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Victorian Classical Burlesques

Victorian Classical Burlesques
Author: Laura Monros-Gaspar
Publisher: Bloomsbury Publishing
Total Pages: 313
Release: 2015-10-22
Genre: History
ISBN: 1472537874

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The Victorian classical burlesque was a popular theatrical genre of the mid-19th century. It parodied ancient tragedies with music, melodrama, pastiche, merciless satire and gender reversal. Immensely popular in its day, the genre was also intensely metatheatrical and carries significance for reception studies, the role and perception of women in Victorian society and the culture of artistic censorship. This anthology contains the annotated text of four major classical burlesques: Antigone Travestie (1845) by Edward L. Blanchard, Medea; or, the Best of Mothers with a Brute of a Husband (1856) by Robert Brough, Alcestis; the Original Strong-Minded Woman (1850) and Electra in a New Electric Light (1859) by Francis Talfourd. The cultural and textual annotations highlight the changes made to the scripts from the manuscripts sent to the Lord Chamberlain's office and, by explaining the topical allusions and satire, elucidate elements of the burlesques' popular cultural milieu. An in-depth critical introduction discusses the historical contexts of the plays' premieres and unveils the cultural processes behind the reception of the myths and original tragedies. As the burlesques combined spectacular effects with allusions to contemporary affairs, ambivalent and provocative attitudes to women, the plays represent an essential tool for reading the social history of the era.


Victorian Classical Burlesques

Victorian Classical Burlesques
Author: Laura Monros-Gaspar
Publisher: Bloomsbury Publishing
Total Pages: 313
Release: 2015-10-22
Genre: History
ISBN: 1472537882

Download Victorian Classical Burlesques Book in PDF, ePub and Kindle

The Victorian classical burlesque was a popular theatrical genre of the mid-19th century. It parodied ancient tragedies with music, melodrama, pastiche, merciless satire and gender reversal. Immensely popular in its day, the genre was also intensely metatheatrical and carries significance for reception studies, the role and perception of women in Victorian society and the culture of artistic censorship. This anthology contains the annotated text of four major classical burlesques: Antigone Travestie (1845) by Edward L. Blanchard, Medea; or, the Best of Mothers with a Brute of a Husband (1856) by Robert Brough, Alcestis; the Original Strong-Minded Woman (1850) and Electra in a New Electric Light (1859) by Francis Talfourd. The cultural and textual annotations highlight the changes made to the scripts from the manuscripts sent to the Lord Chamberlain's office and, by explaining the topical allusions and satire, elucidate elements of the burlesques' popular cultural milieu. An in-depth critical introduction discusses the historical contexts of the plays' premieres and unveils the cultural processes behind the reception of the myths and original tragedies. As the burlesques combined spectacular effects with allusions to contemporary affairs, ambivalent and provocative attitudes to women, the plays represent an essential tool for reading the social history of the era.


Victorian Classical Burlesques

Victorian Classical Burlesques
Author:
Publisher:
Total Pages:
Release: 2015
Genre: Burlesque (Literature)
ISBN: 9781474219242

Download Victorian Classical Burlesques Book in PDF, ePub and Kindle

The Victorian classical burlesque was a popular theatrical genre of the mid-19th century. It parodied ancient tragedies with music, melodrama, pastiche, merciless satire and gender reversal. Immensely popular in its day, the genre was also intensely metatheatrical and carries significance for reception studies, the role and perception of women in Victorian society and the culture of artistic censorship. This anthology contains the annotated text of four major classical burlesques: Antigone Travestie (1845) by Edward L. Blanchard, Medea; or, the Best of Mothers with a Brute of a Husband (1856).


Victorian Epic Burlesques

Victorian Epic Burlesques
Author: Rachel Bryant Davies
Publisher: Bloomsbury Publishing
Total Pages: 296
Release: 2018-10-04
Genre: History
ISBN: 1350027189

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This anthology presents annotated scripts of four major burlesques by key playwrights: Melodrama Mad! or, the Siege of Troy by Thomas John Dibdin (1819); Telemachus; or, the Island of Calypso by J.R. Planché (1834); The Iliad; or, the Siege of Troy by Robert Brough (1858) and Ulysses; or the Ironclad Warriors and the Little Tug of War by F.C. Burnand (1865). Beloved legend, archaeological riddle and educational staple: Homer's epic tales of the Trojan War and its aftermath were vividly reimagined in nineteenth-century Britain. Classical burlesques-exceptionally successful theatrical entertainments-continually mined the Iliad and Odyssey to lucrative comic effect. Burlesques combined song, dance and slapstick comedy with an eclectic kaleidoscope of topical allusions. From namedropping boxing legends to recasting Shakespearean combats, epic adaptations overflow with satirical commentary on politics, cultural highlights and everyday current affairs. In uncovering Homer's irreverently playful afterlife, this selection showcases burlesque's development and wide appeal. The critical introduction analyses how these plays contested the accessibility of classical antiquity and dramatic performance. Textual and literary annotations, with contemporary illustrations, illuminate the juxtaposed sources to establish these repackaged epics as indispensable tools for unlocking nineteenth-century social, cultural and political history. Resources for further study are available online.


