat of the criminal foreigner. Situating his discussion within the ideologies underpinning George Newnes's Strand Magazine as well as a wide range of nonfiction texts, Pittard demonstrates that the genre was a response to the seductive and impure delights associated with sensation and gothic novels. Further, Pittard suggests that criticism of detective fiction has in turn become obsessed with the idea of purity, thus illustrating how a genre concerned with policing the impure itself became subject to the same fear of contamination. Contributing to the richness of Pittard's project are his discussions of the convergence of medical discourse and detective fiction in the 1890s, including the way social protest movements like the antivivisectionist campaigns and medical explorations of criminality raised questions related to moral purity.
| Author | : Michael Cox |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 0 |
| Release | : 1993 |
| Genre | : Detective and mystery stories |
| ISBN | : 9780192831507 |
During the Victorian era, Edgar Allan Poe, Charles Dickens, Arthur Conan Doyle and a host of others pioneered a genre of fiction that remains among the most popular today. In this new Oxford anthology, Cox provides a sampling of 31 of the finest detective stories written from the 1840s to the early 20th century.
| Author | : Michael Sims |
| Publisher | : Penguin |
| Total Pages | : 352 |
| Release | : 2011-01-25 |
| Genre | : Fiction |
| ISBN | : 1101486171 |
A wonderfully wicked new anthology from the editor of The Penguin Book of Gaslight Crime It is the Victorian era and society is both entranced by and fearful of that suspicious character known as the New Woman. She rides those new- fangled bicycles and doesn't like to be told what to do. And, in crime fiction, such female detectives as Loveday Brooke, Dorcas Dene, and Lady Molly of Scotland Yard are out there shadowing suspects, crawling through secret passages, fingerprinting corpses, and sometimes committing a lesser crime in order to solve a murder. In The Penguin Book of Victorian Women in Crime, Michael Sims has brought together all of the era's great crime-fighting females- plus a few choice crooks, including Four Square Jane and the Sorceress of the Strand.
| Author | : P. D. James |
| Publisher | : Knopf Canada |
| Total Pages | : 143 |
| Release | : 2009-12-01 |
| Genre | : Literary Criticism |
| ISBN | : 030739882X |
P. D. James examines the genre of detective fiction from top to bottom, beginning with the mystery plots at the hearts of such novels as Great Expectations and Jane Eyre, and bringing us firmly into the present with such writers as Amanda Cross and Henning Mankell. Along the way she writes about Arthur Conan Doyle, Dorothy L. Sayers, Agatha Christie, Edgar Allan Poe, Wilkie Collins, and Josephine Tey, among many others. She traces the facts of their lives into and out of their work; clarifies their individual styles; and gives us indelible portraits of the characters they've created: from Sherlock Holmes, "the unchallenged Great Detective," to Sara Paretsky's spunky, sexually liberated female investigator, V. I. Warshawski. She compares British and American "Golden Age" mystery writing, including the groundbreaking work of Dashiell Hammett and Raymond Chandler. She discusses detective fiction as social history; the stylistic components of the genre; her own process of writing; how critics have reacted over the years (Edmund Wilson hated it, W.H. Auden was "addicted"); and what she sees as a renewal of detective stories—and of the detective hero—in recent years. Here is the perfect marriage of writer and subject—essential reading for every lover of detective fiction.
| Author | : C. Clarke |
| Publisher | : Springer |
| Total Pages | : 230 |
| Release | : 2014-09-26 |
| Genre | : Fiction |
| ISBN | : 0230390544 |
This book investigates the development of crime fiction in the 1880s and 1890s, challenging studies of late-Victorian crime fiction which have given undue prominence to a handful of key figures and have offered an over-simplified analytical framework, thereby overlooking the generic, moral, and formal complexities of the nascent genre.
| Author | : Otto Penzler |
| Publisher | : Vintage Crime/Black Lizard |
| Total Pages | : 1439 |
| Release | : 2021-10-19 |
| Genre | : Fiction |
| ISBN | : 0593315804 |
Edgar Award winner Otto Penzler—“detective fiction’s best editor and champion” (The Washington Post)—returns with a new anthology of exhilarating mysteries, assembling Victorian society's lords and ladies and most miserable miscreants Behind the velvet curtains of horsedrawn carriages and amid the soft glow of the gaslights are the detectives and bobbies sniffing out the safecrackers and petty purloiners who plague everything from the soot-covered side streets of London to the opulent manors of the countryside. With his latest title in the Big Book series, Otto Penzler is cracking cases and serving up the most thrilling, suspenseful Victorian mysteries. This collection brings together incredible stories from Arthur Conan Doyle, Thomas Hardy, Oscar Wilde, Charles Dickens, Wilkie Collins, and Guy de Maupassant among other legendary writers of the grand era of the British Empire. So brush off your dinner jackets and straighten out your ball gowns for these exciting, glitzy mysteries. A VINTAGE CRIME/BLACK LIZARD ORIGINAL
| Author | : Catherine Louisa Pirkis |
| Publisher | : Lulu.com |
| Total Pages | : 194 |
| Release | : 2018-09-23 |
| Genre | : |
| ISBN | : 0359065902 |
""It's a big thing,"" said Loveday Brooke, addressing Ebenezer Dyer, chief of the well-known detective agency in Lynch Court, Fleet Street; ""Lady Cathrow has lost £30,000 worth of jewellery, if the newspaper accounts are to be trusted."" ""They are fairly accurate this time. The robbery differs in few respects from the usual run of country-house robberies. The time chosen, of course, was the dinner-hour, when the family and guests were at table and the servants not on duty were amusing themselves in their own quarters. The fact of its being Christmas Eve would also of necessity add to the business and consequent distraction of the household. The entry to the house, however, in this case was not effected in the usual manner by a ladder to the dressing-room window, but through the window of a room on the ground floor - a small room with one window and two doors, one of which opens into the hall, and the other into a passage that leads by the back stairs to the bedroom floor....""