Challenging Narratives

Challenging Narratives
Author: Alessandra Grossi
Publisher:
Total Pages: 0
Release: 2022
Genre:
ISBN:

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Victorian Theatrical Burlesques

Victorian Theatrical Burlesques
Author: Richard W. Schoch
Publisher: Routledge
Total Pages:
Release: 2017-12-15
Genre:
ISBN: 9781138723856

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This title was first publihsed in 2003. Burlesque was one of the most reviled - and most appealing - types of theatrical performance in the Victorian age. Wildly popular in their own day, burlesque plays are now little read, scarcely studied, and never performed. Yet, as Richard Schoch here shows, burlesques are a distinctive form of metatheatrical criticism-plays about plays-and thus offer us a unique opportunity to understand how drama changes over time. This critical edition is the first to focus exclusively on Victorian burlesques of Victorian plays. Victorian Theatrical Burlesques provides a general overview of theatrical burlesques in the period, emphasizing performance history. Sustained reference is made to burlesques other than those presented in the anthology. The volume also includes prefaces to each of the plays, fully annotated scripts, illustrations of burlesque performances, a checklist of burlesque plays, and a bibliography. The plays presented include H.J. Byron's 'Miss Eily O'Connor' (1861), a burlesque of Dion Boucicault's sensation melodrama 'The Colleen Bawn'; Byron's '1863; or, The Sensations of the Past Season' (1863), a burlesque of a stage version of Mary Elizabeth Braddon's novel 'Lady Audley's Secret'; F.C. Burnand's 'The Very Latest Edition of Black-Eyed Susan' (1866), a burlesque of Douglas Jerrold's nautical melodrama 'Black Eyed-Susan'; Byron's The 'Corsican 'Bothers'; or, The Troublesome Twins' (1869), a burlesque of Dion Boucicault's melodrama 'The Corsican Brothers'; and Charles Brookfield's and J.M. Glover's 'The Poet and the Puppets' (1892), a burlesque of Oscar Wilde's 'Lady Windermere's Fan'. Through its general introduction, prefaces and annotations to individual plays, checklist of plays, and bibliography, the volume allows both specialist and non-specialist readers to see Victorian burlesques as a rich historical record of shifting attitudes toward drama and the theatre. Giving long overdue emphasis to a unjustly neglected theatrical tradition, this


Theatre History Studies 2017, Vol. 36

Theatre History Studies 2017, Vol. 36
Author: Sara Freeman
Publisher: University of Alabama Press
Total Pages: 371
Release: 2017-12-12
Genre: Performing Arts
ISBN: 0817371117

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Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice.


Time Travelers

Time Travelers
Author: Adelene Buckland
Publisher: University of Chicago Press
Total Pages: 314
Release: 2020-05-11
Genre: History
ISBN: 022667679X

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The Victorians, perhaps more than any Britons before them, were diggers and sifters of the past. Though they were not the first to be fascinated by history, the intensity and range of their preoccupations with the past were unprecedented and of lasting importance. The Victorians paved the way for our modern disciplines, discovered the primeval monsters we now call the dinosaurs, and built many of Britain’s most important national museums and galleries. To a large degree, they created the perceptual frameworks through which we continue to understand the past. Out of their discoveries, new histories emerged, giving rise to fresh debates, while seemingly well-known histories were thrown into confusion by novel tools and methods of scrutiny. If in the eighteenth century the study of the past had been the province of a handful of elites, new technologies and economic development in the nineteenth century meant that the past, in all its brilliant detail, was for the first time the property of the many, not the few. Time Travelers is a book about the myriad ways in which Victorians approached the past, offering a vivid picture of the Victorian world and its historical obsessions.


Playfulness in Shakespearean Adaptations

Playfulness in Shakespearean Adaptations
Author: Marina Gerzic
Publisher: Routledge
Total Pages: 258
Release: 2020-04-30
Genre: Literary Criticism
ISBN: 1000073122

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Four hundred years after William Shakespeare’s death, his works continue to not only fill playhouses around the world, but also be adapted in various forms for consumption in popular culture, including in film, television, comics and graphic novels, and digital media. Drawing on theories of play and adaptation, Playfulness in Shakespearean Adaptations demonstrates how the practices of Shakespearean adaptations are frequently products of playful, and sometimes irreverent, engagements that allow new ‘Shakespeares’ to emerge, revealing Shakespeare’s ongoing impact in popular culture. Significantly, this collection explores the role of play in the construction of meaning in Shakespearean adaptations—adaptations of both the works of Shakespeare, and of Shakespeare the man—and contributes to the growing scholarly interest in playfulness both past and present. The chapters in Playfulness in Shakespearean Adaptations engage with the diverse ways that play is used in Shakespearean adaptations on stage, screen, and page, examining how these adaptations draw out existing humour in Shakespeare’s works, the ways that play is used as a pedagogical aid to help explain complex language, themes, and emotions found in Shakespeare’s works, and more generally how play and playfulness can make Shakespeare ‘relatable,’ ‘relevant,’ and entertaining for successive generations of audiences and readers.


Troy, Carthage and the Victorians

Troy, Carthage and the Victorians
Author: Rachel Bryant Davies
Publisher: Cambridge University Press
Total Pages: 413
Release: 2018-03-15
Genre: History
ISBN: 1108135544

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Playful, popular visions of Troy and Carthage, backdrops to the Iliad and Aeneid's epic narratives, shine the spotlight on antiquity's starring role in nineteenth-century culture. This is the story of how these ruined cities inspired bold reconstructions of the Trojan War and its aftermath, how archaeological discoveries in the Troad and North Africa sparked dramatic debates, and how their ruins were exploited to conceptualise problematic relationships between past, present and future. Rachel Bryant Davies breaks new ground in the afterlife of classical antiquity by revealing more complex and less constrained interaction with classical knowledge across a broader social spectrum than yet understood, drawing upon methodological developments from disciplines such as history of science and theatre history in order to do so. She also develops a thorough critical framework for understanding classical burlesque and engages in in-depth analysis of a toy-theatre production.